Rigby

SirDavidAttenboroughistopresentandnarrateanewlandmarkfilm,ClimateChange:TheFactsforBBCOne.Thedocumentarywillprovideanurgentlookatthescienceofclimatechangeandthepotentialsolutionstothisglobalthreat,combiningfootagethatrevealsthealreadydevastatingimpactofclimatechangeonourplanetwithinterviewsfromsomeoftheworld’sleadingclimatescientists.Afteroneofthehottestyearsonrecord,climatologistsandmeteorologistsexplaintheeffectsofclimatechangeonboththehumanpopulationandthenaturalworld.Scientists,includingDrJamesHansen,DrMichaelMannandProfessorCatherineMitchellwillforensicallyunpackthesciencebehindtheextremeweatherconditionsofrecentyears,whichhaveseenunprecedentedstormsandcatastrophicwildfires;aswellasdetailinghowtheacceleratingrateatwhichtheworld’siceismeltingiscausingsealevelrises,andhowdeforestationisexacerbatingtheproblemofglobalwarmingbyaddingtoCO2intheatmosphere.Thefilmwilldeliveranunflinchingexplorationofwhatdangerouslevelsofclimatechangecouldmeanforhumanpopulations,whatislikelytohappenifglobalwarmingexceeds1.5degreesandifmajorreductionsinCO2emissionsarenotmadeinthenextdecade.Thedocumentarylookstooatpotentialsolutions,exploringtheinnovations,technologyandactionstheworld’sgovernmentsandindustriesaretakingtopreventfurtherwarmingandshowcasingindividualswhoarecreatingchangeatgrassrootslevels.Inthefilm,SirDavidAttenboroughsays:"Inthe20yearssinceIfirststartedtalkingabouttheimpactofclimatechangeonourworld,conditionshavechangedfarfasterthanIeverimagined.Itmaysoundfrighteningbutthescientificevidenceisthatifwehavenottakendramaticactionwithinthenextdecadewecouldfaceirreversibledamagetothenaturalworldandthecollap搜索引擎优化foursocieties.We’rerunningoutoftimebutthere’sstillhope…Ibelievethatifwebetterunderstandthethreatweface,themorelikelyitisthatwecanavoidsuchacatastrophicfuture.”

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

1944年，二战已经接近尾声，穷途末路的德国纳粹变得格外残忍，众多盟军士兵在缴械后惨遭杀害。美军士兵迪克（CorbinAllred饰）、斯蒂文（AlexanderPolinsky饰）、谢尔（LarryBagby饰）和戈登（PeterAsleHolden饰）四人从纳粹的屠杀中侥幸逃脱，曾经在德国担任神父的迪克通晓德语，加之出色的枪法令他成为四人中颇为依赖的战力，然而此时的迪克身陷厌战症的困扰，频频出现在眼前的黑影不知是敌人的身形还是死神的召唤？四人在暂时栖身的木屋中恰巧听闻了德军的情报，于是赶在德军之前救出了一位英军飞行员温利。温利身负传递德军布阵情报的重要使命，为了让情报顺利传达挽救盟军将士生命，迪克等四人与温利一同踏上穿越德军封锁线的征途……

