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本剧集是BBC2台2000年正式推出的以青年人为题材和对象的系列情景喜剧，创意和编剧均由StevenMoffat一人担当。三男三女的主要人物构成很容易使人联想到当时正走红（其实已经在走下坡路）的《Friends》，因此很有不少根本没看过本剧的媒体人士和评论家想当然地将本剧称作英国版的《Friends》，而在那些有幸欣赏过本剧的观众们看来，《Coupling》在情节设定、人物表演、喜剧元素的设计和表现等诸多方面所达到的水平，要比《Friends》高几个档次。相比之下，《Friends》只能说是一部“业余”水平的好作品而已。当然总体来说，英剧的水准本身就高于美剧，这和英剧注意保持创意、编剧一体化是分不开的，美剧的创意一般也就为最初几集编剧，以后主要的编剧工作都是由其它编剧根据最初的角色设定来自由发挥，编剧队伍的构成也是不断变化，老的走新的来，造成美剧情节连贯性差甚至前后矛盾，故事往往缺乏深度，人物性格平面化，缺少发展。这都是题外话了。《Coupling》的主要人物包括优柔寡断、性格不成熟的帅哥Steve，Steve的莫逆之交、举止语言古怪、总也找不到女友的Jeff，头脑简单、外表性感的“donkey”Patrick三位对Porn、特别是lesbianporn非常热中的男士，以及Steve的前女友、神神叨叨、擅用性感作武器的Jane，Steve的继任女友、Jeff的同事、曾经非常“不羁”（包括和Jeff还有Patrick）过的Susan，Susan的莫逆、对衰老和肥胖极度敏感的美容师Sally三位女士。本剧的主线包括Steve和Susan之间逐渐正式起来的关系，Jeff寻找艳遇过程中的种种意外以及后来和上司发展出来的一段关系，Patrick和Sally之间若有若无到若即若离再到情深难舍的感情发展，还有Jane在事业和异性关系中的各种奇事，等等。本剧在情节设计中所达到的精致和完美程度让人叹为观止，而六位当时并不算大明星的青年演员的所展现精湛演技更是具有顶尖演员的水平，无怪乎播出之后立刻走红大洋两岸，在IMDB、AMAZON和BBC网站可以领略到其受欢迎的程度。
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列维·施瑞博尔
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名义下去看,雷（列维·施瑞博尔LievSchreiber饰）是一个一般的中年男子,现实上,他从事着一份布满了安慰跟伤害的奥秘任务——替下流社会的各路名流雅士处理他们“不克不及说的费事”。在客户们眼中,雷是无所不克不及的天主,但是雷呢,只管处理过种种百般的“疑问杂症”,但他一直无奈“医治”本人的生涯。雷的父亲麦克（强·沃特JonVoight饰）刚从牢狱里出来,他的家人跟社会可以宽容的接收这个看起来有些玩世不恭的老头子吗！身为雷的老婆,艾比（葆拉·马尔科姆森PaulaMalcomson饰）对老公的奇迹跟本人的身份又抱有着怎么的疑惑呢！另有雷的一双后代布莱恩特（凯莉丝·多西KerrisDorsey饰）跟康纳（DevonBagby饰）,他们亦有各自的烦苦衷儿。
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昆汀·塔伦蒂诺
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1858年，美国南北战争前两年。德国赏金猎人金·舒尔茨（克里斯托弗·瓦尔兹 Christoph Waltz饰）从贩奴商人手中买下黑奴姜戈（杰米·福克斯 Jamie Foxx饰），让其重获自由。舒尔茨实则是要把姜戈培养成无法无天的赏金猎人，为其缉拿各种通缉犯以换取报酬。姜 戈的唯一条件是：从暴虐的糖果庄园主卡尔文·坎迪（莱昂纳多·迪卡普里奥 Leonardo DiCaprio饰）手中解救出自己的妻子布鲁姆希尔达（凯丽·华盛顿 Kerry Washington饰）。本片是昆汀向1966年由塞吉奥·考布西执导的经典意大利西部片《迪亚戈》的致敬之作。鬼才导演痞子昆丁三年磨一剑，继《无耻混蛋》后又一巨制力作。本片延续昆汀一贯低调奢华的风格，处处可见奇思妙想的幽默元素和血腥野性的动作场面，更有强档群戏，豪华卡司，可谓看点十足。《被解放的姜戈》荣获第85届奥斯卡金像奖-最佳原创剧本大奖，克里斯托弗·沃尔兹 Christoph Waltz则凭借此片荣获最佳男配角。本片同时荣获第85届奥斯卡金像奖最佳影片、最佳摄影和最佳音效剪辑提名。©豆瓣
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彼得·霍尔
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FilminghasstartedonBBCTwo’scriticallyacclaimeddramaTheLastKingdom,fromCarnivalFilms.Thesecondseries,adaptedbyBAFTA-nominatedandRTSaward-winningwriterStephenButchardfromBernardCornwell’sbestsellingseriesofnovels,istoreturntoBBCTwonextyear,withNetflixjoiningasaco-productionpartner.Theemotionallycomplexandcompellinglandscapeof...
