Viitanen
搜索"Viitanen" ，找到 以下影视作品
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Scaredoflifeandlackingthecouragetobehimself,Ludovicoliveshiddenawayinhisgrandmother'soldapartment.Onenight,thewickednessoftheworldgoestovisithimintheformofJack,aboywhoisLudovico'sagebuthastheoppositecharacter:hard,determined,perhapscriminal.Theforcedcohabitationoftwohumanbeingswhocouldn'tseemmoredifferentfromoneano...
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剧情讲述一对从小分开长大的亲生兄弟本来关系亲密，却因为喜欢上同一个女生而反目的故事！?双男主妈是一个大家庭的佣人。一天太太流产了，算命的说这两孩子在一起会自相残杀云云之类的。当妈的很害怕，太太就说要不把小的（Neng饰演）给我，我保证他好吃好住。妈妈答应了，带着大的（Tre饰演）回乡下。两兄弟长大后接受命运的安排，果然相遇了，还玩得很开心。然而一个女军医（Plengkwan饰演）打破了平静。他们两个都爱上了她，开始抢女人大战！?
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ThelifeofDrHanhasbecomeapermanentquestforperfection.Fromthelivestreamedoperatingtheatretoartfairsviafashionshows,thefamousChineseplasticsurgeonhasonlyoneaim:beauty.Throughtheimplacableportraitofthischaracter,thefilmquestionsbeautyasasimultaneouslyessentialyetvainelementofsocietyintheeraofselfies.
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StateLikeSleepisafilmaboutthebasicneedforhumanconnectionandlove.Thetitlerefersnotonlytoadoctorsinadequateyetpoeticdescriptionofwhatitsliketobeinacoma,butalsotothepsychologicalstateonecanenterwhendealingwithtrauma;emotionallyclosedoffbutacutelyconscious,ablankexteriorhousingarichinteriorlife.Thestoryenablesthissurrealstatebypairingspiritualdamagewithawkwardhumor,thrillwithmystery,andsexualspectaclewiththesublime.StateLikeSleepfindsloveandhopeinunexpectedplacesasittravelsthroughtheupsanddownsofmourningandloss.
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Euskadi 1985. El colegio ha terminado, por fin llegan las ansiadas vacaciones. Marcos y sus tres amigos, José Antonio, Paquito y Toni, reciben expectantes la llegada del verano, un verano prometedor sobre todo porque a sus doce a?os poco importa dónde, ni cuándo, ni cómo. Recorrerán las horas en el laberinto que la vida les ha deparado, en una Euskadi antigua, luchadora, convulsa. Un laberinto de paredes grafiteras, donde rebotan las pelotas de goma y los sue?os de libertad; cubierto de un cielo gris prefabricado en cooperativas, donde la muerte y la vida ya no mantienen relaciones formales.
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Ernesto lives life in a limbo of sorts, stuck somewhere between the promise of an exit visa and the fear of rotting away in Havana. But his smooth-talking schemes to secure papers are complicated when he crosses paths with Anita, and is faced with the only incentive to stay in Cuba—love. Screenwriter Alejandro Brugués makes his directorial debut with this poignant romance about the price of freedom, the power of sacrifice and the meaning of happiness.Alejandro Brugues was born in Buenos Aires, but he is a Cuban national. After studying Advertising, Psychology and Philosophy, he graduated with a Screenwriting major from the Escuela de San Antonio de los Banos. After taking his first steps as a screenwriter, he directed and wrote this first work, which received awards at the Cine en Construcción section of the Guadalajara Film Festival. Personal belongings is a love story that takes on the everyday reality of Cuba: Ernesto keeps his "personal belongings" in a briefcase, waiting for the moment when he will finally be able to leave the island; meanwhile Ana has decided to stay and not go with her parents, who fled on a raft. The two youngsters meet when he goes to the policlinic where she works, and although by falling in love they each find what they were looking for in each other, they also know they have decided on very different paths and at some point they’ll have to make a final choice.
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孙宁
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黄河中游的三门峡湿地,是野生大天鹅主要的越冬栖身地。每年吸引一万余只越冬的大天鹅。一只雌性大天鹅“美峡”同党受伤,不得不永远留在越冬地。在这里,它与另一只受伤的天鹅组建家庭并孵化出了7只幼崽,这是野生大天鹅在黄河道域越冬地天然滋生胜利的首例。随后的五个月里,美峡先后得到 老公跟一个孩子,家庭遭遇伟大变故。单亲母亲难题重重。秋末,大天鹅连续到达黄河中游的越冬地。美峡的领地也遭到了挑衅。第二年春季,越冬的天鹅开端飞回南方滋生地。面临迁移,六个孩子又将何去何从呢！ "A female swan Meixia, whose wings were injured and could not fly, had to stay permanently in the wintering grounds, where she and another wounded swan fell in love, then started to breed and rear their young. However, Meixia lost her husband and one child sequentially in five months, the single mother suffered deeply from her family lost and life bristled with difficulties for her unexpectedly. At the end of autumn, the wintering ground in the Yellow River Basin is crowded with other swans which means Meixia’s territory is facing challenge. Next year spring, swans are flying back to their breeding grounds. When facing migration, what will be the destiny of her six children?"
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Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
