Lauro
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肖恩·埃文斯
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ITVhasconfirmedthathitdetectivedramaEndeavourhasbeenrecommissionedforaseventhseries.Theannouncementfollowscriticalacclaimandconsistentlystrongviewingfiguresforthemostrecentseries.ProducedbyleadingindieMammothScreeninpartnershipwithPBSMasterpiece,thesuccessfulserieschartstheearlycareeroftheyoungEndeavourMorse,playedbyacclaimedactor,ShaunEvans.ThenewsetoffilmswillseeEvansreprisehisrolealongsidecelebratedstarofstageandscreen,RogerAllamasmentorDIFredThursday.WrittenonceagainbyRussellLewis,whohaspennedallofthe27Endeavourscreenplaystodate,thenewserieswillbesetin1970andproductionwillbeginlaterthisyearfortransmissionin2020.FilmingwilltakeplaceinOxfordandthesurroundingarea.CreatorRussellLewissays:We’rethrilledITVhasasked#TeamEndeavourtocontinuetoaddtotheCasebookofColinDexter’simmortalcreation,andtakeE.MorseandOxford’sFinestintoanewdecadeofdecimalisation,packageholidays,theOilCrisis,Blackouts,ThreeDayWeeks,andEuropaEndlos.MammothScreen’sManagingDirector,DamienTimmeradded:We’vebeenthrilledwiththeresponsetoSeries6–itstestamenttoRussellLewis’continuingclevernessandalsothebrilliantpartnershipbetweenShaunEvansandRogerAllamasEndeavourMorseandFredThursday.The1970sarecallingus,andwecan’twait!HeadofDramaatITV,PollyHillcommented:We’reincrediblyproudofEndeavouranddelightedtohaverecommissionedthedramaforaseventhseries.WriterandcreatorRussellLewiscontinuestoengageviewerswithcarefullycraftedstoriesforEndeavourandThursdayaswemoveintothe1970s.We’regratefultotheproductionteamatMammothScreenforcontinuingtodeliversuchahighqualitydrama.RecentlyvotedthefourthgreatestBritishcrimedramaofalltimeinapollconductedbyRadioTimes,thedramahasgonefromstrengthtostrengthsinceitsfirstoutingasaone-offfilmin2012.Thelatestserieslaunchedwithaconsolidatedaudienceof6.9manda27\%share,markingEndeavour’sbiggestaudiencesince2014.MammothScreen’sDamienTimmerandHelenZieglerwillactasexecutiveproducersfortheseventhseries,alongsidewriterandcreatorRussellLewisandWGBH’sRebeccaEaton.ThenewsetoffilmswilldistributedbyITVStudiosGlobalEntertainmentinternationally.
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影片为集结了10位导演拍摄的爱情风光短片合集,由于篇幅所限,只选取了其中7段短小爱情故事,12位男男女女将在在美丽的拜城找到他们独一无二的另一半。 又名《白郡之恋> 白郡位于泰国西北部湄宏顺府的最西北端,其森林茂密,风景优美。它分为7个次郡和66个村庄,当地人口最多才三万人。在这个人烟罕至的郡里,其盛产的竟然是大蒜!由于白郡是泰国近年来新兴起来的一个旅游景点,当地的各方面建设可以说非常不商业化,这也保持了当地最原始的生态保护和民俗村貌。去过的人都说好。 现在,这部由10位电影导演以及12位电影演员共同合作的电影《白郡之恋》(ปาย in Love,ปาย发音:掰)将要与你见面了。见面时间是12月10日,地点在泰国的各大影院。还没有去过白郡的你,那就先去影院通过本片去领略白郡的风采吧! 遗憾的是,由于片长原因,其中三位导演的作品将不会在影院公映。我们只能在导演剪辑加长版的DVD中看到了。 我们将会看到的这七部分分别是: 1. 《爱你在(中)心》,导演:布拉差亚平克尧,主演:Leo Fud(ลีโอ พุฒ)和 ตาล-กัญญา รัตนเพชร์ 。 2. 《白郡明信片》,导演:Tanid Jidnugul,主演:Chayanan Arbrue 和 Suttirak Putasunrong。 3. 《你的三天,他的三天和我的三天》,导演:Bongkot Kongmarai,主演:雷麦唐纳和 Gradae Supakson Chaimongkon 4. 《姐姐啊!》,导演:Bantid Tongdee,主演:Boy 和阿辛央 5. 《单相思》,导演:Duroisit Niyomgul,主演:Bank 和妞 6. 《来自白郡的明信片》,导演:Sakchai Dinan,主演:Ran 7. 《爱的秘密》,导演:Ridipong Chais,主演:Noppan Bunyai,Pong Gambanart Zudapatong,Chaloton Borirart。
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réalisation Judith Du Pasquier un film de Sylvie Quesemand Zucca et Judith Du Pasquier production Abacaris Films coproduction ARTE France avec la participation de LCP Assemblée nationale soutien Fondation France, CNC, DICOM, Paroles et Cultures, PROCIREP et ANGOA diffusion ARTE France L’anorexie reste une énigme pour les familles, pour les médecins, pour les jeunes filles elles-mêmes. Pourquoi donc s’imposent-elles ces privations extrêmes En France et en Europe, les récits éclairants de femmes guéries et les réflexions de soignants très impliqués abordent l’univers complexe des anorexies contemporaines et explorent les nouvelles manières de soigner. Sélection Prix Média d'Enfance Majuscule 2017
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Anunprecedentedpandemichasravagedtheplanet,leavingresourcesinsufficienttomaintainthehumanpopulation.Tocombatthecrisis,atotalitariangoverningbodyknownasTheBureauestablished"TheDeal.”AcceptTheDeal,andyou'llreceiveajob,housing,andmedicalcarethatwillkeepyousafeandhealthyfortwentymoreyears,atwhichpointyoumusttakeyourownlif...
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Searchingforanadventurousstoryinthewoods,agroupofjournalismstudentsawakenasuperhumanbeingfromitslostcryo-chamber.Alongnightofmanhuntinganddesperationensues.
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TaurusCity,TheUnitedStatesofEurope,2023.Uly,adisillusionedsoldierriddledwithamnesia,returnshomefromawarintheMiddleEast,knowingonlythathemustdesperatelycombthecitytofindhisbelovedwife,Penelope.Fatefillsthisendlessnightwithaseriesofchancemeetings.WhetheritbethewealthyAlcyde,thebeastlycyclopsPopov,AeotheGyspy,orCicitheSorceress,goodorevilthattheybe,eachencounterfillsinamissingpieceofUlysmemory,sothathecanfinallyfacehispast.
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
