Sipos
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Everyyear,afamilyhomeisturnedintoahauntedhouse.Thepurposeisnotonlytobeasterrifyingaspossible,butalsotocreateaspectacularattractiontodrawtheneighboursin.Inresponsetosomecriticism,thefathercommitsirreparabledamage.
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Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.
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Oneweekonacruiseship,withparties,funandnewfriendships.Theall-gayclienteleonboardarepreoccupiedwithtopicssuchasidentity,thebodybeautifulandthesearchforsex.Everyeveningisdedicatedtoanewtheme,challengingthepassengerstoevermoreextravagant,body-huggingoutfits.Inthecabinshowever,thetalkismorethanskindeepasthemenopenupabouttheirprivatelives.Marek,ayoungPolishmanjustwantstobeacceptedandlovedasahumanbeingandnotjustbecauseofhistautbody.DipankarfromIndiahasjustrecentlycomeout;heandPalestinianRamziarerevellinginthekindoffreedomtheycanonlydreamaboutintheirhomophobicsocietiesbackhome.MartinisHIVpositiveandpondershedonisticways,whilePhilippefromFranceobservestheproceedingsonboardserenelyfromhiswheelchair.InhisfeaturefilmdebutdirectorFerlandMilewskisucceedsinprovidingalookbehindthescenesofanostensiblysuperficialworld.Hishumorousapproachhelpshimcreateagenuinebondwiththeprotagonistswhotalkopenlyaboutgaydesires,freeloveandgoodold-fashionedmonogamy.
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广濑贵士
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Constantlyonthehuntandsufferingfromhallucinationsthatdrivehisviolentnature,anunnamedmaniscapturingwomenandsavagelybeatingthemtodeath.Meanwhile,awomanisluringmenintoaviolentend,bywayofherknife.Drivenbythesameforcetomaketheoppositesexsuffer,thekillers’fatesintertwine.Thetwomustfaceoffinabattletothedeath,inwhichtheyareforcedtorevealthehorribletruthbehindtheiraddictiontomurder.“Brutal”takesaninterestingapproachtoitsvisuals,drawingheavyinfluencefromWestern“Grindhouse”films,usingafiltertomakethefootageappeargrainy,damaged,andwithlightandcolorfluctuations.Unfortunately,thevisualstylingendsupfeelingmisguided,asotherthanapplyingthefilteritdoesnotimitateanyotheraspectsofthe“Grindhouse”genre.Despitetryingtodirtyupthefilm,itisapparentitwasshotondigital.Thecinematographyisalsoastepabovemost“Grindhouse”productions,withTakashiHiroseprovinghehastalentbehindthecamera.Exteriorshotstothosetakingplaceinsmallspacesareallcompetentlyframed,lit,andtransitionwell.Thedecisiontoaddaneffectontopoftheworkhurtsthefilm’simageryandevengivesasenseofdesperationtotrytocaptureacertaintypeofnostalgiawiththeaudience,insteadofrelyingonitsownstrengths.Itisunfortunatewhenonecreativechoicecanhurtaproductionsomuch.Thestoryof“Brutal”issimplebuteffective,itdoesattemptsomesortofsocialcommentaryabouttheviolentnatureofmenandwomen,butitdoesnotofferenoughdepthintothesubjecttojustifytheamountofviolenceondisplay.Thefilmdoesendonastrongnotewithaninterestingtwist,witharevealthatisboundtogrosssomeout,whilegivingothersachuckle.Inspiteofitssimplenature,thosewhoenjoyfilmsthatmakethemsomewhatuncomfortableandenjoythechallengeofgettingthroughsomeultra-violence,“Brutal”posesafunandentertainingchallengeinthatregard.
