Em
搜索"Em" ，找到 以下影视作品
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Hodjaisadreamer.Hewantstoexperiencetheworld,buthisfatherinsistshestayshomeandtakesoverthefamily’stailorshop.Fortunately,HodjameetstheoldrugmerchantElFaza,whogiveshimaflyingcarpet.Inexchangehehastobringtheoldman’slittlegranddaughter,Diamond,backtoPjort.ElFazacan’ttraveltotheSultancityhimself,asthemightyrulerhasimposedadeathsentenceonElFaza,onthegroundsthathehasstolentheSultan’scarpet.However,citylifeisn’tquitewhatHodjaexpected,andheonlysurvivesbecauseofEmerald,apoorbutstreetsmartgirl,whoteacheshimhowtomanageinthebigworld.ButwhenHodjaloseshiscarpettothepower-hungrysultan,hisluckseemstorunout.Willhecompletehismission,findElFaza’sgranddaughterandreturnsafelybacktoPjort?
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黄颍珊
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「ViuTV 2020有「男排女將」!Stephy執教!鼎力鞭笞MIRROR!ERROR ? !」 當打排球打到女神級嘅Stephy 鄧麗欣 教練, 赶上MIRROR + ERROR隊員Anson Lo !Ian 陳卓賢!李駿傑Jeremy !Tiger!Edan Lui 呂爵安 !柳應廷 90s' beat !Alton Wong 王智德 !梁業-肥仔 ,再加上 Zeno Koo 顧定軒。呢位妖怪女教練又會出咩招數去令佢哋佩服,將球隊由丙組打到上甲組！ 所有,就靠佢哋支付汗水,奮力扣殺去爭取。
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Banksy,theworld'smostinfamousstreetartist,whosepoliticalart,criminalstunts,anddaringinvasionsoutragedtheestablishmentandcreatedarevolutionarynewmovementwhilehisidentityremainedshroudedinmystery.
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托马斯·伯祖查
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影片改编自朱尔斯·贝斯的小说「猎头族」。 三个年青女孩Grace (赛琳娜·戈麦斯 Selena Gomez 饰), Emma 凯蒂·卡西迪 Katie Cassidy 饰) 跟 Meg (莉顿·梅斯特 Leighton Meester 饰) 决议用她们攒下的钱踏上妄想中的巴黎之旅,却发明旅行完整酿成了劫难。当她们决议从他们蹩脚的旅行中苏息一下,进入了一家5星级旅店大堂时,Grace却被误以为是一位叫Cordelia的富有英国继续人。Grace便将计就计,假扮成Cordelia好让各人休会到她们应得的妄想中的假期,但事件并不按筹划直接,Grace爱好上了一个叫Theo（皮埃尔·布朗格 Pierre Boulanger 饰）的法国男孩。Theo爱上了作为Cordelia的Grace,完整不晓得Grace是个骗子。认真正的Cordelia达到旅店时,女孩子们该怎样搞定这场不测呢！
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Netflix宣布预订一部8集家庭+狗狗题材的单镜头喜剧《杜德治愈力TheHealingPowersofDude》，由EricaSpates及SamLittenberg-Weisberg负责﹑RichieKeen执导。这部剧灵感来自EricaSpates及SamLittenberg-Weisberg的社交焦虑经验，剧中讲述一个11岁男孩Noah患了社交恐惧症，当他入读中学时遇上混种情感抚慰狗Dude，而他俩意外地成为需要彼此的组合。剧集主演包括TomEverettScott﹑LarisaOleynik﹑LaurelEmory﹑MauricioLara﹑SophieJaewonKim﹑狗狗Dude及JaceChapman。
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Thisfilmcriticizesthemonstrouscapitalismasshowingthe‘inferno’thatafamilymanhastoexperiencetoearnalivingforhisfamily.Thecoldanddarkwinteremphasizesthedie-hardlikestruggleofthismiserableman.Thephotographyismarvelousinthisverydarkatmosphere.
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ACLUlawyerJefferyRobinson’sshatteringtalkonthehistoryofU.S.anti-Blackracismisinterwovenwitharchivalfootage,interviewsandRobinson’sstory,exploringthelegacyofwhitesupremacyandourcollectiveresponsibilitytoovercomeit.
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Nostalgic for his glory days, a frustrated stay-at-home dad invites all of his high school Facebook friends to an 80s-themed surprise party for his exhausted corporate wife.
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
