Pattin
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Based upon the music by legendary Swedish artist Tomas Ledin, "En del av mitt hjärta" is a musical drama about Isabella, a driven business woman and a real hot shot within the Stockholm finance world. When she returns to her small hometown to celebrate her father's 60th birthday she feels like a winner compared to her old classmates, being the only one who actually made something of herself. Isabella's confidence is shaken when she realizes that Simon, her big teenage crush, is marrying her childhood friend Molly and that she isn't even invited to the wedding. Isabella is used to getting what she wants, and seeing Simon so happy with somebody else bothers her. A part of her heart will always beat for Simon
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Professor Stephen Hawking thinks the human species will have to populate a new planet within 100 years if it is to survive. With climate change, pollution, deforestation, pandemics and population growth, our own planet is becoming increasingly precarious. Planet Earth has been home to humankind for over 200,000 years, but with a population of 7.5 billion and counting and limited resources, this planet might not support us forever. In this landmark film Professor Hawking, alongside engineer and radio astronomy expert Professor Danielle George and a former student, Christophe Galfard, join forces to find out if, and how, humans can reach for the stars and relocate to different planets. Travelling the globe, they meet top scientists, technologists and engineers who are working to answer our biggest questions: is there another planet out there that we could call home? How will we travel across the vast distances of space to get there? How will we survive the journey? And how will we set up a new human civilization on an alien world? Taking in the latest advances in astronomy, biology and rocket technology from the Atacama Desert to the wilds of the Arctic, viewers will discover a whole world of cutting edge research. This programme shows that Professor Hawking's ambition isn't as fantastical as it sounds - and that science fiction is closer to science fact than we ever thought.
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Ernesto lives life in a limbo of sorts, stuck somewhere between the promise of an exit visa and the fear of rotting away in Havana. But his smooth-talking schemes to secure papers are complicated when he crosses paths with Anita, and is faced with the only incentive to stay in Cuba—love. Screenwriter Alejandro Brugués makes his directorial debut with this poignant romance about the price of freedom, the power of sacrifice and the meaning of happiness.Alejandro Brugues was born in Buenos Aires, but he is a Cuban national. After studying Advertising, Psychology and Philosophy, he graduated with a Screenwriting major from the Escuela de San Antonio de los Banos. After taking his first steps as a screenwriter, he directed and wrote this first work, which received awards at the Cine en Construcción section of the Guadalajara Film Festival. Personal belongings is a love story that takes on the everyday reality of Cuba: Ernesto keeps his "personal belongings" in a briefcase, waiting for the moment when he will finally be able to leave the island; meanwhile Ana has decided to stay and not go with her parents, who fled on a raft. The two youngsters meet when he goes to the policlinic where she works, and although by falling in love they each find what they were looking for in each other, they also know they have decided on very different paths and at some point they’ll have to make a final choice.
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Alaska Rose has had a difficult few years since her mom left the family four years prior; acting out, rebelling against her single dad, Conner, getting into trouble in school and worse. But when she turns eighteen, Alaska finds herself in front of a judge in adult court for some of the same out-of-control behavior. In lieu of a jail sentence, Alaska is ordered to do community service in an assisted living facility where she is assigned to Mrs. Foster, an elderly resident who is unapproachable at best and hostile at her worst. Will Mrs. Foster be Alaska's undoing or will she simply be another obstacle on the road to the headstrong girl's freedom As Alaska tries to minimally fulfill her court obligation and dodge actual jail time, she deals with peer pressure, static from her family, outside influences and demons from her past. Can she navigate the tumult and re-discover a relationship with God and her family or will she remain caught in the cycle of bad choices and lose what little of either is left
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SYNOPSISHanKil-soowilldoanythingandeverythingtogetahead.HebetraysChairmanHeoMan-chul,whohasbroughtKil-soosuccess.Kil-sooeventakesChairmanHeosmistress,SongMi-ran,awayfromhim.WhenhemeetsSeoJi-hye,acollegestudent,Kil-soofallsinloveforthefirsttime.Hequicklyframeshiswifeandevendivorcesher.Ontheotherhand,Kil-sooshometownfriend,BaekChan-gyu,valuesmentalpeaceaboveallandsearchesforthevalueofwork.ByChairmanHeosplotting,Kil-sooisbankrupted.Hespendsthreeyearsandsixmonthsinjail.Afterhisrelease,Kil-soostillhasntlostthatarroganceinhiseyes.Hestillbelievesinthegoldendreamofbeingaspecialcitizen.故事韩Gilsu没有覆盖的方法和手段背叛了总统为许Mancheol走向成功,并占据了目的地从中songmiran燃烧的许Mancheol总裁。被命名徐智慧大学生感受到爱的第一感受他的妻子,他终于载体,离婚。家乡的朋友BAEK张裕通过向追求精神的宁静和工作的价值给予优先考虑。Gilsu他的眼睛达到了诡计的破产让来住3年6个月的监禁还有俏皮的外观不失金色幻想的特殊公民总统。
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WhenPompeiiwasdestroyedbyanapocalypticvolcanoin79AD,anotherRomantownwasalsodestroyedandexpertsnowusecutting-edgetechtoinvestigatethesecretsofVesuvius'secondvictim.解谜被维苏威火山摧毁的庞贝姐妹城——赫库兰尼姆的故事。
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
