Cazares
搜索"Cazares" ，找到 以下影视作品
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珍妮弗·里德
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Zaynab, a thirty-something Pakistani, Muslim, lesbian in Chicago takes care of her sweet and TV-obsessed mother. As Zaynab falls for Alma, a bold and very bright Mexican woman, she searches for her identity in life, love and wrestling.
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洛奇林·莫罗
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乔纳森·利普尼基
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蒂莫西·V·墨菲
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艾比·罗斯
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艾莉森·巴思
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Catherine Lough Haggquist
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约翰·卡西尼
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Megan Peta Hill
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Avery Konrad
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詹娜·伯曼
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安妮特·赖利
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Matthew Nelson-Mahood
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科里·拉奇
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Phoebe Miu
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内尔斯·莱纳森
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A listless grand-daughter, Chance Sinclair (Avery Konrad), is sentenced to live with her draconian grand-father, August (Timothy V. Murphy) after a violent incident at school and begins to question the source of her families immense wealth and power. When Chance's scheming Mom, June (Annette Reilly), hires a troubled chef, Sydney (Johnathan Lipnicki), to poison August, the family's monstrous secrets are revealed over the course of one bloody night. Every soul is up for grabs as The Sinclair Family Games Night gets underway and Chance learns that being apart of this family is a blood-in, blood-out proposition.
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ThisisanadaptationofE.Lockhart’sbest-sellingyoungadultnovelofthesamename.Theseriesfocusesonthethemeoftheresultsofone’smistakesandrevolvesaroundtheaffluentandseeminglyperfectSinclairs,whoenjoyspendingeverysummergatheringontheirsecretisland.However,somethingstrangehappenstooneofthemembersofthefamily,Cadence,inthesummer...
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Loring"Red"Nicholsisacornet-playingcountryboywhogoestoNewYorkinthe1920sfullofmusicalambitionandprinciples.HegetsajobplayinginWilParadisesband,butquitstopursuehisdreamofplayingDixielandjazz.Heformsthe"FivePennies"whichfeatureshiswife,Bobbie,asvocalist.Atthepeakofhisfame,RedandBobbiesdaughter,Dorothy,developspolio...
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ChrisSun
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Intheharsh,yetbeautifulAustralianoutbacklivesabeast,ananimalofstaggeringsize,witharuthless,drivingneedforbloodanddestruction.Itcaresfornone,defendsitsterritorywithbrutalforce,andkillswitharaw,animalisticsavageryunlikeanyhaveseenbefore.
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AregalmannamedVangelisthrustonajourneyagainsthiswillwhenheismysteriouslyarrestedandbeginstohavestrangevisionsofawomaninwhite.Armedwithanancientbookthathereceivesfromawisesage,hisadventurebegins.
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Afunnyandirresistiblestoryofayounggirlwholiterallycannotseeorhearhermother,despitelivingunderthesameroof.Withthehelpofaneccentricyoungpsychiatrist,(BenjaminWalker:TheChoice),andalocalaccidentalhero,ourheroine(ShannonTarbet:Beast)fallsinloveandeventuallytakesholdofherfuture-despitenotseeingwhat’sinfrontofher!Aheart-warmingstoryofloveandself-discoverystarringAidanTurner(Poldark),Chlo?Sevigny(AmericanHorrorStory)andMatthewBroderick(FerrisBueller’sDayoff)
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迈克尔·泰兹
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贱格黑人女子马尔科姆（马龙·韦恩斯 Marlon Wayans 饰）跟他的白人女友梅根（杰米·普莱斯利 Jaime Pressly 饰）搬入一处新屋子,谁知刚搬来第一天他最爱的狗狗就遭受新奇事变逝世亡,所有预示着劫难的开端。梅根在屋子里发明一个恐怖的怪娃娃,而毫无敬畏心的马尔科姆则招惹了这个娃娃；马尔科姆在阁楼找到一卷珍藏着恐怖影像的录影带,诡异的画面令人毛骨悚然；梅根的长女贝琪（阿什利·理查兹 Ashley Rickards 饰）遭受连续串恐怖变乱,贝琪的弟弟自称有一个名叫汤尼的隐性友人。 恶梦如狂风雨般澎湃而来,四口之家遭受着最为恐怖的咒骂……
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
