Mausi

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狗狗大作战
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  Tracy and his rescue dog Charger have to foil the plans of an Evil Businessman who wants to knock over their beach restaurant in order to build his golf course. With help from his brother, Tracy tries to meet the bills, manage the kitchen (where Charger helps cook!) and still find time to fall in love with the beautiful dancer, Bridget. Through a comedy of errors and mishaps, the humans find they themselves can be rescued by their very own rescue animals.
飞天大盗 第四季
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AsMickeyleavesforabigscoreinAustralia,Dannystepsuptothemarkasthegangsnewleader,butcanheconvinceagreedyAmericanbusinessmantobuytheHollywoodHillssign?
报童传奇
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FilmedliveonstageatthePantagesTheatreinHollywood,CA,thisnot-to-be-missedhighenergyshowstarsOriginalBroadwaycastmembersJeremyJordanas"JackKelly,"KaraLindsayas"Katherine,"BenFankhauseras"Davey"andAndrewKeenan-Bolgeras"Crutchie".They’rejoinedbyNorthAmericanTourstarsSteveBlanchardas"JosephPulitzer,"andAishadeHaasas"MeddaLarkin,"andEthanSteineras"Les"alongwithmembersofboththeBroadwayandNorthAmericanTourensembles,fillingthestagewithmore"newsies"andmoredancingthaneverbefore.SetinNewYorkCityattheturnofthecenturyandbasedonatruestory,NewsiesistherousingtaleofJackKelly,acharismaticnewsboyandleaderofaraggedbandofteenaged’newsies,’whodreamsonlyofabetterlifefarfromthehardshipofthestreets.ButwhenpublishingtitansJosephPulitzerandWilliamRandolphHearstraisedistributionpricesatthenewsboys’expense,Jackfindsacausetofightforandralliesnewsiesfromacrossthecitytostrikeandtakeastandforwhat’sright.
刚果之行
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1927年法国作家安德烈纪德和他的侄子MarcAllégret在法国近赤道的非洲殖民地履行。在回法国之前,他又游历了现在的刚果共和国,中非共和国、喀麦隆。回来后MarcAllégret把拍下的影像剪辑成这部纪录片,之后其成为法国人文纪录片中最早的经典作品之一。http://baike.baidu.com/view/668847.htmlMarcAllégret-OlderbrotherofdirectorYvesAllegret;Allegretsfirstfilmwasthe1927documentaryVoyageAuCongo,aboutthetriptoAfricaundertakenbyhisuncle,theauthorAndreGide.HewentontoassistdirectorsRobertFloreyandAugustoGenina,andin1931completedLeBlancEtLeNoiforFloreyandco-directedLesAmantsDeMinuitwithGenina.Thatsameyearhemadehissolodirectingdebut,lauchinga40-yearcareerthatincludessuchnotablefilmsastheJosephineBakermusicalZou-Zou,thedocumentaryAvecAndreGide,andtheD.H.
潜水钟
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‘April.16,2014.AM08:48.SewolFerrysunk.’Exploringwhathappenedaboutdivingbell,oneofthebiggestcontroversiesaftertragicevent,thedocumentarytriestosurvivetruthfromburialbyfocusingongoingcourseofmediadistortionandbureaucraticinterventioninuseofdivingbell.
露西·沃斯利之歌剧之夜
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/ Guy / Evans
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LucyWorsley’sNightsAtTheOpera,atwo-partseriesfeaturingSirAntonioPappano,willexplorethehistoryandmusicofkeyoperacities.
了不起的麦瑟尔夫人第三季
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Midge和Susie发现与Shy一起旅游的生活很迷人,但却令人谦逊,他们学到了他们永远不会忘记的演艺事业的教训。Joel在追求自己的梦想的同时努力支持Midge。Abe接受了新的使命,Rose也知道她有自己的才能。
低地国家的高雅艺术
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With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.
探长薇拉第四季
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TheindomitableDCIVeraStanhope,assistedbyhertrustedcolleague,DSJoeAshworth,stepsupforanotherseriesofchallengingcases.Sheinvestigatesthemysteriousdeathofapensioneronabusycommutertrain(OnHarbourStreet),unearthsathirtyyearmysteryafterabrutalmurderonthesandsofaseasideresort(Protected),unpicksthetragiclastmonthsofafailednovelistgunneddownonaremoteNorthumberlandmoor(TheDeerHunters),anddelvesintothetangledlifeofabusinessmanfoundfloatinginthewaterundertheGatesheadMillenniumBridge(DeathofaFamilyMan).InspiredbythenovelswrittenbyrenownedcrimewriterAnnCleeves,andfilmedagainstabackdropofoutstandingNorthumberlandlandscapesandatmosphericproduction,eachenthrallingstoryisenhancedbythecaptivatingperformanceofBrendaBlethynasthisshambolicyetbrilliantdetective.
文艺复兴
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  The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 - by Raphael.  Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 - years, right up until the birth of Modernism.  As much as it was a cultural 'rebirth', the Renaissance was also a re册ution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television.  As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.
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