Fausa

本片以上世纪六十年代的本地家庭为主轴，通过成员的际遇，带出早期的甘榜生活以及后来的组屋生活，剧情横跨数十年。电影也将体现新加坡如何从一个以方言为主流语言的社会演变成华语到现今英语的过程，从中回顾流失的方言。它也会融入导演的许多亲身经历，并将安插多首怀旧歌曲。Afterthe1969nationwidefloods,ZhaoDitakesoverherfathersfamilyfarmwiththehelpofreformedgangsterAhLong.AsSingaporeseconomyprospers,theSingaporeanmindsetisalsoforcedtochangewiththetimes.Osmancatcheshisteenageson,Ahmadpracticingwithhisrockband.Asaconservativeman,OsmanbelievesrockmusicwillhaveanegativeinfluenceonAhmad.Fatherandsonargueovertheirdifferentopinions,causingAhmadtorunaway.Meanwhile,AhHeeandRanidecidetogetmarried.Buttheirtraditionalparentsdisapproveoftheirmarriage.In1977,theGovernmentbeginsexpropriatinglandforredevelopment,forcingvillagersfromtheirkampongs.Licensedfarmlandowners,suchasZhaoDi,arefinanciallycompensatedfortheirland.AhKun,ZhaoDisgreedybrotheraccusesZhaoDiandAhLongofhavinganaffairtotarnishhernameinfrontofthefamily.InthemidstofAhKunspersistentaccusations,ZhaoDishealthtakesahit.WillZhaoDibeabletokeepherhard-earnedcompensationmoney?WhatwillbecomeofherfamilyifZhaoDishealthcontinuestodeteriorate?Aspeoplechangewithtime,willthekampongspiritremain?

‘How do you feel about intimate relations? Speak freely, don’t hold back.’ · ‘I think it’s the highest connection between two souls.’ Benny’s hair is as red as the fur of her devout father’s treasured calf – which he believes will bring salvation. But the 17-year-old feels as lonely and trapped as the calf in its enclosure. Benny’s mother died giving birth to her, and she grew up alone with her caring yet patriarchal father. He is a figure of authority and a mentor for many people in their Jerusalem religious community. Benny becomes increasingly critical of her father’s religious, utopian nationalism and then there’s Yael, the self-confident young woman who has set off a whirlwind of longing and emotions in her. Avigayil Koevary powerfully portrays the defiance and desire of a young woman in Tsivia Barkai Yacov’s debut feature film.

Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.

After receiving some shocking news, two best friends travel from Jerusalem to Krakow for a football match, hoping to leave their troubles behind.

A50-year-oldpainternamedLorenzodecidestorebuildhislifeafterhardtimes.Anxiousaboutthesonhewillhavewithhisnewwife,duringpregnancy,shebeginstohaveacertainobsessiveandmaliciousbehavior,whichmakestherelationshipbetweenthembothtense.Withthebirthofthebaby,therelationshipreachesnewlevelsofdangeroushostilityandcertainunhealthybehaviorsthatmakethecoupleanextremelyunstablesituation,fromwhichtherecouldbenoreturn

本剧由Sky和HBO联合制作，OliviaColman和DavidThewlis主演。Colman老公EdSinclair负责剧本，福田知盛担任导演。改编自真实故事，讲述了Susan及ChristopherEdwards二人独特的爱情故事。两人表面上是一对温文尔雅的普通英国夫妇，但当两具尸体在诺丁汉一所房子的后花园被发现时，他们成为了一项特别调查的焦点。真实事件中，两人联手杀害了Susan的父母并埋在自家后院中，并一直冒领父母的退休金，超过10年才被揭发。

