Armin
搜索"Armin" ，找到 以下影视作品
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MityaandAlisaaresettogetmarried.TheproblemisthatMityaisstillmarriedtoVasya,whorefusestogranthimadivorce.CanMityaandhisfriendsconvinceVasyatochangehermind?
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拉尔夫·托马斯
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A series of unexplainable accidents befall the people and companies responsible for developing the world's first supersonic airliner (SST1). A British agent is sent to investigate and with the help of another agent uncovers a plot masterminded by Carl Petersen who stands to gain eight million pounds if the aircraft is not ready by a certain date. The evil Petersen has developed a number of robots (actually rather beautiirls with electronic brains) to help him sabotage the SST1 project by means of infrasound (extreme low frequency sound waves) which can be directed at people or objects with devastating results.
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玛莎·库利奇
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Inspired by stories of Polish musicians from the 1930-ies40-ies Music, War and Love is an uncommon love story; its romantic heartbeat is sustained by the love of music that draws its characters together. Two young lovers, ROBERT, a catholic opera singer and RACHEL, a Jewish violin virtuoso, dream of one day performing together at legendary Carnegie Hall. When they're torn apart by the German invasion of Poland, Robert vows to find Rachel, no matter what the war may bring. His search leads him on a life-threatening journey through the heart of Nazi Germany, to a reckoning that Rachel may be lost to him forever.
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MatafollowsthestoryofaFrenchsecretagentwhoiswoundedduringacovertmissioninNiger.Duringthisoperation,hercolleagueAntoineiscaptured,leavingherbothphysicallyandemotionallyscarred.UponherreturntoFrance,Matavolunteersforacounter-espionagemissionintheAlps.ShesuspectsthatthisnewassignmentissomehowlinkedtohertraumaticexperienceinAfrica.Asshedelvesdeeperintothemission,Matabecomesincreasinglyconvincedthathersuperiorsareconcealingcriticalinformationfromher.Determinedtouncoverthetruth,sheoperatesoutsideofficialchannels,riskinghercareerandherpersonalsafety.
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安迪·格里菲斯
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Narrated by the legendary Andy Griffith (THE ANDY GRIFFITH SHOW, MATLOCK), this heartwarming animated special is a charming re-imagination of the classic Christmas story following the three wise men on a wondrous quest to meet the newborn king. Their journey is told through rhymed narration alongside a soundtrack of holiday carols performed by The Brothers Cazimero from Hawaii. The digital release features a new original song by Jonas Myrin, a Grammy Award-winning songwriter.
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Two penniless brothers with no prospects, who hope to give their thirteen-year-old sister a better future, invent an unusual job for themselves: armed with masks and mini cameras, they publically demolish the identity of the various “neighborhood sly guys” who infest Italy, transforming themselves into two improbable “heroes for hire.”
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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Followstherelentlessjourneyofadeterminedyoungwomanassheunravelsthedisturbingtruthbehi...
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Emerson Graham's nights as a cab driver are filled with annoyances and inconveniences, but until tonight, never attacks and disappearances. After picking up a mysterious passenger her evening goes from working a job to performing a quest as they must race against the clock to defeat a force of evil. The meter is running.