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受医疗轨制改造的影响,已经显赫一时的大学病院——帝都医科大学第三病院因医疗状态好转跟任务压力过大招致卓著出众的医师纷纭离任,人才散掉形成病院的开展摇摇欲坠。在此配景之下,不属于大学病院跟医局体系的自在大夫应运而生。俏丽性感的外科大夫大门未知子（米仓凉子饰）就是自在大夫的一员,她被人称作“DoctorX”,厌恶拉帮结派跟医疗腐烂,有如一朵怒放在泥沼中的带刺野玫瑰。未知子的到来给了这间陈腐呆滞的一史无前例的打击,而她过硬的外科技巧跟实践常识又令同侪敬佩与妒忌。小心翼翼的新秀森本光（田中圭饰）担任率领这名曾涉足海内的传怪杰物。未知子将迎战种种疑问杂症以及有形的妨碍……
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With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.
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凯文·麦克唐纳
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《天梯：蔡国强的艺术》是当今世界最重要艺术家之一蔡国强的首部电影纪录片。既是一个从中国出发、成为具国际影响力艺术家的励志故事，也体现着新时代中国人的追求和精神。本片由奥斯卡金奖导演凯文·麦克唐纳（KevinMacdonald）耗时两年，从纽约、布宜诺斯艾利斯、上海、北京、浏阳到家乡泉州，遍访艺术家的工作现场及其亲友、工作伙伴和专家，无限度深入蔡国强的工作和生活，并从数千小时的珍贵历史影像素材撷取精华，讲述蔡国强80年代从泉州出发，30年来在五大洲不同文化间成长，并走向国际舞台成为享誉全球的爆破艺术家。纪录片中也揭露他壮观艺术背后的另一个真实—内心的脆弱、挣扎、妥协，和对家人、故乡、祖国土地深厚内敛的家国情怀。影片主线《天梯》——一座500米高的金色焰火梯子嘶吼着拔地而起，与无垠宇宙对话。这是蔡国强少年时代仰望天空、摸云摘星的梦想，二十多...
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萨杜斯·奥沙利文
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TheindomitableDCIVeraStanhope,assistedbyhertrustedcolleague,DSJoeAshworth,stepsupforanotherseriesofchallengingcases.Sheinvestigatesthemysteriousdeathofapensioneronabusycommutertrain(OnHarbourStreet),unearthsathirtyyearmysteryafterabrutalmurderonthesandsofaseasideresort(Protected),unpicksthetragiclastmonthsofafailednovelistgunneddownonaremoteNorthumberlandmoor(TheDeerHunters),anddelvesintothetangledlifeofabusinessmanfoundfloatinginthewaterundertheGatesheadMillenniumBridge(DeathofaFamilyMan).InspiredbythenovelswrittenbyrenownedcrimewriterAnnCleeves,andfilmedagainstabackdropofoutstandingNorthumberlandlandscapesandatmosphericproduction,eachenthrallingstoryisenhancedbythecaptivatingperformanceofBrendaBlethynasthisshambolicyetbrilliantdetective.
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西恩·迈德斯
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ThisIsEngland'90isanupcomingBritishTVdramaserieswrittenbyShaneMeadowsandJackThorne.Aspin-offfromthe2006filmThisIsEngland,itisalsoasequeltotheseriesThisIsEngland'86andThisIsEngland'88.ThisIsEngland'90,wasoriginallydueinlate2012,butinJuly2012,directorShaneMeadowsannouncedthattheproductionhadbeenputonholdinorde...
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兰德尔·赖特
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The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 - by Raphael. Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 - years, right up until the birth of Modernism. As much as it was a cultural 'rebirth', the Renaissance was also a re册ution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.
