Lasso
搜索"Lasso" ,找到 以下影视作品
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Scaredoflifeandlackingthecouragetobehimself,Ludovicoliveshiddenawayinhisgrandmother'soldapartment.Onenight,thewickednessoftheworldgoestovisithimintheformofJack,aboywhoisLudovico'sagebuthastheoppositecharacter:hard,determined,perhapscriminal.Theforcedcohabitationoftwohumanbeingswhocouldn'tseemmoredifferentfromoneanotherturnsintoaninitiationritetoadulthood,thediscoveryoftheirtrueandrespectivepersonalities.Andwhentheharshrealitythatismercilesslystalkingthemappearstopresentthebill,theywillhavetofaceit,bolsteredbyanewawarenessandunhoped-forcourage.
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保罗·塔维亚尼
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ThreeyearsafterthelossofhisbrotherVittorio,withwhomhesharedhisentirecareer,PaoloTavianireturnstotheworksofLuigiPirandello,whichthepairadaptedin1984(Chaos)and1998(YouLaugh).InkeepingwiththeSicilianplaywright’svision,thefilmisnotatallwhatitappearstobe.Thetitlemaycomefroma1910novella,butthereisnotraceofthatbook’sjealousy-riddledplot.Instead,thefocusisonPirandellohimself,orrather,hisashes,whicharetransportedfromahastyburialsiteinfascistRometoapermanentrestingplaceinSicily,onatrekthattakesusthroughpost-warItalyanditsfilmedmemories,asseeninnewsreels,amateurfilmsandfragmentsofNeorealism.Havingburiedthemaster,Leonoraaddiothenshiftsgearfromroadmovietofilmadaptation,buthereitpicksadifferentPirandellostory,namelythelastone,writtenshortlybeforehisdeathin1936.Fromthefarewellofthetitletoitsreturntothewriter’slastwords,itishardnottoreadthiswork,sofreeandyetsomuchapartoftheTavianiworld,asamovingbrotherlyfarewellwhich,justasin2012’sGoldenBearwinnerCaesarMustDie,onceagainusescinematogivevoicetoliteratureandhistory.
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罗伊·安德森
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「或许得开始承认那些令我们无能为力的环境,我们自己也得负上责任。我相信西方人的生活方式抑制了人们的潜能发展。你看本片,应该明白人类的行为有多愚蠢。紊乱将人蚕食,情况越来越严重」 ─导演 洛伊 安德森(Roy Andersson) 极具野心的挑战性钜作,宗教、经济、世代关系、家庭、情爱,种种议题都经过奇特而荒谬的扭曲,呈现出世人经常视而不见的一面。如弥猴一般在十字架上单手晃荡的耶稣塑像、心智退化的老人在满室各怀鬼胎的贺客面前度过百岁生日、放火诈财的父亲,写诗发疯入院的儿子,独特的视觉语言,在看似连结松散的场景之间,构筑了导演心目中当代世界的深层面貌。 在一个不知名所在的奇特夜晚,怪事接连不断地发生:毫无尊严的公司职员遭到屈辱的裁员;外来移民莫名其妙地被不良份子袭击,整个巴士站的人袖手旁观;玩大锯活人的魔术师真的把志愿上台的观众开膛剖腹。一团混乱当中,灰烟满脸的卡尔出现了,他刚刚放火烧了自己的家具店,想骗火灾保险金。一整夜,人人都忙乱的无法阖眼。 第二天,局势混乱的程度有增无减,保险公司与卡尔正在角力,整个城市陷入完全动弹不得的大塞车当中,当一切在千禧年一开始就似乎都失去了控制的时候,卡尔慢慢察觉到世界的荒谬,也渐渐了解要作一个「人类」有多困难。 这是一部由一系列小品组成的情节松散的电影,充满了黑色幽默。影片中每个人都变得失去理智,一些无条理的怪异行为发生了。一个小职员遭到侮辱性的解雇,一个新移民在大街上遭人袭击,一个魔术师在表演中出现了不该有的失误。在这些怪事中有一件特别引人注目,浑身是灰的Karl为了得到保险金烧毁了自己的家具店。最后他们体会到世界有多荒谬,做人真难。 得奖:2000年戛纳电影节评审团特别奖
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"whentwoworldscollide;theybecomeone."SetinthepicturesquecityofUdaipur,DhadakisthestoryofMadhukarandParthavi.Fromthemomenttheyseteyesoneachother;MadhukarandParthavifeltsomethingfamiliar,somethingpure,butastheirloveblossomed,sodidtheirproblems.Tornbetweensocietyandtheirfamilies,theirfatebecameuncertain.DHADAKisasimple,passionatestoryaboutfirstlove.
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LikeFritzLang,DavidFincherorBongJoonHobeforehim,talenteddebutfilmmakerLadoKvataniyausestheconceptofpolicedetectivevsserialkillerforanexcitinglystylised,macabreandhauntingnarrative,thatultimatelyrevolvesaroundtheidentityofanera:inthiscase,thelate1980sSovietUnion.WithGlasnostandtheendofcommunistrule,theWestalsolearnedo...
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颂克拉姆和埃都是工科学生,住在大学宿舍。颂克拉姆是宿舍3的学长,宿舍3是“强壮且有运动能力”的男学生被分类的地方。埃是2号宿舍的学长,2号宿舍住的都是“好看”的男同学。埃曾经是颂克拉姆的导师和朋友,但是当他们两个都被选为宿舍的舍长后,他们就分开了。2号和3号宿舍已经吵了好几代了。埃和颂克拉姆虽然表现得像是敌人,但是埃实际上是爱上了颂克拉姆。然而,他认为颂克拉姆对溟恩有感情。埃不知道的是,他才是颂克拉姆喜欢的人,而不是溟恩。SongkramandAyebothareengineeringstudentsandliveinuniversitydorms.Songkramistheheadstudentofdorm3,whichiswherethe"strongandathletic"malestudentsaresorted.Ayeistheheadstudentofdorm2,thedormwhereallthe"goodlooking"malestudentslive.AyeusedtobeSongkram'stutorandfriend,buttheyfellapartafterbothofthemwerechosentobeheadstudentsofthedorms.Dorms2and3havebeenateachother'sthroatsforgenerations.AyeandSongkrammightactlikeenemies,butAyeisactuallyinlovewithSongkram.However,hethinksSonkramhasfeelingsforMean.WhatAyedoesn'tknow,isthathe'stheoneSongkramlikes,notMean.
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凡苏·恩吉
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AspecialforcessoldierusestheStandYourGroundlawinordertotakerevengeforhisfamily'smurder.
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Pandiraj
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苏利耶·西瓦库马
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Priyanka Arulmohan
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萨嘉拉吉
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萨拉妮亚·波恩瓦南
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Vinay Rai
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Madhusudhan Rao
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Ilavarasu
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V. Jayaprakash
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Devadarshini Chetan
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Hareesh Peradi
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M.S. Bhaskar
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苏里
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Pugazh
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Vela Ramamoorthy
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Sai Dheena
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Alawyerturnsjudgejuryandexecutionerandgoesafteragang,ledbyaminister'sson,thatthreatenswomenwithvideosofthem.
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A group of insane asylum inmates flee a broken-down bus and occupy a nearby farmhouse. As they form a collective threaded by bizarre exercises and slapstick setups, the film spirals out into a freewheeling comedy of disorder, told with unusual verve and intensity, and featuring a dissonant, if deranged, soundtrack by free jazz innovator Ornette Coleman and his trio.
