Emi
搜索"Emi" ，找到 以下影视作品
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阿托姆·伊戈扬
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故事依据马拉·莱维瑞特（MaraLeveritt）的同名小说改编,源自“西孟菲斯三人帮”的实在变乱。即1993年美国阿肯色州一同耸人听闻的行刺案当面的故事：1993年5月5日晩,阿肯色州西孟菲斯一個小鎮的3名8岁男孩掉落,3名“不良青年”小杰西·女士凯利(JessieMisskelleyJr.)!达米安·埃科尔斯(DamienEchols)以及贾森·鲍德温(JasonBaldwin)被认定为怀疑犯,并被关押18年之久。2011年8月,在18年的监狱生涯后,“西孟菲斯三人帮”被开释。瑞茜·威瑟斯彭在本片中出演一位受害者的母亲,后来她深信警方考察成果,而跟着案件的深刻,她逐步开端疑惑这一案件的公平性。而科林·费斯在片中的脚色是一位私人侦察,他是最初就站在原告一方的支撑者,而且经由过程考察,罗列了很症结的证据。他始终收费增援原告方,也因而在事先遭遇了种种咒骂。
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SundanceTV已经成为澳大利亚和新西兰联合制作的剧集在美国的新家，而《Cleverman》这部高概念的剧集计划将在2016年首播，剧集也将现身十月份的戛纳电视节秋季影视片交易会。《Cleverman》的背景设置在近未来时代，人类因逐渐对自己的生存环境感到不适而希望宁静和平，从而向非人类生物挑起战争希望奴隶或杀害非人类生物，非人类们在战争的艰辛中辛苦求生。本剧的原始的概念由RyanGriffen提出，讲述了两个土生土长的但是情感上相当疏远的两兄弟被迫联合起来为自己的生存作斗争的故事；这些地外生物也对“现实世界”出现了反乌托邦的情绪。本剧由苏格兰演员IainGlen（《权力的游戏GameofThrones》）、FrancesO'Connor（《千里追踪TheMissing》）、DeborahMailman（《蓝宝石TheS...
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SundanceTV曾经成为澳大利亚跟新西兰结合制造的剧集在美国的新家,而「Cleverman」这部高不雅点的剧集筹划将在2016年首播,剧集也将现身十月份的戛纳电视节春季影视片买卖会。「Cleverman」的配景设置在近将来时期,人类因逐步对本人的生活情况觉得不适而生机安静跟平,从而向非人类生物挑起战役生机仆从或杀戮非人类生物,非人类们在战役的艰苦中辛劳求生。本剧的原始的不雅点由RyanGriffen提出,报告了两个土生土长的然而情绪上相称疏远的两兄弟自愿结合起来为本人的生活作奋斗的故事；这些地外生物也对“事实天下”涌现了反乌托邦的情绪。本剧由苏格兰演员IainGlen（「权利的游戏GameofThrones」）!FrancesO’Connor（「千里追踪TheMissing」）!DeborahMailman（「蓝宝石TheSapphires」）!HunterPage-Lochard（「蓝宝石TheSapphires」）!RobCollins（「狮子王TheLionKing」）跟StefDawson（「饥饿游戏TheHungerGames」）主演。“SundanceTV曾经成为了现在天下上一些风趣的其余国度的电视节目在美国的家。”AMC跟SundanceTV原创剧集开辟部分的担任人JoelStillerman如是说,“咱们生机「Cleverman」像「Carlos」一样参加金球奖,像法国版「魂归故乡TheReturned」掉掉落国际艾美奖一样,给美国不雅众带来在其余处所看不到的电视节目。咱们曾经开端「Cleverman」的原创制造跟发明脚色故事线以及发人沉思的天然成果,剧集的品质也会像其余SundanceTV的剧集一样上乘。”。
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Atraumaticbetrayaldrivesawomantowardsavengefulextremity.
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马瑟·波特菲尔德
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麦考尔·隆巴蒂
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Onprobationandlivinginhisfather'shouseafterayearofincarceration,24-year-oldKeithnavigateshisdeeplystratifiedBaltimoreneighborhoodinsearchofworkandsomethingtogivehislifenewmeaning.Thoughtheoutsideworldprovidesitsownshareofthreats,Keith'sgreatestenemiesarethedemonsheharborswithin.
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朱利安·勒克莱克
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尚格·云顿将主演动作惊悚新片《保镖》(TheBouncer)，朱利安·勒克莱克(《抢劫犯》《突击》)执导，制片成本1000万，风格类似《飓风营救》。云顿将饰演Lukas，一个50多岁的夜店保镖，艰难抚养8岁的女儿。某天他在和客户的争吵中失控，被关进监狱，女儿由社会服务人员照看。情形突变，国际刑警招募他来干掉某个荷兰犯罪头目，以此换取女儿的监护权。JérémieGuez(《伊夫圣罗兰传》)操刀剧本，明年一月开拍。
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比利·怀德
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二战时期，一批美国战俘被关押在德军的监狱里，故事就发生在17号监狱（Stalag17）。有两名囚犯想要越狱，却被德军所杀，监狱里的囚犯们开始怀疑他们其中有人出卖了他们。大家都把嫌疑集中在一个人身上——狡猾的Sefton（威廉·霍尔登WilliamHolden饰）身上。Sefton虽然也是个囚犯，但他靠组织“赛马”、卖酒还有出租望远镜赚了不少钱。不久，一位美国中尉Dunbar（DonTaylor饰）被抓进狱中。他在法兰克福火车站制造了爆炸案炸死了不少德军。然而此事随即被德军军官OberstvonScherbach（奥托·普雷明格OttoPreminger饰）所获悉。Sefton被认为就是那个泄露了消息的内奸，挨了一顿揍。然而他依旧宣称自己是无辜的。Dunbar即将被纳粹军处死。到底谁才是真正的内奸？到底中尉Dunbar能否逃过一劫...
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Netflix预定5集限定剧《意料之外的凶手TheUnlikelyMurderer》,2021年播出。这部瑞典剧集为半虚构故事,基于ThomasPettersson在2008年出版的书籍创作。RobertGustafsson饰演平面设计师StigEngstr?m,他被认为很可能刺杀了瑞典前首相奥洛夫·帕尔梅。该剧讲述1986年帕尔梅遇刺后,Engstr?m凭借大胆和幸运,以及警方在案件办理中的迷茫,成功逃脱了法律制裁,直到他死去。主演还包括EvaMelander,MikaelPersbrandt和PeterAndersson。JoelSpira,EmilAlmén,ShantiRoney,TorkelPetterson,HenrikNorlén,LiaBoysen,MagnusKrepper,Bj?rnBeng...
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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杰姆·耶尔马兹
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Ayzek, who has been a waiter on ferries for years, becomes unemployed due to the pandemic and eventually finds a job at a hotel on the night shift. However, who knows what will happen to Ayzek on his first night.
