Set

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家庭经济学第二季
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ConnorinvitestheHayworthclantoa49ersgameashetriestoclosehislatestbusinessdeal;Tomgetsachancetoshowcasehisfootballskills;DenisetriestogetSarahtocometotermswithShamiah’snewinterestincheerleading.
红牝
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‘How do you feel about intimate relations? Speak freely, don’t hold back.’ · ‘I think it’s the highest connection between two souls.’ Benny’s hair is as red as the fur of her devout father’s treasured calf – which he believes will bring salvation. But the 17-year-old feels as lonely and trapped as the calf in its enclosure. Benny’s mother died giving birth to her, and she grew up alone with her caring yet patriarchal father. He is a figure of authority and a mentor for many people in their Jerusalem religious community. Benny becomes increasingly critical of her father’s religious, utopian nationalism and then there’s Yael, the self-confident young woman who has set off a whirlwind of longing and emotions in her. Avigayil Koevary powerfully portrays the defiance and desire of a young woman in Tsivia Barkai Yacov’s debut feature film.
9路冥婚
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阴云密布的一天,身着俏丽婚纱的新娘小薇(Setsit Limkasitdej 饰)留下遗书后,步步踏上公寓楼顶,纵身跃下。此前经大学挚友友人阿朗先容,小薇结识了某大型企业白领精英阿光。俊男靓女,你侬我侬,热切期盼走入婚姻殿堂的小薇,却不测从阿朗口中得悉未婚夫车祸身亡的凶讯。新娘的鲜血染红白色婚纱,而当面隐蔽的机密以及新娘深深的怨念又使得她住过的1616公寓成为令人谈虎色变的凶宅。 影片由「外卖员」「新居客」「友人」「爱人」「仆人」「母亲」「新郎」「老兵」「老捕快」等九个短篇构成,经由过程对小薇自残前后日子以及相干职员的片断出现,提醒了一个俏丽而苦命男子的长久终生……
在他的一生中
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Thefilmtellsthestoryofthreepeopleforayear:ason(Magimel)diagnosedwithcancer,amother(Deneuve)sufferingfromhelplessnessandadoctor(CéciledeFrance)todoherjob:Oneyearandfourseasonsforthesethreecharacterstodealwiththedisease,totameit,andtounderstandwhatitmeanstodiewhilealive.
等待方舟
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Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.
窗户边有人
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From the director of LEAVE comes a new suspenseful and horrifying feature, set in the US.
尽请稍候
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Hannaa30ans,beaucoupdecharmeetnesaitpasdirenon:elleestatteintedelanévrosedelagentillesse.Cedrôledesyndromefamilialtoucheaussisonpère,Omar,"épiciersocial"etsamère,Simone,"psyàdomicile".AvecsonfrèreHakim,focalisésursesracinesalgériennesetsareligion,lecourantnepasseplusvraiment.MaisunévénementimprévuobligeHannaetHakimàseretrouver...
伏尔泰,混合第一季
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"Mixte"takesplaceinanall-malehighschoolwhengirlsareallowedinforthefirsttime.Setin1960sFrance,theserieslooksattherelationshipsand"hormonalfireworks"ofthetime.Itwillcovertopicssuchaslove,emancipation,sexualityandself-acceptance
麦克唐纳与多兹第二季
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ITVhasgreenlitasecondseriesofcontemporarydetectivedrama,McDonald&Dodds,followingthesuccessofthefeature-lengthfilmswhichairedearlierthisyearproducedbyleadingindependentproductioncompany,MammothScreen.ThenewseriesseesTalaGouveia(ColdFeet)andBAFTAawardwinningactorJasonWatkins(TheLostHonourOfChristopherJefferies,TheCrown)reprisetheirrolesastheambitiousDCIMcDonaldandthehumble,andquietlybrilliantDSDoddsinthreenewmurdermysteries.SetinpicturesqueBath,theseriespairsfiestyDCIMcDonald,whohasrecentlytransferredfromLondon’sMetPolice,withthemodestandunassumingDSDodds,whohasbeenhappyinthebackgroundformostofhisworkinglife.Throwntogetherseeminglywithnothingincommon,theyforgearumbustious,andultimatelyhighlyeffectivecrimesolvingpartnership.CreatedandexecutiveproducedbyRobertMurphy,whoistheleadwriterfortheseries,McDonald&DoddswillonceagainbefilmedintheWestCountry.ThebrandnewepisodeswillbedirectedbyAlexPillai(ChillingAdventuresofSabrina,Riverdale),RebeccaRycroft(MaloryTowers,DannyandMick)andIanAryeh(InTheLongRun,AndyandtheBand).ThenewserieshasbeencommissionedbyITV’sDramaCommissionerHuwKennairJonesandHeadofDrama,PollyHill.Huwwilloverseeproductionofthedramafromthechannel’sperspective.CommentedHuwKennairJones:“We’redelightedwiththeaudiencereactiontothefirstseriesofMcDonaldandDodds.Thetwocharacterscouldn’tbefurtherapart,whichiswhatmakestheseriessointriguingtowatch.Theyshouldn’thavechemistry,buttheydo,andtheyworkbrilliantlyinpartnershipwhichistestimonytoRobert’sscriptandTalaandJasonforbringingMcDonald&Doddstolife.”CommentedMammothScreen’sDirectorofDrama,PreethiMavahalli:“WearethrilledthatRobertMurphy’scleverstorytellingwasahitwithaudiencesearlierthisyear.McDonald&DoddsareaquirkilyuniqueinvestigativeteambroughttolifebeautifullybyTalaGouveiaandJasonWatkins.We’rereallypleasedITVhavecommissionedmorefilmsandlookforwardtoreturningtofilminBath.”DamienTimmer(Endeavour,Noughts+Crosses,WorldonFire)andPreethiMavahalli(McDonald&Dodds,Noughts+Crosses,TheWaroftheWorlds)aretheexecutiveproducersforMammothScreen,anITVStudioscompany,alongsidewriterRobertMurphy(McDonald&Dodds,Vera,Shetland,DCIBanks).TheproducerofthenewseriesisSarahLewis(Noughts+Crosses,McDonald&Dodds,Victoria).ThefirstseriesisavailabletoviewviastreamingplatformBritbox.Seriesonelaunchedwithaconsolidatedratingof6.4manda26%shareoftheavailableaudienceandboastedanimpressiveguestcastlistalongsideTalaGouveiaandJasonWatkinswhichincludedRobertLindsay,RosalieCraig,EllieKendrick,SusannahFielding,JoannaScanlan,MicheleDotrice,FreddieFoxandHughDennis.ITVStudioswilldistributethedramainternationally.
宾果地狱
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IntheBarrioofOakSprings,liveastrongandstubborngroupofelderlyfriendswhorefusetobegentrified.Theirleader,Lupita,keepsthemtogetherasacommunity,afamily.Butlittledidtheyknow,theirbelovedBingohallisabouttobesoldtoamuchmorepowerfulforcethanmoneyitself.
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