Uma
搜索"Uma" ，找到 以下影视作品
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第二季改编自LaurenceLeamer的畅销书籍《Capote’sWomen:ATrueStoryofLove,Betrayal,andaSwanSongforanEra》。著名作家TrumanCapote（TomHollander饰）与一小群最精英的女性交往密切，她们都是富有、魅力四射的社交名媛，定义了纽约上流社会过去的一个时代，而Capote将她们称为“天鹅”。这群美丽又出名的女性包括了贵妇人Barbara“Babe”Paley（NaomiWatts饰）、SlimKeith（DianeLane饰）、C.Z.Guest（Chlo?Sevigny饰）和LeeRadziwill（CalistaFlockhart饰）。Capote被这些女性深深吸引，他讨得她们欢心，从而融入了她们的生活，与她们结为朋友、成为知己，但最终又背叛了她们——他在自己不加掩饰的虚构作品中大肆描述她们的生活，曝光她们最私人的秘密。Capote计划中的著作《AnsweredPrayers》的节选被发表在杂志《Esquire》上，这实际上摧毁了他与“天鹅”的关系，将他逐出了他所热爱的上流社会，让他陷入了自我毁灭的漩涡，并且最终也没有从中恢复。
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“LoboFerozisaloose,revitalisedadaptationofBigBadWolves.Thereweremanychangesthatwemadewhenyoucompareittotheoriginal,giventhatweaddednewcharacters,plotstrandsandlocations,andweintroducedandfleshedoutnewthemesteeteringbetweendarkcomedyandpolicethriller.Thefilmquestionsone’sprinciples,humanbehaviourandhowambiguousitcanbe,”thedirectorexplainedtoCineuropa.“I’mveryhappytobeabletoworkwithadreamSpanishcast,whereeveryonedemonstratestheirenormoustalentandcommitmentineverysceneandthrougheverysingledetail.”Thescreenplayforthemovie–writtenbyJuanManuelFoodeRomaandEvaMaríaAlonsoMoreno–followsapoliceofficeronthefringesofthelawandawomanseekingrevenge.Theirpathscross,astheyareobsessedwithdiscoveringtheidentityofthemurdererbehindastringofbrutalcrimesinvolvingvariousgirls.Theyarebothwillingtodowhateverittakestosecureaconfession,eventhoughtheywillhavetotakethelawintotheirownhandsinordertodoso.Atthesametime,amodeldetectivewilldohisutmosttoavoidirreparableerrorsbeingmadeandtoensurethatthisdesperatesearchforthetruthdoesnottransformintothefiercestofwolves.
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黛博拉·法拉贝拉
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莱昂德拉·利尔
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泰丝·阿劳茹
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Thainá
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Duarte
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卡米拉?皮坦佳
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路易斯·卡洛斯·瓦斯康赛罗斯
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罗密欧·布拉加
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古斯塔屋·法尔桑
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Vitor
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Thiré
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Bruno
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Goya
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古斯塔沃·瓦兹
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Ravel
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Andrade
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丹尼尔·里贝罗
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Kay
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Sara
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Abra?o
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Mazuruna
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克劳迪乌·亚博朗迪
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Flávio
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Rocha
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布鲁诺·帕基利亚
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Marcos
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de
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Andrade
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哈法埃尔·普林莫特
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Luti
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Angelelli
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塞缪尔·德·阿西斯
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Daniel
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Volpi
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FundadorasdaONGdepreserva??oambientalAruana,Natalie(DéboraFalabella),Luísa(LeandraLeal)eVer?nica(TaísAraújo)viajamparaCari,nointeriordoAmazonas,aoreceberemumadenunciasobreatentadosaopovoindígenaseconflitospelapossedeterraspreservadas.ElasdescobremumgrandeesquemadecrimesambientaisetemquelidarcomOlga(CamilaPitanga),donadeu...
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StateLikeSleepisafilmaboutthebasicneedforhumanconnectionandlove.Thetitlerefersnotonlytoadoctorsinadequateyetpoeticdescriptionofwhatitsliketobeinacoma,butalsotothepsychologicalstateonecanenterwhendealingwithtrauma;emotionallyclosedoffbutacutelyconscious,ablankexteriorhousingarichinteriorlife.Thestoryenablesthissurrealstatebypairingspiritualdamagewithawkwardhumor,thrillwithmystery,andsexualspectaclewiththesublime.StateLikeSleepfindsloveandhopeinunexpectedplacesasittravelsthroughtheupsanddownsofmourningandloss.
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2069,anotalvezerótico-logoveremos-masfatídicoparaumreisemcoroa.Noseuleitodemorte,umacançãoantigafá-lorememorarárvores;umpinhalardidoeotempoemqueodesejodeserbombeiroparalibertarPortugaldoflagelodosincêndios,foitambémodespontardeoutrodesejo.Entãopríncipe,AlfredoencontraAfonso.Comdiferentesorigensediferentescoresdepele,encontram-se,socorrem-seeoléxicodoabusoficafarruscodedesejo.Masaexposiçãopúblicaeassuasexpectativasinterpõem-seeAlfredoabraçaumoutroestadodeprontidãoparaumarealidadeimprovável
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An installation presented on 11 screens featuring nude human figures engaged in cathartic performance.
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NestingDollsisapsychologicalthrilleraboutthedarkersidesofusthatcanliejustbeneaththesurface.Tori,Britt,andEricaaresororitysisterswhospendaweektogetheratariverhouse.Whennear-catastrophestrikes,thethreeareforcedagainstoneanotherassistersturntoenemiesandtheirhumanityandsanityspirals.
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WilliamThornhill,anilliterateThamesbargemanandamanofquicktemperbutdeepfeelings,stealsaloadoftimberandistransportedtoNewSouthWalesin1806.Likemanyoftheconvicts,hespardonedwithinafewyearsandsettlesonthebanksoftheHawkesburyRiver.PerhapstheGovernorgrantshimthelandorperhapshejusttakesit-theHawkesburyisattheextremeedgeofsettlementatthattimeandnormalrulesdontapply.Howeverhegetstheland,itsprimeriverfrontacreage.Itlookscertaintomakehimrich.Theresjustoneproblemwiththatland:itsalreadyowned.ItsbeenpartoftheterritoryoftheDarugpeopleforperhapsfortythousandyears.Theyhaventleftfencesorroadsorhouses,buttheyliveonthatlandanduseit,justassurelyasThornhillsplanningtodo.Theyarentgoingtohandovertheirlandwithoutafight.Spearsmaybeprimitiveweapons,butsettlersknowthattheycankillamanassurelyasaballofleadfromamusket.Asherealisesallthis,Thornhillfacesanimpossiblechoice.Someofhisneighbours-SmasherSullivan,SagittyBirtles-regardtheDarugashardlyhuman,savageswithaslittlerighttolandasadog.WhentheDarugobjecttobeingdrivenoff,thosesettlershavenocompunctioninshootingorpoisoningthem.Otherneighboursmakeadifferentchoice,andfindwaystoco-existwiththeDarug.Blackwoodhasmadeafamilyamongthem.MrsHerringgivesthemwhentheyask.Hostilitybetweenblacksandwhitesgraduallyescalates.FinallyagroupofsettlersdecidestogooutandsettletheDarugforonceandforall.WillThornhilljointhem?Thedecisionhemakesiswithhimfortherestofhislife.
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Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
