LU
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大京
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丝丝
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跨性别女人！同性恋！泛性恋！北京人！宅女！玩Beatbox！ 基督徒！游戏瘾！话剧演员！大高个！整容掉败！长头发！爱撒娇！还须要再贴几多标签能力完全懂得TA！让咱们一同走进丝丝的生涯。 Trans woman? Homosexual? Pansexual? Beijinger? Geek girl? Beatbox！Christian? Game addict? Actress? Bean pole? Cosmetic surgery failure? Long haired? Flirt? How many more tags to you need to fully understand her? Let us enter the world of Sisi together.
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Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.
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林诣彬
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俄罗斯莫斯科闹市中心,履行押解义务的军方军队受到一伙练习有素的强盗打击,大战当时的现场惨不忍睹,主要的卫星元件受到挟制。国际刑警霍布斯（道恩·强森 Dwayne Johnson 饰）查明,包含此案在内的一系列案件均系前特种军队武士欧文·肖（卢克·伊万斯 Luke Evans 饰）所为。为了将这群练习有素!干练凶恶的强盗绳之于法,他辗转找到隐居世外桃源的多米尼克·托雷多（范·迪塞尔 Vin Diesel 饰）助拳。霍布斯开出的前提令人难以谢绝,他不只能够将托雷多跟布莱恩（保罗·沃克 Paul Walker 饰）一伙早年的犯法记载一笔取消,别的欧文一伙中居然另有本该逝世去的拉蒂（米歇尔·罗德里格兹 Michelle Rodriguez 饰）。史无前例的伤害战役,为了安宁平常的生涯,这群流亡之徒再上疆场……
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Lucid Dreaming forces the dreamer's dreamworld to merge with his waking one. But at what cost to the dreamer's grasp on reality? Dreams are doorways, but what are they really for? And, if you feel you must know, beware the TRICKSTER.
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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Following the crisis in Ukraine and Russia’s involvement in Syria, the world is closer to super power confrontation than at any time since the end of the Cold War. Now a committee of senior former British military and diplomatic figures comes together to war game a hypothetical ‘hot war’ in Eastern Europe, including the unthinkable - nuclear confrontation. The War Room faces a scenario that has haunted western strategists since civil war broke out in Ukraine potential Russian military involvement in the Baltic States of Latvia and Estonia. Like Ukraine these countries have sizable Russian speaking minorities, but unlike Ukraine they are members of NATO, whose founding treaty states that an attack on one ally is an attack on all of them. Because of this, western analysts regularly war game a situation where Russia seeks to exploit ethnic tensions in the Baltic and test the strength of the NATO Alliance.
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一个破产的年轻人为避开社交互的隐居客户找一份替身工作。与此同时，他和一个在酒吧认识的同事擦出了浪漫的火花。但是当他的客户开始干涉他的私人生活时会发生什么呢？Abrokeyoungmantakesajobasastand-inforhisreclusiveclient,whoavoidssocialinteractions.Meanwhile,hesparksaromancewithacoworkerhemeetsatabar.Butwhathappenswhenhisclientstartsmeddlinginhispersonallife?
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林诣彬
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东京,始终是改装汽车喜好者的天堂,庞杂狭小的街道成为了他们用豪情跟速率去拼杀的赛道。因为东京街道的弯道非常,在如许的道路上比拼速率,纯真的速率是无奈掉掉落成功。以是,东京的街道赛酿成了漂移技巧的竞赛。男配角尚恩（卢卡斯·布莱克 Lucas Black 饰）注定是个掉败者,在黉舍毫无友人,独一能发泄的处所就只有陌头赛车,在阅历一次合法赛车被警方通缉后,为规避监狱之灾,不得不分开美国,到东京他在军中退役的父亲家中。但是父亲的独裁,让尚恩认为与其心心相印,天天仍旧陷溺于陌头赛车中。东京赛车极高的漂移技巧把尚恩深深吸引,并结识了“漂移之王”DK（布莱恩·泰 Brian Tee 饰）。因为与岛国日本的犯法团体扯上关联,尚恩不得不为填补本人的错误再次竞赛,而此次竞赛的赌注倒是本人的性命。一场东京狂飙,就此拉开……
