DinDin
搜索"DinDin" ，找到 以下影视作品
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JanetgetsintouchfromNewYork.ShetellsLaurathatshehasfoundsomebodyelseandiscontemplatingadivorce,evensendinganestateagenttohavethehousevalued.LauratriestoreconcileherparentsbutinvainasJanetinformsherthatsheisstayinginNewYorkbutwillprovideLaurawithaflat.Jamieandhisparentsareevictedandmoveintoamobilehomewhichtiltsalot.JamiethenannouncesthatheisquittingschooltofindworkandmoveintotheflatwithLaurawhilstBethmakesitcleartoMikethatshehasnodesiretokeepintouchaftertheironenightstand.
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马可·普罗塞皮奥
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In 2007 - Banksy goes to Palestine to paint on walls. Someone takes offense at a piece depicting an Israeli soldier checking a donkey's ID. A local taxi driver decides to cut it off and sell it back to the West. This is the story of the Palestinian perspective and reaction to street art through the work of its most celebrated hero. The story of an illegal black market of art stolen from streets around the world, cultures clashing in the face of an unsustainable political situation and finally of the changing perception on street art. It is not one story, but many. Like Banksy's art would be meaningless without its context, so the absence of it would be meaningless without an understanding of the elements that brought his artwork from Bethlehem to a Western auction house, along with the wall it was painted on.
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玛格丽特·惠顿
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A sassy parrot and a free-spirited librarian upend the well-ordered life of a solitary man. Lyman (Jackson Hurst) is a loner, working the graveyard shift for the Courtesy Patrol. When a green parrot flies in to his trailer he becomes obsessed with finding its owner, which leads him to Fiona(Rachel Nichols). She has been eyeing Lyman from a distance and decides to help with his parrot search, whether he wants her to or not. Along with her basset hound, they set out on a quest to find the bird’s previous owners and Fiona begins to unravel the mysteries of Lyman's past. But when Fiona joins Lyman on his nightly rounds, she witnesses a reality more intense than the romantic version she had envisioned.
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多米尼克·舒瓦西
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Moving.Demanding.Unclassifiable.Rare.ThesearethewordsgiventothegayfilmthatDirectorGéraudChampreuxisinvitedtopresentinasleepyseasidetown,butthosesamewordsalsodescribethisirresistiblyfunnyandsometimesabsurdistcomedy.Géraudisdrawnintothelivesofthelocalsincludingthehandsomeyoungprojectionistobsessedwithhim,thesnottyhoteldes...
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HAN Jay
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Same-sex couple Eunsoo and Yewon are living together happily. One day, a terrible traffic accident occurs and Eunsoo is seriously injured and her sister Eunhae dies. Eunsoo is disabled and Eunhae’s daughter Soomin became an orphan. Now Eunsoo and Yewon are in a position to take charge of Soomin. Take Me Home is a film that questions the meaning of a family. Right after the accident, Yewon says, “Are we not family? How can one abandon a family member because of what happened?” Eunsoo responds, “Family? Who acknowledges us as a family?” The three women live together as Yewon wished and they hope to be one family. They seem to be living like a happy (similar) family as they spend daily routines and visit the beach. But, like Eunsoo’s hopeless respond, the norms of the world prevent them from becoming one family. The true virtue of this film is in the ending. Instead of a happy or sad ending, this film, like DO Jonghwan’s poem ‘Ivy’, persistently chooses the road of happiness slowly without rushing even if it takes a detour.
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内详
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ArmandoIannuccipresentsapersonalargumentinpraiseofthegeniusofCharlesDickens.Throughtheprismoftheauthor’smostautobiographicalnovel,DavidCopperfield,ArmandolooksbeyondDickens-thenationalinstitution-andinsteadexploresthequalitiesofDickens’sworkwhichstillmakehimoneofthebestBritishwriters.WhileDickensisoftencelebratedforhispowerfuldepictionsofVictorianEnglandandhisroleasasocialreformer,thisprogrammeforegroundstheelementsofhiswritingwhichmakehimworthreading,asmuchforwhathetellsusaboutourselvesinthetwenty-firstcenturyasourancestorsinthenineteenth.ArmandoarguesthatDickens’sremarkableuseoflanguageandhisextraordinarygiftforcreatingcharactersmakehimastartlinglyexperimentalandpsychologicallypenetratingwriterwhodemandsnotjusttobeadaptedfortelevisionbuttobereadandreadagain.
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赫拉尔多·纳兰霍
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该剧依据北欧电视剧集「Bron/Broen」改编,故事描写美国埃尔帕索市（ElPaso）警员局命案侦察SonyaNorth（黛安·克鲁格）与墨西哥警探MarcoRuiz（DemianBichir）协作追击一个跨境作案的连环杀手。SonyaNorth是一个倔强!直爽的女警员,处世不敷油滑,对人不敷热忱,也缺美女人应有的怜悯心。她老是凭仗本人的直觉跟好恶来服务,有些情形会激愤她的共事,但也有些情形布满喜感。Ruiz是个典范的好男子,当身边的共事一个接一个被贩毒团体拉下水时,Ruiz仍能做到「出淤泥而不染」。AnnabethGish跟TedLevine也加盟该剧,AnnabethGish表演一个老男子的老婆Charlotte,来自一个富有的农场主家庭。当她的老公在墨西哥突发心脏病逝世后,她很快发明老私有很多鲜为人知的机密。TedLevine表演埃尔帕索市警员局警长,Sonya的顶头下属,一个到处展示出牛仔姿势的资深警员。ThomasWright表演在外地妇女掩护构造任务的StevenLinder,但黑暗过着双更生涯。EmilyRios表演「埃尔帕索时报」记者AdriannaPerez,任务勤恳。MatthewLillard表演记者DanielFrye,热爱集会跟交际,但这可能影响他的奇迹跟前程。CatalinaSandinoMoreno表演Ruiz的第二任老婆,当老公在外奔走的时间,她留在家里照料孩子!打理家务。
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肯·洛奇
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1987 - loveintimeofwar.AbusdriverGeorgeLennoxmeetsCarla,aNicaraguanexilelivingaprecarious,profoundlysadlifeinGlasgow.Herbackisscarred,herboyfriendmissing,herfamilydispersed;she’ssuicidal.GeorgetakeshertoNicaraguatofindoutwhathashappenedtothemandtohelpherfaceherpast.Oncehome,Carla’snightmarishmemoriestakeover,andCarlaandGeorgearethrownintothethickoftheUSwaragainsttheSandinistas.AmysterydevelopsoverwhereCarla’sboyfriendis,andthekeytohiswhereaboutsmaybeCarla’sfriendBradley,abitterAmericanaidworker.Shefindsherfamily,theContrasattack,andsheandtheScotfacetheirchoices.