ITVhasgreenlitasecondseriesofcontemporarydetectivedrama,McDonald&Dodds,followingthesuccessofthefeature-lengthfilmswhichairedearlierthisyearproducedbyleadingindependentproductioncompany,MammothScreen.ThenewseriesseesTalaGouveia(ColdFeet)andBAFTAawardwinningactorJasonWatkins(TheLostHonourOfChristopherJefferies,TheCrown)reprisetheirrolesastheambitiousDCIMcDonaldandthehumble,andquietlybrilliantDSDoddsinthreenewmurdermysteries.SetinpicturesqueBath,theseriespairsfiestyDCIMcDonald,whohasrecentlytransferredfromLondon’sMetPolice,withthemodestandunassumingDSDodds,whohasbeenhappyinthebackgroundformostofhisworkinglife.Throwntogetherseeminglywithnothingincommon,theyforgearumbustious,andultimatelyhighlyeffectivecrimesolvingpartnership.CreatedandexecutiveproducedbyRobertMurphy,whoistheleadwriterfortheseries,McDonald&DoddswillonceagainbefilmedintheWestCountry.ThebrandnewepisodeswillbedirectedbyAlexPillai(ChillingAdventuresofSabrina,Riverdale),RebeccaRycroft(MaloryTowers,DannyandMick)andIanAryeh(InTheLongRun,AndyandtheBand).ThenewserieshasbeencommissionedbyITV’sDramaCommissionerHuwKennairJonesandHeadofDrama,PollyHill.Huwwilloverseeproductionofthedramafromthechannel’sperspective.CommentedHuwKennairJones:“We’redelightedwiththeaudiencereactiontothefirstseriesofMcDonaldandDodds.Thetwocharacterscouldn’tbefurtherapart,whichiswhatmakestheseriessointriguingtowatch.Theyshouldn’thavechemistry,buttheydo,andtheyworkbrilliantlyinpartnershipwhichistestimonytoRobert’sscriptandTalaandJasonforbringingMcDonald&Doddstolife.”CommentedMammothScreen’sDirectorofDrama,PreethiMavahalli:“WearethrilledthatRobertMurphy’scleverstorytellingwasahitwithaudiencesearlierthisyear.McDonald&DoddsareaquirkilyuniqueinvestigativeteambroughttolifebeautifullybyTalaGouveiaandJasonWatkins.We’rereallypleasedITVhavecommissionedmorefilmsandlookforwardtoreturningtofilminBath.”DamienTimmer(Endeavour,Noughts+Crosses,WorldonFire)andPreethiMavahalli(McDonald&Dodds,Noughts+Crosses,TheWaroftheWorlds)aretheexecutiveproducersforMammothScreen,anITVStudioscompany,alongsidewriterRobertMurphy(McDonald&Dodds,Vera,Shetland,DCIBanks).TheproducerofthenewseriesisSarahLewis(Noughts+Crosses,McDonald&Dodds,Victoria).ThefirstseriesisavailabletoviewviastreamingplatformBritbox.Seriesonelaunchedwithaconsolidatedratingof6.4manda26%shareoftheavailableaudienceandboastedanimpressiveguestcastlistalongsideTalaGouveiaandJasonWatkinswhichincludedRobertLindsay,RosalieCraig,EllieKendrick,SusannahFielding,JoannaScanlan,MicheleDotrice,FreddieFoxandHughDennis.ITVStudioswilldistributethedramainternationally.

Ayoungmadgeniusattemptsto’hackthehumanmind’inordertofixhumanity.

