Filardi
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Yiannis doesn’t have much going for him, save for his adorable dog, Jimi, and his fast-approaching date to get out of Cyprus for good. But when Jimi wanders across the U.N. buffer zone and into the section of the island Turkey seized more than forty years ago, an unregulated state unrecognized by the rest of the world, Yiannis learns, bringing a dog back over the border is not as easy as walking straight home. He enlists a mismatched band of accomplices from every side of the Cyprus dispute to find a way to get Jimi back, while never leaving the land he calls home. Writer and director Marios Piperides has been producing films in Cyprus for more than a decade, and his inside knowledge pays dividends in this narrative feature debut—a whip-smart comedy on legality, disputed nationality, and the frameworks that are erected to maintain a fragile peace. He demonstrates his compassion for locals on both sides of the divide, as he tenderly captures their struggle to find hope and make a living in a divided land. Such serious themes pair perfectly with Piperides’s sense of humor: As Yiannis’s efforts dip farther into absurdity, they offer a send-up of the forces that prolong a conflict that has been poorly understood and largely forgotten by the outside world.
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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Arnuparp
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由泰国NAVA!SINIC影视文娱跟LINE TV声誉出品 据悉,「Ghost Runner」由鬼才导演Arnuparp带领泰国气力重生演员打造的2020年度LINE TV热播剧作品。该剧情以校园为故事产生配景报告了多少个学生从一次野营返来之后产生的一系列带有悬疑颜色并交叉跑步活动热血题材的芳华校园腐剧。 值得存眷的是,在泰留学的中国少年演员曾子儒在此剧中出演一名执着寻求奔驰速率的魂魄跑者,掉掉落泰国媒体存眷。他此前还介入过破亿片子「误杀」!泰国芳华剧「高校战役」!泰国首部泰拳题材警匪片「THE GUARDIAN」等上演。此次面临泰国头条消息的独家专访,他表当初「魂魄跑者」中的脚色跟他自己性情相差很大。事实生涯中他是个生动爽朗的16岁大男孩,爱好唱歌!弹吉他!拍拍抖音!跟友人打篮球,剧中表演的脚色倒是个高冷!不怎样谈话却有目的的人,办事件爱好第一名,也算是一种新的实验。 此部剧将于往年玄月尾在LINE TV与各人会晤。他也生机中国友人们多多存眷跟支撑,前期剧方会尽快推出在海内平台播放,值得等待! 一个特其余练习营,迎来了一群接收关闭式练习的学生,但是这个黉舍里有一个逝世的运发动常常会在黉舍里浪荡,固然在学生中也产生了基情。
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豪梅·巴拉格罗
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艾斯特·爱珀斯托
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ángela Cremonte
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Alejandra Meco
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费尔南多·瓦尔迪维尔索
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费德里科·阿瓜多
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Magüi Mira
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Inés Fernández
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Whengo-godancerLucíanicksafortuneindesignerdrugsfromhermafiaemployers,themobsters’doggedpursuitforceshertoseeksanctuarywithherestrangedsisterRocíoandnieceAlbain“TheVenus,”adecrepitapartmentcomplexontheoutskirtsofMadrid.Asterrible,rotten,no-goodluckwouldhaveit,LucíasoonfindsherselfsoleguardiantolittleAlbaafterRocíosuddenlyfliestheconcretecoop,unabletohandlethesupernaturalstressoflivinginamonoliththatisapparentlyalsohosttoamalignantevil—onethatinvadesitstenants’wakingnightmares.TakingafewcuesfromH.P.Lovecraft’s“TheDreamsintheWitchHouse,”"Venus"pilesonthebloodandbombshellslikeadoublebillof"Demons2"and"TheSentinel".源自：https://poff.ee/en/film/venus/
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NarratedbyQuannahChasinghorse,anadventurousjourneydowntheColoradoRiverthatexplorestheregion'sextraordinarywildlife,culturalhistory,anduncertainfuture.
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杰罗恩·佩瑟瓦尔
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14-year old drug dealer Johnny is in a home for young people. When he learns that he cannot go home at weekends any longer, he asks one of his customers, famous successful actor Antony, to be his weekend guardian.
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Thisseriesissetinthelonghotsummerof1959andweddingseasonisinfullswingintheCambridgeshirevillageofGrantchester.AstheReverendWillDavenportuniteshappycouplesinholymatrimony,DetectiveInspectiveGeordieKeatingisbusyaseverinvestigatingarangeoflocalmurdercases.Withanewdecadejustaroundthecorner,thequestionofwhatthefuturehold...
