Paula
搜索"Paula" ，找到 以下影视作品
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Widow Abby Abbott is having serious money problems and has to dip into the family trust in order to pay for her daughter Susan's college tuition. The catch Abby must also become a co-ed or she can't touch the money. After passing her entrance exams, Abby goes to college and becomes very popular, especially with a handsome English professor whom Susan has a crush on
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霍华德·齐耶夫
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Charley is a surgeon who's recently lost his wife. He embarks on a tragicomic romantic quest with one woman after another until he meets up with Ann, a singular woman, closer to his own age, who immediately and unexpectedly captures his heart.
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大卫阿拉克斯
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LifeinYolcos,abeautifulandprosperousportcityinancientGreece,ispeacefulasthepopulationisthreatenedbythewrathofPoseidon.Ayoung,adventurousmouseandthecatsheadopted,help,unbeknownsttothem,oldJasonandhisArgonautsintheirquesttosavethecity.
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克里斯·帕卡姆
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In 1998 - wildlife enthusiast and photographer Chris Packham had a remarkable encounter with the Orang Rimba, a tribe of hunter-gatherers in the rainforests of Sumatra, Indonesia. It was the first time he had ever seen people living in perfect harmony with their environment. One photograph in particular that Chris took, a picture of a young tribal girl, has since become immensely important to him as a barometer of how we are treating our planet. In this real-life detective story, with no clues as to her identity or whereabouts other than his original photograph, Chris sets off to Sumatra 20 - years on to try to find her, the girl in the picture.
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AnAmericaninstitutionreturnsFebruary20at11PMonIFC.HostedbyHelenMirrenandfeaturingperformancesfromFredArmisen,CateBlanchett,OwenWilson,ConnieChung,MichaelKeaton,JohnMulaney,TaranKillam,BobbyMoynihan,PaulaPell,&more.
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ChrisSun
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Intheharsh,yetbeautifulAustralianoutbacklivesabeast,ananimalofstaggeringsize,witharuthless,drivingneedforbloodanddestruction.Itcaresfornone,defendsitsterritorywithbrutalforce,andkillswitharaw,animalisticsavageryunlikeanyhaveseenbefore.
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
