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Ayoungnursebeginshershiftatanoldcityhospital.Afterastrangeapparitiononeoftheoldestnursetellsherthatapatient,Mr.Moore,enteredthehospitalafewyearsago.Hisbodywascompletelyburnedafterafire.Mr.Moorewasoperatedurgentlybythedoctors.Butnoonewantedtoassisthim.Thepainanddrugshaddrivenhimmad-Onenightoneofthenurseswenttohisroombuthisbedwasempty.Nothingwasheardfromhimanymore.Abellinterruptsthestory.ThecallcomesfromMr.Moore'sroom.

故事发生在繁华的大都市伦敦，一场爆炸案的发生让居民们人心惶惶，很快，一个名为埃尔多安（丹尼斯·莫斯奇托 Denis Moschitto 饰）的男人以嫌疑人的身份被关进了监狱。政府声称掌握了重要而秘密的证据足以为埃尔多安定罪，检察院派出的律师克劳迪娅（丽贝卡·豪尔 Rebecca Hall 饰）“有幸”亲眼见证了这批过于神秘的证据，她将出庭作证。　　让克劳迪娅感到吃惊的是，埃尔多安的律师不是别人，正是她的前男友马丁（艾瑞克·巴纳 Eric Bana 饰），曾经的情人成为了如今的对手，克劳迪娅该如何自处？随着时间的推移，马丁在自己所掌握的种种线索之中发现了一个惊天秘密，这个秘密将他和克劳迪娅卷入了危险之中。

Will,ayoungHispanicgaypotter,isonegregariousguy.Hisbossisterrible,buthe'sgotagreatboyfriendandagreatjob.Unfortunately,behindthatveneerisadarkpastofviolenceandmentalillnessthatheisdesperatetokeephidden.Whenhisbipolarmothercomesoutofthewoodworkaftertenyearsofsilence,hebeginsexhibitingunexplainablesymptoms.Afteraninjuryatwork,hestartslosingfunctioningofhisarms,andsomethingsinisterlurksinthecornerofhisvision:asilentandominousmaninawolfcostume.Willspiralsintoanobsession,determinedtosolvethismysteryofhisown.Whatisgoingonwithhisarms?Canhetrusthisboyfriend?Ishebecominghismother?

毗邻北法利亚森林的白谷国，老国王（爱德华·沃纳EberhardWagner饰）在狩猎途中被怪兽杀死。为了巩固本国于白谷国的和平盟约，邻国王子亚利山大（杰米·托马斯金JamieThomasKing饰）前来求婚，却意外邂逅美丽的白雪公主（艾莉莎·本内特ElizaBennett饰）。美丽而邪恶的皇后（简·玛奇JaneMarch饰）看出王子对白雪公主的好感，于是心生嫉妒，秘密令与自己有染的猎人（本·麦多克斯BenMaddox饰）在野外杀害白雪公主。谁知中途意外发生，猎人敷衍交差，白雪公主则被神秘的精灵族救下。一度被人类所奴役驱使的精灵族，面对这个人类的公主心中充满矛盾。白雪公主全新的故事，全新的传说……

Onthe100thanniversaryoftheoriginalvoyage,amodernluxurylinerchristened"Titanic2,"followsthepathofitsnamesake.Butwhenatsunamihurlsanicebergintothenewship'spath,thepassengersandcrewmustfighttoavoidasimilarfate.

Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.

Whenwhip-smartCambodiandoctorThonyDeLaRosacomestotheUnitedStatesformedicaltreatmenttosaveherailingson,shesoondiscoversherpathwon'tbeasstraightforwardasshehadhoped.Asthesystemquicklyfailsher,pushingherintohiding,sheresolvesnottoallowherselftobebeatendownandmarginalizedandbecomesacleaningladyfororganizedcrime.Usinghercunningandintelligence,Thonyforgesherownpathinthecriminalunderworld,doingwhatevershehastosurvive.

费加罗（德尼·波达利德斯 Denis Podalydès 饰）是在阿玛维瓦伯爵（雅各布·韦伯 Jacques Weber 饰）手下任职的男仆，与同为女仆的苏珊娜（席琳·萨莱特 Céline Sallette 饰）两情相悦，两人约定携手步入婚礼的殿堂。然而，阿玛维瓦伯爵贪恋苏珊娜的美貌已久，想方设法阻碍她和费加罗的结合，愤怒的费加罗决定利用自己的智慧，联手伯爵的妻子罗西娜（伊莎贝尔·阿佳妮 Isabelle Adjani 饰）给这个贪婪好色的老头子一点颜色瞧瞧。　　苏珊娜给伯爵写了一封热情洋溢的信，约他在花园里见面。当夜，伯爵趁着月色准时赴约，隐约看到一女子站在树下，于是不分青红皂白就抱住她亲热了起来，哪知道这名女子不是苏珊娜，而是他的妻子罗西娜。

A50-year-oldpainternamedLorenzodecidestorebuildhislifeafterhardtimes.Anxiousaboutthesonhewillhavewithhisnewwife,duringpregnancy,shebeginstohaveacertainobsessiveandmaliciousbehavior,whichmakestherelationshipbetweenthembothtense.Withthebirthofthebaby,therelationshipreachesnewlevelsofdangeroushostilityandcertainunhealthybehaviorsthatmakethecoupleanextremelyunstablesituation,fromwhichtherecouldbenoreturn

CREEPSHOW,thenewanthologyseriesbasedonthe1982horrorcomedyclassic,isstillthemostfunyou’lleverhavebeingscared!Acomicbookcomestolifeinaseriesofvignettes,exploringterrorsrangingfrommurder,creatures,monsters,anddelusionstothesupernaturalandunexplainable.Youneverknowwhatwillbeonthenextpage...Season2premieresApril1onShudder.