Thestorybeginsin1996whenColonelSodhi,now70 - visitshissisterandherfamily.However,evenafteroverhalfacentury,thenightmaresofhisintensebattleanditsaftermathoftenreturntohaunthim.OldSodhiandyoungAmarbegintobondandSodhiaccompaniesAmartoBurma(Myanmar)foranassignmentfromBBCtoshootadocumentaryonthestudentsagainsttheMilitaryJuntaforfreedomanddemocracy.InSingapore,SodhivisitstheplaceswhichbringbackthememoriesofhimasaLieutenantintheBritishIndianArmyLt.SodhimeetsabeautifulphotographerMayawhoinspireshimtochange.SodhifallsinlovewithMayawhojoinstheIndianNationalArmy.OldSodhilandsinBurmawithAmar,andiswelcomedbyanIndiangirlRani.TheyaccidentallygetcaughtinthestudentprotestandfiringbytheMilitaryJuntatosuppressthestudentagitation.WhenthesoldiersoftheMilitaryJuntagetroughandviolentwithAmarandRani,oldSodhiissuddenlytransformedintotheyoungLt.SodhiandkillsthetwoBurmesesoldierstodefendhisgroup.OldSodhiandhisgroup’sescapefromtheBurmesesoldiersrunsparalleltotheattackbytheBritishbombersonLt.Sodhi’sunit.In1944 - theIndianNationalArmy,tired,hungry,cold,feverish,sickhadreachedImphaltodefenditagainstalltheoddspiledheavilyagainstthem.InaschoolsetupbyRani’sgrandmother,OldSodhifindsthephotographofMayaandrealizesthatMayahasbeendead.OldSodhi,finallyredeemshimselfbyhelpinghisyounggroupsafelycrossoverfromBurmaintoIndia,andkeephispromisetoMayathathewouldonedayreturntoBurmatofindherandbewithherwhenhisbodyisblownbytheBurmesesoldierstoashesandglory.

　在为地皮治理局任务的最后一份任务中,考古学家汤姆·迪格比(TOM DIGBY)发明本人在新墨西哥州一个偏僻角落的老牧场上碰到了一座奇异的天然山丘。在受到牧场主人跟一群人的蛮横打击后,汤姆逃走了牧场跟希尔的奥秘气力,却被困在了四周的城镇里。疑问是,汤姆·迪格比不绝地挖。这个小镇跟它独特的住平易近一直地把他拉进这个小镇更大的诡计中——这个诡计的中心是一个退休的考察局间谍。汤姆得悉,他可能是一系列注定要消逝在牧场跟山上的地皮丈量员中最新的的一个——而这可能是他最不担忧的事件

ACatholichighschoolstudent,tryingtoperfecthissoccertimingbypracticingdance,fallsinlovemolikan.comwithhisdancepartner.

OneofthemostpopularTVminiseriesinitshomecountry,TheMeetingPlaceCan’tBeChangedisapoliceproceduralsetinpost-WorldWarIIMoscow.VladimirSharapov(VladimirKonkin),recentlydischargedfromtheRedArmy,joinsthehomicidebureauofthelocalpolice.Sharapov,whotendstodoeverythingbythebook,oftenclasheswithseasonedpolicedetectiveGlebZheglov(VladimirVysotsky).Thelatterissoconvincedthat"athief’splaceisinprison"thathedoesnotstopatplantingevidencehimselfifnecessary.Thetwomenlearntoworktogetherduringamurderinvestigationthatleadsthemtoagangofcriminalsknownas"theBlackCat."

Thisisstoryaboutadentistwiththetalentofpainlesslyextractingteeth,andwhathappenstohimasaresultofbeingnaturallygoodathisjob.Itistoldwithhumour(muchofitquitesubtle,almostsurreal,andinthebackground-imagineastreetscenewhereeveryoneonthesidewalkononesideoftheroadwalksinjustonedirection,andontheothersideintheother),poignancy,andafrequentbreakingofthe4thwallbetweenthemovieandtheaudience(thinkofwhathappensinShakespeare’splays,andyou’llbeclose).ItalsofeaturessomesongsbyNovellaMatveyeva,afamousRussiansinger-songwriter(hersongsaresungbytheleadingactress).

Fact-basedstoryabouta1975cover-upofashootingbytwowhitemembersoftheBostonTacticalUnit.Whileonstakeoutonasuspectedgetawaycarusedinaarmedrobbery,thetwogunneddownablackmanwhoenteredthecar.Thetwoclaimedthemanhadagunandtheyshotinself-defense.Policeinvestigationdecideditwasarightfulshooting.Theman"swidowknewherhusband...

Ayoungman'sfamilytornapartbytragedyreachesouttobeginrebuildingtrustandseekhealingbythroughtheonlythingthatspeaksthroughpain;thehealingpowerofmusic.