Factor
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尼古拉斯·希特纳
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这是一群高智商男生们的故事。二十世纪八十年代，英国北部的一所男子中学里，八个高中生正积极准备着牛津和剑桥大学的招生考试。这几个男生性格各异。有万人迷，自视甚高的Dakin（多米尼克?库珀 Dominic Cooper 饰）；有四肢发达头脑不简单的Rudge（拉塞尔?托维 Russell Tovey 饰）等。他们对课本对知识有属于自己的解读。 教他们文学的是个肥胖，教学方式独特的怪老头Hector（理查德?格雷弗斯 Richard Griffiths饰），他主张学生通过课本获得情感上的共鸣和享受，而不是单纯为了升学而读。与他教学模式相反的则是学校新聘请的老师Tom（斯蒂芬?坎贝尔?莫尔 Stephen Campbell Moore 饰）。Tom的目标则是协助这些孩子尽可能考上牛津或剑桥。两种老师的两种教学模式，究竟孰优孰劣，或许并没有一个标准答案。
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乔舒亚·洛根
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AMichiganfarmerandaprospectorformapartnershipintheCaliforniagoldcountry.Theiradventuresincludebuyingandsharingawife,hijackingastage,kidnapingsixprostitutes,andturningtheirminingcampintoaboomtown.Alongthewaythereisplentyofdrinking,gambling,andsinging.Theyevenfindtimetodosomecreativegoldmining.
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ThedocuserieslaunchesonFebruary10,2025.RidleyScott,directorofBlackHawkDown,contributedtothisdocuseriesthroughhisproductioncompanyRSAFilms.However,JackMacInnesdirectedit.MacInnespreviouslyworkedondocumentaries,includingLeavingAfghanistanin2022.ProducersJamalOsmanandEmmaSuppleworkedwithexecutiveproducersDominicCrossley-Hollandand...
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October24,1944,theworld'sgreatestbattleatseabeginsinthePhilippines.Japan'snavygamblesonadecisivevictoryagainsttheUnitedStatestoturnthetideofWorldWarII.InsteadMusashi,itstopsecretsuperbattleship,endsupatthebottomoftheocean.Howdidthisunsinkablegiantgodownsofast?WasitoverwhelmingAmericanairpower?Orafataldesignflaw?...
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Galopin, Le (1996) (TV)
Victor, an unemployed physicist, is hired to serve at
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《阴道独白》是美国女作家伊娃·恩斯勒（EveEnsler）的剧作，近年来，上演这出话剧，已经成为国际性“妇女战胜暴力”运动的标志性活动。《阴道独白》１９９７年在美国获奥比奖（ObieAward），１９９８年成书出版。恩斯勒本人是剧作家、诗人和行动主义者，她曾在纽约百老汇之外的剧场和大学里表演此剧，还曾出演伦敦、耶路撒冷、萨格勒布（前南斯拉夫的一个城市）。她的作品《必要的靶子》在百老汇义演，收益用来资助波西尼亚的妇女难民。自1999年以来，在传统的情人节期间上演《阴道独白》已经发展成为国际性的“妇女战胜暴力”（VictoryoverViolence）运动，情人节也因此被赋予新的含义。作家欢迎任何人在V日发起活动中上演《阴道独白》，以“提高觉悟，反抗针对妇女的性暴力”。
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Plot Summary for
Galopin, Le (1996) (TV)
Victor, an unemployed physicist, is hired to serve at
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乔治·史蒂文斯
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When a newspaper man falls for a record store sales girl, their whirlwind courtship does not prepare him for a life of laughter, romance and tragedy. He must learn the value of true love, or face failure like he's never known. Academy Award Nominations Best Actor--Cary Grant.
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