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A shallow and slightly clueless social media influencer takes his girlfriend out to the wilderness with the intention of live-streaming the most epic proposal ever! But things take an unexpected turn after she slips off the edge of a cliff in order to get that perfect shot. It takes being separated in the wild and overcoming nature's obstacles for them both to realize they just might not meant for each other...while finding love in new, unexpected places-like an old flame turned Search and Rescue volunteer, and a capable female park ranger.
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迈克尔·费法
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ThispowerfulwesternstarringPeterFacinelli(Twilightfranchise)showswhathappenswhenyoupushagoodmantoofar.BrittMacMasters,aU.S.Marshal,returnsfromamissiontofindhisfather(TomSkerritt)woundedandhisson,Chad,kidnappedbytheoutlawJedBlake.Hotontheirtrail,BrittformsapossewithagunslingingdeputyandastoicPawneetracker.ButbothJed...
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派屈克·福吉特
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丽莎·贝恩斯
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黄谷子
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AshlyBurch
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DavyRothbart
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RobertLorie
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DavidPark
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PaulChamberlain
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NancyFong
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TheStrongestManisaMiami-centriccomedyaboutananxiety-riddenCubanman,whofancieshimselfthestrongestmanintheworld.Inaquesttorecoverhismostbelovedpossession,astolenbicycle,hefindsandlosessomuchmore.
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Thisstoryisaboutamusician,Natalie,whomovestoabigcityandtriesherluckatbecomingfamous.Andhereshefindsnotonlyagreatopportunityforhercareer,butalsoanewlovewithanothergirl,Anna.Theytwoareverydifferent:onepoor,theotheroneisrich,oneofthemwritesmusicandsings,theotheronecannothearorspeak…Theyareunitedbyloveforeachother,buttheirownfearsstandinthewayoftheirhappiness.Theybothgothroughdoubtsandpain.Whentheyfinallyfindcourageintheirhearts,itseemslikeitstoolate…Butdoestruelovehavetimelimits?HISTORYTheproposedfilmisbasedonshortfilmILOVEHER(2013).Thefilmparticipatedinsuchfilmfestivalsas:Frameline39,SanFranciscoInternationalLGBTQFilmFestival,MIXCOPENHAGEN,FestivalInternationalEntr2Marches(Cannesfilmfestival),BostonLGBTFilmFestival,TheBarcelonaInternationalLGTIBFilmFestival.//ThefilmalsoparticipatedinfilmfestivalsheldinMadrid,Paris,Seattle,Boston,London,Hamburg.Inwholethefilmparticipatedin28filmfestivalsof12countries(France,USA,Canada,Switzerland,Germany,Serbia,LatinAmerica,Turkey)and3continents(Europe,America,Asia).
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保罗·齐勒
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亚利桑德拉·布莱肯瑞吉
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罗伯特·伯克利
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丽莎·钱德勒
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杰基·哈里
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卡洛·马克思
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Naika Toussaint
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霍莉·唐娜
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Jake Ennis
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Dion Riley
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Fiona Vroom
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Eric Gustafson
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安尼塔·布朗
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Jenny Mitchell
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Terrie Carpenter and David Crabtree are two of the most popular segment hosts on the SHC aka Shopping from Home Channel. They have an antagonistic professional relationship in being opposites in the way they approach their job. Terrie likes to be prepared in knowing product specs, David who accuses her of being boring in her striving to have an air of perfection. David has a devil may care attitude, his catch phrases, which he didn't even write himself, Terrie finding pretentious in wanting to come across as every viewer's best friend. They and the rest of the staff at SHC discover that the rumors that have been circulating around the station are true: that SHC's founder Sharon St. Clair, who still hosts the prime time spot segments, including the Monthly Pick, which pulls in quadruple the viewership of any other segment, is retiring, she and the Board who will make the decision of her replacement both as host for those lucrative time slots, and as head of the company. Terrie and ...
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WhatunfoldsintheposhlanesofaDelhischool?Wherewilltheirlivestakethem?Thequestions,fornow,areunanswered,buttheywillbeansweredrealsoon.
