Lv
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翁贝托·伦齐
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UmbertoLenziisundoubtedlythekingofItaliancrimemovies,butunfortunately;SyndicateSadistsisnotthebestexamplesofhisworkinthisgenre.Lenzi’scrimeflickstendtobeacutabovetherestbecausehemakesfilmsbasedonstorieswithapoint,andtheydon’tlackdirection;butthisfilmfeelsabittoowaywardtofullyfitwiththerestofhisstuff.ThefilmtakesobviousinfluencefromSergioLeone’slandmarkwestern’AFistfulofDollars’(whichinturn,tookinfluencefromAkiraKurosawa’slandmarksamuraiflickYojimbo),inthatitfeaturestwowarringfamiliesandastrongcharacteratthecentre.ThecrimethatLenzifocusesoniskidnapping,andwecentreonacharactercalled’Rambo’.Ramboisdraggedintothewarbetweenthetwofamiliesafterhisbrotheriskilledbecauseofit.Rambouseshisbrainsandbrawntopitthetwofamiliesagainstoneanother,inthehopeofgainingrevengeforhisbrother’sdeath,rescuingayoungboythatthey’vekidnapped,andultimatelylettingthetwosidesdestroyoneanother.Thefilm’sbiggestassetisundoubtedlyTomasMilian.MilianwasputtogreatusebyLenziinalmostallofhiscrimethrillers.TherangeofcharactershehasplayedforLenziisimmense,andthisoneiseasilyoneofthecoolest.ThecharacteriscalledRambo,whichimmediatelysprangtomindthepopularSylvesterStallonecharacter-butforonce,theItaliansactuallyhaven’tstolenthisnameasSyndicateSadistswasreleasedfirst!Asusual,thefilmiswickedlyentertaining,aswegettowatchMiliangethimselfinvolvedintheusualarrayofcarchases,shootoutsandbrawls.Lenzihasgothimridingamotorbikethistimeround,andeveryscenefeaturingitandMilianisarealstandout!However,thefilmoftenfeelslikeitdoesn’treallyhaveanywheretogo,andthismeansthattherunningtimeisstretchedoutmorethanitshouldbe.ComparedtothecrimefilmsofotherItaliandirectors,SyndicateSadistsismorethanaboveaverage;butinrelationtoLenzicrimeflickssuchasAlmostHumanandTheCynic,TheRatandTheFist-itdoesn’tstandtallasoneofLenzi’sbest.Still,ifyou’relookingforninetyminutesoftestosteronefuelledmayhem-SyndicateSadistswillsuffice!
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ThisisthestoryofCaptainMuengman.Afteraccidentallymarryingaladyboyandlosinghisvirginitytoher…him…er,her…heisassignedtodoaveryspecialmission.HemustdefeatabandofladyboyterroristsleadbyGoldenFlower(DokTongaThaislangforprostitute),whoseintentistocauseharmtonormalmenandwomen.InordertocompletethemissionCaptainMuengmanandhisteammustdisguisethemselvesasladyboystoinfiltrateGoldenFlower’shideout.
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當Jack（ScottRyan飾）被葡萄牙美麗女子AnnaMaria（ClaudiaFerri飾）救出來的時候，他不知道他的生活和運氣都要發生重大改變。在這個偶然的《第一次約會》，傑克和自己的理想對象——Maria發生了一系列令人捧腹大笑的浪漫故事……這部愛情喜劇電影由JohnL′Ecuyer執導，RyanScott和JeannetteSousa擔任編劇，同時在片中出演重要角色。WhenJackgetsrescuedbyMaria,asuperstitiousPortuguesebeauty,hehasnoideathathislifeandluckarebothabouttochange.Duringthisaccidentalfirstdate,JackandMariaprojectidealisticimagesofthemselves--imagesthatarehumorouslycontradictedthroughaseriesofflash-forwardstotheirfuturelifetogether.-WrittenbyfromFacebook:ADateWithMissFortune
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故事发生在二战时期的一个美国沿海小镇，八岁小男孩Pepper（雅各布·萨尔瓦提JakobSalvati饰）天生矮小瘦弱，为此没少受同龄人欺负，还被取绰号为“小男孩”（littleboy）。他最好的朋友兼搭档，就是自己高大魁梧的父亲詹姆斯（迈克尔·拉帕波特MichaelRapaport饰）。在父亲的教导陪伴下，Pepper渡过了一段美好的时光。直到父亲应召入伍，投入到第二次世界大战的战场中去。就在Pepper期待父亲回家时，噩耗传来，他的父亲在菲律宾被日军虏为战俘，生死未卜。而此同时，Pepper和他哥哥London（大卫·亨瑞DavidHenrie饰）将战争仇恨发泄在镇上的一个日本人桥本身上，为此兄弟俩都接受了相应的惩罚。神父为了教育Pepper，将一个“古老的清单”交给他，只要他把清单上的任务都完成，他就能拥有可以移动大山的信念和力量，从而就能把他的父亲从二战战场中带回来。这个清单的其中一项，就是和日本人桥本成为朋友……
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Flight 42 - was on its way, when it comes across an unidentifiable storm. Realizing they must go through, find themselves in France, 1940 - World war II. A young soldier (Robbie Kay) tells them they are in the middle of a war zone. Dodging bullets and bombs the flight will attempt to make it back to modern day, without changing history too much.
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崔东勋
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A group of friends on a weekend trip to a cabin in the woods find themselves terrorized by alien visitors.
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内详
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五对夫夫各自隐藏秘密的故事。他们对爱情有着不同的含义，秘密和爱情。他们会走哪条路？他们将如何解决他们的问题？Thestoryof5couplesinwhicheachofthemconcealedsecrets.Theyhaveadifferentmeaningoflove,bothsecretandlove.Inwhichpathwilltheygo?Andhowtheywillsolvetheirproblems?
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Depressing,darklovedramawiththinstoryline,thatmakesyouwonderwhetherthemakersbelieveinlifeatall.Themaleprotagonistisconstantlyrunningintoproblemsandgetsbeatenuptimeandtimeagain,somuchsothatafterawhileIcouldnothelplaughing,whichcannothavebeentheintentionofthemakers:theyarevèry,vèryserious.ThecruxofthefilmseemstobeasharpcommentonthemoneydrivenGermansociety,inwhichitisimpossibletoshowanyrealaffection;ofcoursethiscouldbeadilemmaofthemakersthemselves:moneyisnottheproblem,butwhatyoudowithit.Notforgottenistoincludeanextremerightwingmanwhoseself-proclaimedpurposeinlifeitistofreethestreetofsociallyundesirableelements.Itisallveryheavysymbolismwithnorelief,butitiscertainlywell-madewithascriptthat-asthefilmprogresses-becomeslessandlesssurprising.Thetwoactingleadsaregood;finecinematography.(janonderwater)
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Nina is twelve years old and her world has just been shattered to smithereens: Her parents’ marriage has broken down and they are getting a divorce. After his internationally successful debut Miracle Juraj Lehotský now brings us an intimate drama in which the viewer looks upon the world and the selfish, visionless behaviour of adults through the eyes of a 12-year-old girl. A girl who is resilient and belligerent, but also vulnerable and just as fragile as the miniature world she creates for herself in the garden shed.
