Lea
搜索"Lea" ，找到 以下影视作品
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黛安娜·帕拉加斯
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伊娃·诺布勒札达
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丽娅·萨隆加
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古斯塔沃·戈麦斯
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利亚姆·鲍斯
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凯尔西·普里比尔斯基
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肯尼斯·韦恩·布拉德利
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利比·维拉利
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费利西亚·M·雷耶斯
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阿琳·卡瓦佐斯
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海尔斯·杨
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香农·麦考密克
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两代百老汇的“西贡蜜斯”Lea Salonga跟Eva Noblezada将协作出演新片「黄玫瑰」(Yellow Rose),是一部音乐剧,聚焦一个17岁的菲律宾裔美国女孩,她来得意州,酷爱农村音乐,想当歌手。但她的母亲被美国移平易近跟海关法律局拘捕,女孩逃脱了,她必需闯出本人的路,否则会被跟妈妈一同驱赶回菲律宾。记录片导演Diane Paragas执导,卡司将创作跟上演片中音乐。
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Jillian Clare
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泰勒·克里斯托弗
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斯塔西·爱德华兹
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普雷斯顿·贝里
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亚当·钱伯斯
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皮特·霍尔登
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Austin Hillebrecht
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Cosondra Sjostrom
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Jesse Lee Keeter
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特德·鲁尼
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托德·罗宾森
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Craig Michaelson
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Patrick Kwan
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Robert R. Bertrand
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Echo Bull
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Lindsey Lou's father has gone missing on a mountaineering expedition and she's determined to find him, only she's the least qualified for the job.
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尼尔·拉布特
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ColleaguesLesandNataliearedelayedintheAlbuquerqueairport.Restless|irritated|andunabletostandtheserviceworkershemeetsateveryturn|Lesheadsdowntown.Natalierefusestoleavehissideanddiscoversthathissupposedlyaimlesswanderinghasmoreofapointthanheiswillingtoadmit.Natalieconcealssecretsofherown|thoughneithercankeepthemquietforlong.Arapportgrowsbetweenthisunlikelypair|andsoontheysearchoutasparkofexcitementinthismostunlikelyoflocales.
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伊丽莎白·莫斯
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凯丽·华盛顿
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凯特·玛拉
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乔尔·金纳曼
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寇瑞·斯托尔
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小莱斯利·奥多姆
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Audrey
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Zahn
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吉尔·瓦格纳
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罗姆·弗林
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雪莉·李·拉尔夫
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Violette
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Linnz
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印第安娜·艾尔
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杰克森·凯利
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基思·卡拉丹
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阿娜·奥缇兹
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威尔逊·贝索尔
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谢丽·萨姆
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何家蓓
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Michelle
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Arthur
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Maggie
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Weible
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米西·克莱尔·法尔科内
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Yanis
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Kalnins
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Hayley
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Assink
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Itziar
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Martinez
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亚当·沙皮罗
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埃文·沙夫兰
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瑞秋·阿什利·约翰逊
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凯萨琳·
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故事改编自AramintaHall的2021年小说，聚焦NancyHennessy的死，外人看来她的生活是完美的，漂亮、富有、深得相识的人的尊敬和喜爱。而她被谋杀后，留下两个最好的朋友、深爱她的丈夫和女儿，以及一个她至死都未说出身份的秘密恋人。随着对其死亡的调查陷入困难，两个好友Eleanor和Mary也深陷悲痛，黑暗的细节慢慢浮现，让她们发觉自己对好友、对彼此甚至对自己其实都知之甚少。
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因童年的玩伴逝世,贝丝·潘特森（GabrielleAnwar饰）!布莱特·塞克斯（富兰克·威利FrankWhaley饰）!珍妮弗·琼斯（迪娜·梅尔DinaMeyer饰）!莱尔·戴伊（GeorgeNewbern饰）!金娜·康特（翠希·罗兹TraciLords饰）跟韦恩·默瑞森（DanDeLuca饰）等6名挚友从新聚会。他们曾在一所阴沉的孤儿院内长大,并独特占有着难以忘记的恐惧回想。他们在故交的书房内发明留给他们的遗书跟舆图,依照下面的指导世人来至一处偏远所在,却在舆图标注的所在找到一具高度糜烂的儿童遗体。惊恐的世人驱车逃离,但是迷掉了去路,终极找到一幢放弃空荡的白色别墅落脚。至此,童年的机密渐渐揭开,逝世神的脚步声也越来越近……
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Diz (Joel Courtney) is a reckless teenage drifter living life on the run. Abandoned by his parents as a child, he looks out for himself and doesn't accept handouts. He takes whatever he wants and runs. Jaded and determined to answer to no one, Diz lives a life marked by thievery and abandonment. Things change for Diz when he floats into a small town on the Snake River. There he is confronted by an unflappable old man named Marty and falls for Marty's guarded granddaughter, Selah. When Diz robs a local drug-dealing crazy, he becomes the owner of a giant pile of cash and the target of two vicious killers. With more money than he knows what to do with, and criminals at his heels, Diz puts the people he's learned to care about in danger, still trying to win Selah. But some things can't be stolen or bought. The River Thief is a film about guilt, self-sacrifice, and accepting life as a gift.
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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Petty Officer Michael Davis (Jeremy Davis) is the newbie to SEAL Team VI, but after his first mission the young soldier is weathered beyond hid years. His first assignment as for the elite black ops squad is as Communications Officer for the micro ground assault team that enabled surgical aerial assaults of strategic targets in Iraq, priming allied forces for the what is now known as Operation Desert Storm. The honor of being part of the special forces unit is enriched by the fact that he is invited into the unit lead by the best, Master Chief Devon Mackefy (Ken Gamble). The team, having just returned from one mission, is called into duty once again, because “Mac is the best”. Feeling the pull of the call, and given no option by the powers that be, our heroes go into the thick of it with the usual disadvantages - tired, short by one man and in need of gearing up in the weapons department; all with their invisibility being paramount. The team is rounded out by Petty Officer Williams (Kristoffer Garrison), Petty Officer Sanchez (Neta De Paula) and Chief Petty Officer Roberts (Zach McGowan). The team’s only contact ii Iraqi is Jamal (Amol Shah), a Kurd who has lost his family to the war and now helps the U.S. in these isolated covert operations. Their sole mission mark aerial targets, avoid capture and stay alive for four days. But the enemy is in every direction. Tensions are high since Davis is untested in the field and Mac is distracted by a recent personal loss. All these complications threaten the success of the mission, as well as the team’s survival.
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Joe Beck has lost the love of his life thanks to a Pixie's Curse and he now needs to figure out how to get his girl back, learn more about the mysterious Pixies and undo a bad deed he did long ago.
