Matti
搜索"Matti" ，找到 以下影视作品
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Paul-André,laquarantaine,estunhommetimideetpluttintroverti.Richemaisseul,ilsennuieprofondémentetfinitparconclurequecedontilabesoin,cestdunefamille!Violette,quadragénairepleinedepeps,estmenacéedexpulsionetapeurdeperdrelagardedesesdeuxenfants.Paul-Andréproposealorsuncontratentoutbientouthonneurpourlouersafamillec...
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Nina is twelve years old and her world has just been shattered to smithereens: Her parents’ marriage has broken down and they are getting a divorce. After his internationally successful debut Miracle Juraj Lehotský now brings us an intimate drama in which the viewer looks upon the world and the selfish, visionless behaviour of adults through the eyes of a 12-year-old girl. A girl who is resilient and belligerent, but also vulnerable and just as fragile as the miniature world she creates for herself in the garden shed.
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Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody. Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother. The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code. Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
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A brief trip back home turns into a longer stay when Eric finds himself caught between catching up with his two sisters and conquering his old poker group. The more Eric extends his visit to prove that he is still the best poker player in town, the harder it becomes to steer clear of the old fault lines in his relationship with his sister Rachel. As their little sister Maggie attempts to recreate the intimate world they once shared, Eric and Rachel are faced with the divide between their childhood selves and the adults they have now become. ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?Displaying all the sensitivity and wicked humour of his previous works, Dustin Guy Defa’s new film is a shrewd study of the pitiless condition known as adulthood. After growing up in a family unit that constitutes your whole world, with its particular set of habits and a shared language, crossing the border into the realm of adults can feel disempowering, even terrifying. A sense of loss may be difficult to ever really overcome. The film’s meticulous structure and novelistic depth lay bare this fundamental fear, but also the resources that exist to fight it. Setting about this treasure hunt deep within as individuals and as a family is an admirable trio of actors whose interpretation is as nuanced as it is poignant.
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格雷格·艾坦尼斯
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Discovery频道的8集FBI罪案调查剧《追缉：炸弹客Manhunt:Unabomber》（原名《宣言Manifesto》）确定在美国时间8月1日首播，首播集为两小时集。《追缉：炸弹客》由KevinSpacey和DanaBrunetti担任本剧的执行制片人，执笔了本剧试映集的AndrewSodroski也负责制作本剧。该剧根据现实改篇，大学炸弹客TedKaczynski是位大学数学教授，拥有167的高智商，以炸弹犯罪引致3死23伤。本剧主要讲述了FBI如何抓住那些声名狼藉的“优秀”罪犯，第一季将着眼于FBI探员Jim"Fitz"Fitzgerald（SamWorthington饰），一个不习惯用老方法收集情报的专门语言学家。他用自己非传统的方法让藏匿了近20年的“大学炸弹客/隐形炸弹/Unabomber”被绳之以法，关键之处...
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We all have fantasies about fixing our lives once and for all, risking their all and getting away with it. This is the story of a group of youngsters who, as well as fantasize, get down to work. No plans of any kind and nothing to grab onto, this is how the story of these dreamers begins.
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克里斯·韦兹
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贝拉（克里斯汀•斯图尔特 Kristen Stewart 饰）的18岁诞辰到了,父亲送了她礼品。爱德华（罗伯特•帕丁森 Robert Pattinson 饰）慷慨示爱,并为她报告了意大利吸血鬼王族的传奇。爱德华的红发妹妹爱丽丝（阿什丽•格林尼 Ashley Greene 饰）特地为贝拉举行的诞辰派对,时期,贝拉有意中划伤了手臂,受到加斯帕的打击,靠着爱德华的呵护,才逃过一劫。不外,尔后,爱德华逐步疏远贝拉,并提出了分别。这令贝拉心寒,但爱德华也有心事,仍在黑暗掩护贝拉。贝拉处于空窗期,往日老友雅各布（泰勒•洛特 Taylor Lautner 饰）嘘寒问暖,两人的关联也由此升温。尔后,贝拉由于跳崖得救,才得悉雅各布是狼人,专门应付吸血鬼。与此同时,不知情的爱德华认为贝拉自残,意气消沉,离开意大利要求王族停止本人的性命…… 本片依据美国女作家斯蒂芬妮•梅尔（Stephanie Meyer）的滞销小说「暮光之城：新月」改编。
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杰里米·卡根
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Mark(NoahWyle)andPhoebeareinthemidstofabreakup.Miguel|abulliedteenager|getsanillegalgunandaccidentallyshootsMark.Inrealtimewenowexperiencetheconsequencesofgettingshot.Usingmultiplescreentechniques|weviscerallygothrougheverythingthecouplegoesthrough|andatthesametimeseehowtheboytriestoavoidgettingcaught.Thestorytrack...
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FINDINGOSCARisafeaturelengthdocumentaryaboutthesearchforjusticeinthedevastatingca搜索引擎优化ftheDosErresmassacreinGuatemala.ThatsearchleadstothetrailoftwolittleboyswhowerepluckedfromanightmareandoffertheonlylivingevidencethattiestheGuatemalangovernmenttothemassacre.