Settobroadcastintwoone-hourfilms,thisfamilytreatisinspiredbytheclassicbooksofBarbaraEuphanToddandispeggedtobetheTVeventoftheseason.MackenzieCrookhastakenScatterbrookfarmandtheinfamouscharactersofthiswell-lovedtaleandinjectedthemwithatenderandauthenticcharm.Thisistheperfectfamilyadventure,packedwithafun,mischievousspiritanddeliveredwithanenvironmentalmessage.MackenzieCrook,(PiratesOfTheCaribbean,Detectorists)whohaswritten,directedandstarsasWorzelGummidge,hasgatheredahostofbothaccomplishedandbrilliantactorswhoaresettoappearinthiseagerlyanticipatedadaptation.PlayingTheGreenMan,creatorofthescarecrows,whoarrivestoScatterbrookinepisodetwo,iscomedylegendSirMichaelPalin.Hesays:“It’salovelypartforme,butthewholescriptisverymemorableandtouching,andveryfunnytoo.Itquiteskillfullyweavesinsomethingforeverybodyallthetime.”ZoëWanamaker(MyFamily,HarryPotterAndThePhilosophersStone)willplaytheeccentriclocalaristocrat,LadyBloomsburyBartoninepisodetwo.Shesays:“Thewholethingissocharmingandinventive.It’sthesortofthingI’dwatch.I’msureitwillbeahugesuccess.Iknowitwill-it’sdivine.”VickiPepperdine(GettingOn,TheWindsors)takesontheroleoftheformidableAuntSallyinepisodeone.Shesays:“There’ssomethingforeverybody.It’sgotthishearttoit,andyou’dbehardpushedasanadultnottoengagewithit.”StevePemberton(LeagueOfGentleman,Benidorm)willplayMrBraithwaite,thefarmer.Hesays:“Thisisthekindofshowthewholefamilycanenjoytogether.Ithasalotofhumour,alotofvisualhumourtoo,andIthinkkidswillenjoywatchingthechildrenbeingcentraltothestory.”RosieCavaliero(GentlemanJack,CleaningUp)willplayMrsBraithwaite,sheadded:“It’sastoryabouttheimagination,andchildrenescapingintothisdifferentworld.Mackenzie’sversionistotallycontemporary.”OnestowatchIndiaBrown(HettyFeather)andThierryWickens(makinghisTVdebut)willplaySusanandJohn,twocitychildrenspendingtheirsummeratScatterbrookfarmwhoquicklybefriendWorzelandbeginasummerofadventures.Thefirstepisode,TheScarecrowOfScatterbrook,seestwoyoungstrangersarriveinthevillageofScatterbrook.It’snotlongbeforeSusanandJohnencounterWorzelGummidge,theScarecrowofTenAcreField.TheirworldissentspinningintoconfusionwhentheyrealiseGummidgecomestolife.TheonlypersonmoreshockedisWorzel,whenhediscoversthatthechildrenarenotinfactfellowscarecrowsbuthumans.Theirworldsshouldnevercommunebutfatehasconspiredtocreateanextraordinaryunion.Theseasonshavestoppedandtheharvesthasn’tarrived.Therhythmofthenaturalworldisoutofkilterandthisunlikelytriomusttrytoputitright.Magic,mysteryandmayhemunfurl.Thesecondepisode,TheGreenMan,welcomesanothermysteriousarrivaltoScatterbrook.TheGreenManisthecreatorofscarecrowsandkeeperofscarecrowlore.Heisn’tatallhappythatWorzelisconsortingwithhumans.Elsewhere,localaristocratLadyBloomsburyBartonisholdingafete,withaScarecrowcompetitionthatWorzelisdeterminedtowin.WhatwillTheGreenManandWorzel’smostcompetitiverival,SoggyBogartmakeofitall?WorzelGummidgeiswrittenanddirectedbyMackenzieCrookandisaLeopardPictures,TreasureTroveProductionsandLolaEntertainmentproductionforBBCOne.ItisExecutiveProducedbyKristianSmithforLeopardPictures,LisaThomasforLolaEntertainment,MackenzieCrookforTreasureTroveProductions,withrightsholdersPatrickD.PidgeonandEricS.RollmanexecutiveproducersforPidgeonEntertainment,Inc.ItisproducedbyGeorgieFallonandAlexMoodyistheCommissioningEditorfortheBBC.Furthercasting:FrancescaMills-EarthyMangoldTimPlester-ClartyColinMichaelCarmichael-SoggyBogartAndrewJamesSpooner-FlatAlistairPhilHulford-HannahHarrowTomMeeten-HMSOdneyChristopher-RobertBarlow-RagBagKiranShah-ChopperandRootBoundCharlieMayhew-RustleSprouterLucyMontgomery-JackiePuddingGusBrown-OswaldPollypopMalikIbheis-TrikeBenLangley-DriverMariamHaque-Receptionist

Thisearly70’sgiallobyUmbertoLenziiscertainlyamongthebestinhisfilmographyandalsointhewholegenre.PersonallyIthinkLenzi’sbestfilmsarethefunnycartoon-turned-filmKriminal,thestylishgialloSevenBlood-StainedOrchids,theexplosiveNapoliviolentaandthis.IntheeightieshedidplentyoffilmtrashinformofEatenAlive,HitcherintheDarkorBlackDemons,allofwhicharerippingsomethingoffand/orverydullandslowmoving.KnifeofIcecamewhenthegialloboomwasatitshottestandtheresultisconvincing.Technicallythefilmissuperb,containinggreatcinematographyinthebeginningwhenwelearnaboutthemaincharacter’straumatowardstrains.Fromthispointon,Lenzishowsushisabilitytobenefitthewidescreenand,forexample,thebicyclerideneartheforestisgenuinelybeautiful!ThisscenealsoshowsLenzi’sabilitytobuildsuspense,veryslowlybutmeaningfully.Afterall,therearen’tsomanymurdersinthewholefilm,onlythesuspensecirculatingaroundthemurderer’sidentity.Onesuspectisadevilworshipperwhichbringsnewaspectstothemystery.Sincethefinalscenetakesplaceinachurch,onecanwonderifLenziwantedtocommentonsomething,maybethehypocriticalmoraleofchurchandsuperstition.Themaincharacter(CarrolBaker)ismutewhichdemandsalotfromherfaceandeyes.Theactressworksverywell,givingusabelievableperformancecirculatingaroundtheemotionsoffearandmentalpain.Theotheractorsaregood,too.Thefinally,however,maynotgivetoopositiveasightaboutfemalesexsincetheyallareexpressedrathernegativelyinthefilm,onewayoranother.Stillthisiseasilyamongthemostnoteworthyinthegenre,notasbloodyastheArgentofilms,forexample,butequallysuspensefulandvisuallyalsointeresting.