Arvi

Lonnie,acropdusterpilot,mustleadamismatchedgroupofsurvivorstoescapethedeadlyzombiehordeafteranexperimentalchemical,intendedtocontroltheinvasivekudzuvine,transformsthecitizensofCharleston,MSintozombies.

Agroupoftiredcommutershavecaughtthelasttrainhome,readytohopintotheirbedsforthenight.However,theirtrainsoonveersoff-courseandcrashesintoanabandonedtunnel.Thethreesurvivingcommuters;withdrawnmotherYiLing,hersonLucas,andstudentJanice,areforcedtobandtogetherandsurvivethenight,aswellasavoidthemysteriousmonsterhuntingthem...

In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment

BasedinpartonKågerman’sexperienceworkingforViceMagazineandthenovelDieGelehrtenrepublik...

Invitéesenmaisonderepospourexplorerleurstroublessexuels,troisjeunesfemmesoccupentlesjoursetlesnuitsàapprivoiserleursdémonsintimes.Souslasupervisiontranquilled’unethérapeuteallemandeetd’untravailleursocialbienveillant,legroupetentedegarderunéquilibrefragile.PourlajeuneGeisha,lasombreLéonieetl’imprévisibleEugénie,ils’agit,pour26jours,d’éviterlescris,d’apprivoiserleschuchotementsdutempsprésentetdeconsidérerl’avenir.

In Post Apocalyptic North America, one family fights for survival in this sci-i road trip of epic proportions in a nightmare world without gasoline, electricity, or humanity. Sheltered mother Kate (Krista DeMille, Best Actress IIFA, SIFF, BSFFF) loses her injured survivalist husband Sam (Ron Roggé, 13 - Reasons Why, Stranger Things) and love struck daughter Suzi (Andrea Sweeney Blanco) in a matter of days after they join handsome loner Joe (Jesus Lloveras) in search of a rumored hidden nuclear bunker full of food and medicine. Suddenly alone and lost, Kate fights to stay alive and reunite with her family. Nature will survive. Would we?

Whenamysteriousplanetcrossesthesun,globalcatastrophesareunleashed.Aroguescientististhekeytodecipheringthesymbolsandhumanity’sonlychanceatsurvival.

Malinawakesupdisorientedinthetrunkofaspeedingcaranddiscoverstoherhorrorthatsheismissingmorethanhermemory.Withhermobilephoneastheonlylinktotheoutsideworld,shewagesadesperatebattleforsurvival.

　　四年前，Tessa Scott被（达科塔·范宁 Dakota Fanning 饰）查出得了白血病，医生承认这是不治之症，于是她放弃了治疗。四年后的今天，她的父母已经分居，她和弟弟、父亲（帕迪·康斯戴恩 Paddy Considine 饰）住在一起，有一个好朋友Zoey（卡雅·斯考达里奥 Kaya Scodelario 饰）。她为自己列了一张临死前要做的清单。第一件就是进行她的第一次性行为，还有比如出名，嗑药，偷东西等等。Zoey的男朋友为她介绍了一个男生，然而在床上她却临阵逃脱了。接着她又认识了新搬来的邻居Adam（杰瑞米·艾文 Jeremy Irvine 饰），两人对彼此都有好感。Adam带着她去参加派对，开着摩托车载着她在马路上狂奔，在深夜的海里游泳，终于，他们成了情侣。然而这段感情一开始却遭到了Tessa父亲的反对。另一方面，Zoey意外怀孕，思虑再三她决定把孩子留下来。Tessa的病情正在逐渐恶化，她最后的心愿就是，能否在她离开人世之前见到Zoey的孩子？　　本片根据2007年Jenny Downham的小说《Before I Die》改编。

It’s a rare feeling when we open a book and find ourselves lost in its pages; finding pieces of ourselves in the story and letting ourselves be enveloped in the emotions that arise. This effect is what the works of Elena Ferrante are most known for. Listed among Time magazine’s 100 - most influential people in the world, Elena Ferrante is a contemporary icon, whose identity is closely linked to her novels and nothing more. Despite her massive international success, Elena Ferrante is an author whose true identity remains unknown. Via excerpt readings and interviews with critics, directors, booksellers, editors and authors such as Jonathan Franzen and Elizabeth Strout, Ferrante Fever explores Ferrante’s deeply intimate writing and looks into her choice to remain anonymous, which sparked an unprecedented cultural debate. Filmed between Italy and the United States, Ferrante Fever doesn’t necessarily go in search of the identity of the "faceless writer,” instead, it hopes to discover the secret of her success. How was she able to create stories that would conquer readers over the course of 12 - years? In-depth interviews provide answers, but so do the writer's own words, and the places and protagonists in her novels.