Ault
搜索"Ault" ，找到 以下影视作品
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鲁迪·曼卡索
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Followsayoungmanverypassionateaboutmusic.Hehastocometotermswithanuncertainfuturewhilebalanceshislovinglife,familyandBraziliancultureinNewJersey.
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Debauchery.Deceit.Abuse.Addiction.Corruption.Overthecourseoffivegenerations,themenintheHammerfamilyhavemoresecretsandscandalsthananyvaultcancontain.ArmieHammer’sallegedcrimesareonlythetipoftheiceberg.Throughatroveofarchiveandinterviewsfromsurvivorsandfamilymembers,thedarkandtwistedsecretsoftheHammerfamilycometolight....
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Intouch
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Intouch
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Kooramasuwan
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Zaleng
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Teerachot
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Klaymongkon
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Nu
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Puttiwat
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Sathanthoranin
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派纳彭·凯桑
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Tintin
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Jarasrawee
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Thiemrat
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帕塔帕斯特·那·颂卡
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Stop
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Phuriwat
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Ngamsapmanee
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Leon
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Krittapod
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这部剧是根据皮查的小说《让我进入你的心》改编的，描述了两个来自不同团体的男子，他们受雇出演Likay梨伽（泰国民俗戏曲剧）而走到一起。台上的两人相处得很好，但在幕后两人却互相看不惯对方。ThedramaisbasedonP.Picha'snovel‘LetMeIntoYourHeart,depictingtwoLikayheroes,hailingfromdifferentgroups,whoarecompelledtouniteinpromotingabigshow.Ontheoutside,everythingappearstoflowseamlessly,butbehindthescenes,thereisatumultuousclashbet...
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AdultSwim宣布预订15分钟剧《#忙碌黛布拉三连#ThreeBusyDebras》，这部由AmyPoehler制片公司PaperKiteProductions负责的剧于下半年开机拍摄。此剧由SandyHonig﹑MitraJouhari及AlyssaStonoha三人主创﹑执笔剧本及主演，剧中讲述三个有点疯﹑每天都十分忙碌的家庭主妇，而她们的共同点是都住在康涅狄格州的富裕郊区小镇，以及她们都叫Debra。
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RansomisinspiredbytheprofessionalexperiencesofcrisisnegotiatorLaurentCombalbertwhowithhispartner,MarwanMery,areamongthetopnegotiatorsintheworld.Together,theytravelaroundtheglobetohelpmultinationalcorporationsandgovernmentalagencieswithcomplexnegotiationsandconflictresolution.
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TheradicalhonestyofthebooksbyyoungadultfictionpioneerJudyBlumechangedthewaymillionsofreadersunderstoodthemselves,theirsexuality,andwhatitmeanttogrowup,butalsoledtocriticalbattlesagainstbookbanningandcensorship.源自：https://festival.sundance.org/program/film/638a1a91d406b20bd7f2d581
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A thief fresh out of prison, tries to work his way back into the life of his daughter and ex-fiancé. Determined, he is forced to use the skills he has as a gifted locksmith. Things take a tumultuous turn after an unexpected disappearance.
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
