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Christoph is training with the Viennese special police unit WEGA, a daily life of testosterone, fighting, and peer pressure. When he shoots a man during an operation, allegedly in self-defense, his colleagues quickly celebrate him as a hero, but the outside world reacts with criticism. Soon thereafter he begins suffering from panic attacks and shows the symptoms of trauma. While battling internal impotence, he tries outwardly to uphold the appearance of the strong man so as not to forfeit his status as hero.
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Set in 1989 - Jake (Harmon), an out-of-work photojournalist who struggles with addiction and a troubled past, takes a job as watchman of a wilderness lodge on a remote island in the Pacific Northwest, alongside veteran handyman Sparky (Granger). Jake sets up a darkroom to develop the photos he shoots, which begin to reveal disturbing premonitions of their future.
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克斯廷·波尔特
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CLOUD WHISPERS (WT) tells the tragicomic story of 60-year old Charlotte, who leaves her old life behind at a motorway pull-in in order to embark on a road trip with her granddaughter Jo and a dead cat. Her husband Paul and her daughter Alex are left puzzled and somewhat shocked. Charlotte and Jo's first impulse just to run away develops more and more into a self-determined new beginning. Far away from home and out of old patterns, they dive deep into the here and now, facing their fears and welcoming the surprises which only life and love can offer. But Paul catches up to Charlotte. Yet he has first to learn how to dream again or he will never get her back. Whereas Alex will fall deeply in love with someone she would have never expected. And Jo realizes that there is more between heaven and earth, than she will ever get out of her scientific book collection...
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亚历山大·讷讷乌
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In the aftermath of a tragic fire in a Romanian music club, more burn victims begin dying in hospitals from wounds that were not life threatening. A team of investigative journalists move into action to uncover massive corruption in the health system and other state institutions. Following journalists, whistle-blowers, and government officials, Colectiv is an immersive and uncompromising look into the price of corruption and the price of truth.
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?zgürisafreecharacterpersonwhodoesnotbelieveinlove.?zgürseeingEzgisfailureinlove,hewillgivehertacticstoconquertheheartofamanandmarryhim.?zgürbeginstofallinlovewithEzgiwithoutnoticing.?zgür,whodoesnotbelieveinlove,becomesacompletelydifferentperson.
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IntheaftermathofCatherinessuicide,DetectiveJohnCardinaloutwardlyacceptstheevidencethatshetookherownlife,butwhenhestartstoreceivetauntinggreetingcardsblaminghimforherdeath,hebeginstoquestionthesuicide.
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安东尼·巴罗德
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Judithleadsadoublelife:twolovers,twosonsinFranceandonedaughterinSwitzerland.Entangledinsecretsandlies,herlivesbegintoshatter.
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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ppoy is a school kid with a creative mind who couldn't cope up with the formal system. All the while he got attention through his art. When he was forced to the edge of the system he begin to lose his identity. Later he is pushed into a loser category. At one point he begins to get attention when he started to perform outside of the system as a wild character. Because of the strong outer factor of the system and due to confused feelings he chose to remain as a wild character without knowing he is actually being a slave of the rottening system.…
