Iacono
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罗贝托·安度
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The story revolves around a G8 meeting, held at a luxury hotel on the German coast, where the world’s most powerful economists are gathered to enact important provisions that will deeply influence the world economy. One of the guests is a mysterious Italian monk (Servillo), invited by Daniel Rochè (Auteuil), the director of the International Monetary Fund. He wants the monk to receive his confession, that night, in secret. But the next morning, Rochè is found dead.
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The hit Irish comedy from producers Vico Films will be back on BBC Three for a third series in the new year. Created by Peter Foott, The Young Offenders tells the coming of age adventures of Conor (Alex Murphy) & Jock (Chris Walley) and their mother/guardian Mairead (Hilary Rose) as she tries to keep them on the straight and narrow. The best friends navigate their awkward teenage years, hatching plans and adventures to help distract from their tough home lives and their inability to stay out of trouble. The whole second series launched as a BBC iPlayer box-set earlier this month and has picked up an amazing 4.1 - million requests so far. Combined with the 13.5 - million for series one and last year’s Christmas special, that over 17.6 - million requests to date. Kate Daughton, Head of BBC Comedy, says: "Young Offenders is spit-your-tea out funny and heartbreakingly emotional. A rare combination that’s testament to the talents and passion of a very special cast, crew and writing team, led by creator and show-runner Peter Foott. We can’t wait to share series three - Cork’s finest have never looked finer." Fiona Campbell, Controller BBC Three, says: "At BBC Three, we love championing local voices and The Young Offenders are a brilliant success story for us. With great characters and on-point writing that is hugely relatable to our audience, we’re delighted they’re coming back for another series." Peter Foott, creator of The Young Offenders, says: "We are so grateful to BBC Three and thrilled that they had such faith in the stories and characters of The Young Offenders that they commissioned a third series from us. We had a lot of fun filming series two and three back to back over the summer in Cork, and we can't wait for everyone to see more of Conor, Jock, Mairead and all the characters next year in our third series. "We've been amazed at the huge reaction to series two so far, and we're so happy that we can officially announce that there's more on the way for fans of the show." The Young Offenders has been commissioned for BBC Three by Fiona Campbell, Controller of BBC Three and Shane Allen, Controller, BBC Comedy Commissioning. The Commissioner for the BBC is Alex Moody. The Executive Producer for Vico Films is Peter Foott, the Producer is Tim Whitby. The Young Offenders series two continues on Monday nights on BBC One and is available on BBC Three & BBC iPlayer.
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木下惠介
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A former aristocratic family faces financial hardship and their daughter is introduced to a nice man in the auto repair business, the hope being that a marriage might be of economic assistance to the family. The daughter's family finds it hard to accept this kind of idea and the young man is uncomfortable with the difference in their social standing. However, everything works out in the end and a happy marriage takes place.
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阿尔贝托·马西亚
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InItaly,old,dirty,congestedprisonsfullofviolenceandabuseareadimanddistantmemory.Nowprisonersservetheirsentencesinastateofdeepsleepwhichrenderstheminoffensiveandhasdrasticallyreducedreoffendingrates.Hypersleepisanefficient,economicallyviableandreliablesystem.Thatis,untilthedaywhenDavidDamiani(StefanoAccorsi),apsychologistchargedwithmonitoringprisoners’mentalstates,findshimselffacedwithaprisoneraboutwhomallinformationhasbeenlost.It’sanunexpectedeventwhichtriggersachainofunforeseeableevent,forcingDavidtofaceuptotheghostsofhisveryownpast.
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朴哲洙
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Nan-hie and Min-hie have been best friends for years. Despite their different economic status, they share many things in common-including theirm taste in men. Their friendship becomes strained after Min-hie learns that Nan-hie has been sleeping with the former's husband .
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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Venezuela's economic crisis explodes into riots on the streets of Caracas, as middle-aged Roque heads for the Amazon jungle to revive the abandoned lodge he built during happier, healthier days. As the jungle closes in on him, good friends encourage bad habits and whisper promises of finding gold.
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Antonioisa30yofamilyman,whoselifefindsanunexpectedtwistwhenhe'ssuddenlydumpedbyhishusband,whomhedependsbothpsychologicallyandeconomically:heneedstofindanewplacetostay,ajobandanewpurposeinlife.AntoniofindsaroominanapartmentownedbyDenisandstartstoworkinabakeryownedbyLuca,whileattendingpastryschool.Throughthisprocesshediscoversthatitwaswrongofhimtogiveuphisindependenceforthesakeofhisrelationshipinthepast.
