Mantell
搜索"Mantell" ，找到 以下影视作品
导演：
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游乃海
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黄文展“狗头”（任达华饰）和何家宝“猪女”（徐子珊饰）是香港CIB（CriminalIntelligenceBureau）的职员。CIB俗称香港警察中的狗仔队，里面人人行动低调样貌平凡，但却对罪犯有极其灵敏的嗅觉。狗头和猪女这次的任务是追踪珠宝劫案的疑犯陈重山（梁家辉饰）。陈重山是个犯案“天才”，对躲避警察追捕有丰富经验和巧妙手段。这次CIB行动，比平时都更为艰巨。尽管已经警方十面埋伏，狗头和猪女都使出浑身解数，陈重山还是屡屡逃脱。一路的跟踪就好像猫捉老鼠，没完没了。陈重山似乎有神奇的力量，闻到警察追到身边的气味。眼看有警员在追踪过程中殉职，狗头和猪女心急如焚。
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萨沙·布扎兹
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奥列格·舒尔加
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尤利亚·切普科
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谢尔盖·莱弗
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奥列格·奥涅什恰克
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米哈伊尔·奥泽罗夫
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玛尔塔·帕皮奇
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Vladimir Romanko
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Oleg Vlasov
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奥列格·沃洛申科
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Nikolay Zmeyevskiy
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In the autumn of 2014 - in the ATO zone, an intelligence group headed by experienced captain Anton Sayenko (called by nickname "Banderas") tries to prevent sabotage and neutralize the Russian saboteur.
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白承彬
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AdysfunctionalfamilysheartofdarknessislaidbareinthegrimlyhumorousandthenjustplaingrimmellerMembersoftheFuneral.FeaturebowbyBaekSeung-binheraldsadarkwitandsleekintelligenceguidedbyacreativelysecurehumility.AstandoutfromthesubstandardHDfodderthatgenerallyclogsupPusansNewCurrentscompetishandso-calledcutting-edgefests,Funeralisquietlyriveting.Atadtoorestrainedformidnightsidebarsorcommercialrelease,picpossessesanintensitythatshouldsecurefestberths.
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Beautifully woven, complex and subtle, this film captures an essence of NYC after 9/11. A great script, some stunning photography, an excellent score that helps tie it all together, and a great ensemble cast make this small film seem quite large. The emotions that bubble under the surface, only sometimes breaking through, give this film its strength and its power. Different stories of different people all struggling with day to day life sharing the common experience of being New Yorkers post 9/11. The references to what happened are almost all unspoken, evoked through the images displayed or the background sounds, yet there is no doubt that what happened is a force in the lives of all of these people. Intelligent film-making at its best. 影片报告的五个故事就产生在纽约人一样平常的生涯中。特拉布勒斯是一名心思大夫,他的病人桑的在阅历911变乱后,对四周的人!事觉得末路怒跟绝望。特拉布勒斯应用本人奇特的办法重燃桑的对生涯的热忱。艾米基勒是纽约市糕点重要供给商之一,为了揽到买卖不择手腕,把他的对手一家逼上了逝世路……911变乱后,美国进入了后911时期,以是这是第一部直接反应911变乱后,纽约人生涯百态的笑剧,以及他们对那段影象的立场。留神,它决不是对大难不死的喜剧反思。影片报告了各成一体的五个互不相乾的故事,表示了故事中的人物阅历了911变乱后的心途经程。滑稽的手腕挥去了这个主题下的阴冷跟繁重,表现了编者与众差其余伶俐。
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利雅得·萨杜夫
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ValeriaGolino
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IrèneJacob
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EmmanuelleDevos
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文森特·拉科斯特
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艾曼纽·德芙
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伊莲娜·雅各布
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利雅得·萨杜夫
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玛嘉·莎塔琵
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诺埃米·洛夫斯基
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瓦莱丽亚·戈利诺
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张凯源
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14-year-oldHervéisanaverageteenagerwholiveswithhismotherandstrugglestocopewithhislibidoimpulses,unprepossessingphysiqueandmediocreintellect.Hismajorpreoccupationisdatingagirl.Unfortunately,inthisarea,girlskeepturninghimdown.Buthehasn’tgivenuphopeyet.Oneday,withoutreallyunderstandinghow,itseemsthatAurore,oneoftheprettie...
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某傍晚，Amra开车时打电话撞倒了行人，导致对方处于昏迷状态。她是阿尔及利亚移民，尚未取得法国身份，因为此次意外，很有可能永远拿不到。绝望之时，陌生人Angélique为她作证，使她免除事件责任。俩人成为好友，并介绍给了Amra的丈夫和女儿。随着深入交往，Angélique坦白是做假证，她并没有在案发现场，只是为了获得证人奖励。Amra内心非常挣扎。当她得知撞倒的行人脱离昏迷，她由衷高兴。可Angélique却说行人醒了就会揭穿谎言，并不是好事。最后，当行人恶化身亡，Amra非常内疚，发现Angélique身上疑点重重，怀疑是她为了掩盖自己杀人而作证，为了伪装不在场证明。在一场汽车追逐戏里，Angélique的车坠下了悬崖。Unsoir,Amra,unejeunealgérienneinstalléeenFrance,renverseaccidentellementunpiéton.Celui-ciresteentrelavieetlamort.Ravagéeparlaculpabilitéetlacertitudequ’ellen’obtiendrajamaissespapiersfrançais,elleestmiraculeusementinnocentéeparAngélique,unebellerousseaussilibreetdécomplexéequ’Amraestsauvageetintrovertie.Lesdeuxjeunesfillesdeviennentamies.Maisl’attituded’Angéliquedevientdeplusenplusétrange,voireinquiétante…（allocine）
导演：
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本·法尔科内
主演：
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梅丽莎·麦卡西
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詹姆斯·柯登
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鲍比·坎纳瓦尔
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布莱恩·泰里·亨利
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珍·斯马特
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Jock McKissic
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卡兰·索尼
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莎拉·贝克
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朱万达斯·坎迪斯
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迈克尔·比奇
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乌斯曼·阿利
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Damon Jones
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Jay Lay
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Jenna Perusich
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Carolyn Trahan
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山姆·理查森
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安德鲁·T·李
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施奎塔·詹姆斯
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艾琳·法萨诺
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麦克斯威尔·海史密斯
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帕蒂·舍尔哈斯
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Tina Witherby
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查尔斯·格林
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何塞·阿尔弗雷多·费尔南德斯
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保罗·皮尔斯伯里
剧情：
梅丽莎·麦卡西将主演举措笑剧「超等智能」(Super-Intelligence),麦卡西老公本·法尔科内执导,这是两人自「塔米的游览」「老板」「派对配角」后第四次以演员-导演身份协作。麦卡西扮演前企业高管Carol Peters,当她被天下上第一个超等智能——一个可能掌控天下的人工智能选中作为视察目的后,她的生涯产生天翻地覆的变更。Steve Mallory(「老板」)编写脚本,7月开拍,新线出品。
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
导演：
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内详
剧情：
Aftergettingunexpectedlydumpedbyherboyfriend,Chelsea(EmilyOsment)ahigh-brow,Harvard-educatedintellectualandaspiringnovelistisforcedtomoveinwithherbubbly,carefree,not-so-intellectualWestCoastsister,Claire(OliviaMacklin),andherthreelovablyeccentric,not-so-intellectualroommates:Grant(GreggSulkin),adistractinglyhandsomepersonaltrainer,...
