Mathus
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1954年的英国电影《轰炸鲁尔水坝记》(TheDamBusters)，这部电影几乎以纪录片的形式记录了第二次世界大战中1943年5月16日晚上英国皇家空军执行的“惩戒行动”。Thisfilm,detailstheAlliedeffortstotargetGermandamsduringWorldWarTwo.Inverymethodical,butalsoenthusiasticfashion,theyfiguredoutwhatplane,whatbomb,whatangle,whataltitude,etc.,werenecessarytoinflictmaximumdamagetothedams,whileminimizinglossestotheplanes.Theanswertheycameupwith,soundsabsurd,butitworked:verylarge,cylindricalbombsrotatingbackwardsatahighrateofspeed,causingthem,whendropped,toskipalongthesurefaceofthewater,rightuptothebaseofthedam.要炸掉水坝，可不是容易的事情，电影详细介绍了炸弹设计者的设计过程，以及英国军方采纳这个计划的过程(因为乍听起来实在像是天方夜谭)，这个片子看起来决不乏味，甚至是相当令人激动地。该片获第28届奥斯卡最佳效果奖提名及第9届英国电影学院最佳电影，最佳英国电影和最佳编剧3项提名。
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中国晚期引进的科幻译制片（实在实质是个僵尸片子。。。）Twosisters,highschoolseniorsintheearly1980s,awakenonemorningtobloodredskiesandtherealizationthatthehumanracehasbeenwipedout.ItbecomesapparantthatanyonewhowasnotsurroundedbysteelwhentheEarthrecentlypassedthroughthetailofHaley’scomethasbeenreducedtoapileofredash(thetraceelementsofhumanchemicalmakeup.)TheyencounterarebelliousNativeAmericanmanandtakeovertheairwavesatalocalradiostationinanattempttogethelp.Unfortunately,theyattracttheattentionofagroupofscientistswhoknewwhattheeffectsofthecometwouldbe.Theyhidundergroundinasteellaboratory,butidioticallylefttheventsopen.Now,asvarioussurvivorsofthecometwhowereonlypartiallysurroundedbysteelaredecayingintoflesh-hungryzombies,thescientistsareattemptingtocomeupwithavaccinemadeofthebloodofpeoplewhowerenotinfectedbythecomet.Thusthetriomustfighttheirwaypastnotonlyrovingpacksofthecannibalisticdead,butalsooutsmartapackofscientistsdesperatenottobecomethatwaythemselves.
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When an overenthusiastic Maya accidentally embarrasses the Empress of Buzztropolis| she is forced to unite with a team of misfit bugs and compete in the Honey Games for a chance to save her hive.
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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When Troy Holloway wakes up to find himself trapped aboard a drifting escape pod shooting towards the Sun he quickly realises the true terror of his situation. With rapid oxygen depletion and a burn- up rate of 90 - minutes, Commander Roberts leads a rescue party to save Holloway before time runs out. Having recently lost his son and now confronted by his immediate end, Holloway feels less enthusiastic about survival. But Roberts, speaking to him only through a weak radio transmission, is determined to save his life, and both soon learn that the lives they have both lived influence each other in unexpected ways.
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Aschemingconartist(ElyseDuFour,AMC’sTheWalkingDead)posesasinnocentbabysitter"Amber"tostealfromTedHooper,awealthyoccultenthusiastwithareclusivesonnamedKevin.HercrewarrivestocleanoutthehousejustasKevinstumblesupononeofhisfather’smostprizedartifactsandunwittinglysummonsatrioofwitchesknownasTheThreeMothers.Astheplayful,sadisticwitchesstartpickingpeopleoff,AmberandKevinformanunlikelybondandtrytosurvivethenighttogether.
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Inthe18thcentury,LouisdeBourguignonisworkingwiththeMalichot’sgang,buttheirwaysaretoo’unethical’forhim.Hecreateshisownband,actingunderthenameofCartouche,makingaudaciousrobberiesofmoxia.cctherichpeople,andevendistributingthetakingswiththepoor.Thus,cartoucheattractsthepeople’ssympathies,Venus’slove,andhatefromthePoliceandMalichot...Cartouchecanescapeallthetrapstheysetathim-excepttheentrapmentsoflove.Eventually,hewillbesavedbyawoman,atherowncost.
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Inthe18thcentury,LouisdeBourguignonisworkingwiththeMalichot’sgang,buttheirwaysaretoo’unethical’forhim.Hecreateshisownband,actingunderthenameofCartouche,makingaudaciousrobberiesofmoxia.cctherichpeople,andevendistributingthetakingswiththepoor.Thus,cartoucheattractsthepeople’ssympathies,Venus’slove,andhatefromthePoliceandMalichot...Cartouchecanescapeallthetrapstheysetathim-excepttheentrapmentsoflove.Eventually,hewillbesavedbyawoman,atherowncost.
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樊启鹏
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[InAsYouSee,Farockisearchesforthoseinstancesandfactsinthehistoryoftechnologythathavebeenoverlookedorignored,alsoexploringtheambivalentrelationshipbetweentechnologiesdevelopedforciviluseandthosedesignedformilitarypurposes.Thusthefilmforinstancedescribeshowinthe1970'sworkersattheBritisharmsfactoryLucasAerospaceattemptedtod...
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由拉里-大卫（Larry David）主演的《CURB YOUR ENTHUSIASM》系列喜剧片曾荣获艾美奖?和金球奖?，该片以幽默诙谐的方式描述了这位作家、制片人和喜剧演员虚构的生活。
该系列喜剧继续证明了日常生活中看似琐碎的细节是如何引发一连串灾难性事件的。为了保持叙事的即兴性，该剧在拍摄时没有剧本，演员们拿到场景提纲后即兴创作台词。
