Dahl
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罗伯特·泽米吉斯
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在美国洛杉矶有一个专供卡通人物居住的“图恩城”，卡通明星兔子罗杰（CharlesFleischer配音）怀疑妻子杰西卡（凯瑟琳·特纳KathleenTurner配音）有外遇，拍戏时常常走神，遭到他的搭档娃娃哈曼的奚落。卡通电影公司老板马隆便雇佣私人侦探埃迪（鲍勃·霍斯金斯BobHoskins配音）去查明情况，并拍下杰西卡偷情的照片，好让罗杰下定决心，斩断情缘，专心投入卡通系列片的拍摄。埃迪因自己的弟弟特迪不久前被“图恩城”的卡通角色暗害，也急于早日追出凶手，便慨然将此事承诺下来。而随着调查的深入，事情并不像埃迪想的那么简单，其中还另有奸情，慨然将此事承诺下来，就不能轻易放弃，埃迪能否找到案件背后的真相呢……本片根据加里·沃尔夫的同名畅销小说改编，同时是一部真人和动画相结合的影片。
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朗·霍华德
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WeFeedPeoplespotlightsrenownedchefJoséAndrésandhisnonprofitWorldCentralKitchen’sincrediblemissionandevolutionover12yearsfrombeingascrappygroupofgrassrootsvolunteerstobecomingoneofthemosthighlyregardedhumanitarianaidorganizationsinthedisasterreliefsector.
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老国王将女儿格温多琳公主（阿什莉·琼斯 Ashley Jones 饰）嫁给了萨西尼安国王做他的王妃,以求掉掉落强国的呵护。为了保障公主可以顺遂到达彼国,老国王派出了以雷诺兹（朗·普尔曼 Ron Perlman 饰）为首的国王卫队,一起掩护公主,就如许,雷诺兹率领着他的一帮弟兄,踏上了布满了伤害的漫漫路程。 半路上,雷诺兹一行人遭受了悲天悯人的劫匪,让雷诺兹不想到的是,在此中,他居然发明白已经的国王卫士戴博特（埃里克·罗伯茨 Eric Roberts 饰）。本来,戴博特始终深爱着格温多琳公主,老国王此次的决议激愤了他,妄图掳走公主。偶合的是,在相处的进程中,格温多琳公主居然爱上了忠诚的雷诺兹,如斯一来,在雷诺兹跟戴博特之间,一场恶战在所不免。
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罗布·麦克尔亨尼
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Withthequarantinefinallyover,thenewseasonofMythicQuestfindseveryonebackintheoffice(well,almosteveryone),attemptingtobuilduponthesuccessofRavensBanquetbylaunchinganepicnewexpansion,butIan(RobMcElhenney)andthenewlypromotedco-creativedirector,Poppy(CharlotteNicdao),strugglewiththegame’sdirection.Meanwhile,C.W.(F.MurrayAbraham)reconcilessomeunresolvedissuesfromhispast,thetesters(AshlyBurchandImaniHakim)testtheboundsofanofficeromance,andDavid(DavidHornsby)losesyetanotherwomaninhislifeasJo(JessieEnnis)leaveshimtoassistBrad(DannyPudi).
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Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
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AmericanfilmcriticElvisMitchell’skaleidoscopicdocumentarycreatesadefinitivenarrativeoftheBlackrevolutionin1970scinema,fromgenrefilmstosocialrealism—aworkofpainstakingscholarshipthat’salsothoroughlyentertaining,anessentialarchivaldocumentandtestamenttoaperiodofAmericanfilmhistoryunlikelytoberepeated.
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伊凡·森
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SimonBakerstarsasTravisHurley,adetectivewhoarrivesinasmallAustralianoutbackcitytoresearchatwenty-year-oldunsolvedhomicideofaneighborhoodAboriginallady.Formingbondswiththesufferer’sfracturedhousehold,Travisunravelsacollectionofarduoustruths,highlightingthecomplexitiesoflossandinjusticeskilledbyFirstNationsAustralians.
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Threeassassinsdealwithlife,love,addictionandtrustaseachtriestofindtheanswerstoabetterlife.Together,theyprovetobethemosttrustworthyinthistangledwebofmurder,greed,friendshipandbetrayal.
