Deen
搜索"Deen" ，找到 以下影视作品
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萨姆·佩金帕
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一场意外让达克（史蒂夫·麦奎因 Steve McQueen 饰）即将面临漫长而又痛苦的牢狱之灾，为了让丈夫免于受难，达克的妻子卡罗尔（艾丽·麦古奥 Ali MacGraw 饰）不惜牺牲色相，贿赂监狱的上层官员。果不其然，达克获得了特别假释，与此同时，警长拜伦（本·约翰逊 Ben Johnson 饰）告诉达克，作为交换，他必须帮他一个“小忙”——抢劫一间银行！ 迫于拜伦的淫威，达克只能就范，然而，他并不知道的事，拜伦的内心里早已经判了自己死刑，他根本就没有想让达克或者离开犯罪现场。和达克一起行动的是一位名叫鲁迪（艾尔·勒提埃里 Al Lettieri 饰）的男子，他的想法同拜伦不谋而合。在这样腹背受敌的危险状况之下，达克能否顺利完成任务呢？
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罗德尼·阿谢尔
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In The Nightmare, director Rodney Ascher (Room 237) has done just that. The film explores the condition commonly referred to as “sleep paralysis.” That’s a condition where someone is in bed, but totally physically immobilized. Some who suffer from the condition – including the eight subjects in this documentary – feel they are visited by something evil during these periods. Ascher lets these subjects tell their stories, then we watch them play out on screen. It’s absolutely horrifying, if not wholly rewarding.
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Can the Justice League prevail against an unstoppable intergalactic machine with the power to bend time itself! Until now, the Justice League has triumphed over every foe who has challenged them. This time, they face Brainiac, a super-intelligent invulnerable machine whose mad quest endangers all life in the galaxy. When Brainiac zaps Superman, Wonder Woman and Green Lantern to different places in time, the race is on for Batman and The Flash to re-assemble the Justice League!
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因某些起因,雷克家的三姊妹布瑞尔（凯尔希·克莱恩 Kelsey Crane 饰）!凯丽（凯尔希·韦迪恩 Kelsey Wedeen 饰）跟萨曼莎（塔拉·格莱德 Tara Gerard 饰）与父亲约翰（丹·伍兹 Dan Woods 饰）的关联格外缓和,她们搬落发去,各自过着独破的生涯。某晚,布瑞尔接到父亲的德律风,宣称她们的爷爷刚逝世去,但是此前姊妹们始终以为爷爷早已逝世。越日,满腹怀疑的布瑞尔更收到一份遗言,下面称爷爷将一座湖边旅店作为遗产留给三姊妹。正被款项困扰的萨曼莎先行前去,却遭受了恐惧变乱。 葬礼上,布瑞尔见到久违的父亲。她并未违抗父亲的挽劝,执意要前去湖边旅店。越日,布瑞尔跟男友本（Jim Devoti 饰）!凯丽以及一众挚友相约动身。他们喝彩雀跃,却不晓得期待本人的是逝世神的镰刀……
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卡洛斯·萨马
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Xabiani
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Ponce
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León、Mauro
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Sánchez
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Navarro、José
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Antonio
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Toledano、Ximena
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Romo、Klaudia
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Garcia
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Seventeen-year-oldCarlosdoesntfitinanywhere,notinhisfamilynorwiththefriendshehaschoseninschool.Buteverythingchangeswhenheisinvitedtoamythicalnightclubwherehediscoverstheundergroundnightlifescene:punk,sexuallibertyanddrugs.
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ChrisSun
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Intheharsh,yetbeautifulAustralianoutbacklivesabeast,ananimalofstaggeringsize,witharuthless,drivingneedforbloodanddestruction.Itcaresfornone,defendsitsterritorywithbrutalforce,andkillswitharaw,animalisticsavageryunlikeanyhaveseenbefore.
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VanessaWilliams入侵紫藤街以一敌四，宁静的住宅区变成了喧闹的西部决斗场。OK，第七季大致就是如此。在上一季结尾，Mike和Susan因为家庭财政状况不佳准备搬走，PaulYoung突然回归紫藤街租下他们的房子，让他们看到一线生机。糟糕的是，MJ有可能不是他们的孩子。在新季首集中，紫藤街的居民惊讶地发现PaulYoung已经出狱了，还带着一位美貌的新妻子搬回来定居。所有人都怀疑Paul有某种企图。与此同时，靠着Paul的租金，Susan、Mike和MJ挤在一间小房子里生活。公寓的主人Maxine向Susan提供了一份「非传统」的工作，Susan看到了东山再起的曙光。Lynette富有的大学同学Renne(VanessaWilliams)突然登门拜访。Gabrielle和Carlos发现彼此都隐瞒了秘密。新近单身的Bree渴望开始新的生活，于是雇请年轻英俊的装修工人Keith(BrianAustinGreen)给自己装修房屋。她万万没有想到，自己会和这个年轻男人擦出火花来。
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
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A unique relationship flourishes between an aspiring artist and a plant man growing in his garden.
