Beirne
搜索"Beirne" ，找到 以下影视作品
导演：
/
内详
主演：
剧情：
Thejourneyofatranswomanwholeavesherhometownanddoesn’tcompromisehergoaltobeafreeandindependentwoman.
导演：
主演：
剧情：
基于BobZellner的自传「TheWrongSideofMurderCreek:AWhiteSouthernerintheFreedomMovement」,Zellner出身于阿拉巴马州,是某个三K党成员的孙子,1961年,他被卷入平易近权活动的中央。提尔扮演Zellner,海尔扮演Zellner的大学女友CarolAnn,丹内利扮演Zellner的爷爷,福曼扮演Zellner的爸爸。
剧情：
InSeason2 - corporateattorneyJoannaHanley(KristinKreuk)findsherselfatatoplawfirminWinnipegreadytomakeafreshstartawayfromherpreviousfirm.There,anewclientdrawsherintotheshadowyworldofhackers,activists,andapoliticalmovementthatwon’ttakeanyprisoners.ThecaseleadsJoannathroughmanytwistsandturns,untilsheeventuallybecomesakiller’starget.Herestrangedfathertriestoassisther,whichleadstoaneventthatwillchangeboththeirlivesforever.Meanwhile,Millwood’slifebloodhasbeenleftdepletedfollowingthebankruptcyofthemill.Withrisingunemploymentrates,tensionsintownarerunninghigh,leavingBillytoretreatfurtherawayfromtown,butwhenhisrecklessbrotherShane(AndrewChown)showsup,Billy(PeterMooney)isforcedtoconfrontchildhoodmemories.
导演：
主演：
/
内详
剧情：
起源于欧洲地下墓穴的希腊，一声细语摧毁了大陆。不要像奴隶一样活着！(pronounced“Naminzisoumesandouli”inGreek)Venudescatacombesgrecquesdel’Europe,unmurmuretraverselecontinentdévasté:«Nevivonspluscommedesesclaves»Surlesmursdesvillesetsurlesrochersdescampagnes,surlespanneauxpublicitairesvidesoudétournés,danslesjournauxalternatifsetsurlesradiosrebelles,dansleslieuxd’occupationetd’autogestionquisemultiplient,telestlesloganquelarésistancegrecquediffuse,jouraprèsjour,etnousinviteàreprendreenchœur.Ungrandbold’airfrais,d’enthousiasmeetd’utopiesenmarche,venudelamerÉgée.
导演：
/
大卫·惠灵顿
剧情：
在这部加拿大冬季剧会合,多伦多Hope-Zion病院的外科主任CharlieHarris（MichaelShanks）遭受车祸后昏迷不醒,让整座病院堕入凌乱,他的未婚妻兼共事AlexReid大夫（EricaDurance）更是忧心如焚。Alex信心在新来的有名外科大夫JoelGoran（DanielGillies）的赞助下挽救Harris的性命。与此同时,Harris的「魂魄」在病院里浪荡,不晓得本人真的酿成了幽灵,仍是纯洁在理想。总的来说,这既是一部惯例医学剧（Alex跟病院里的其余大夫天天还要照常诊治病人）,又是一部带有灵异颜色的理想剧。剧名「挽救生机」共有三重含意：挽救Harris!挽救一般病人,挽救Hope-Zion这所病院。HuseMadhavji!JuliaTaylor-Ross跟KristopherTurner介入上演...
剧情：
Thisearly70’sgiallobyUmbertoLenziiscertainlyamongthebestinhisfilmographyandalsointhewholegenre.PersonallyIthinkLenzi’sbestfilmsarethefunnycartoon-turned-filmKriminal,thestylishgialloSevenBlood-StainedOrchids,theexplosiveNapoliviolentaandthis.IntheeightieshedidplentyoffilmtrashinformofEatenAlive,HitcherintheDarkorBlackDemons,allofwhicharerippingsomethingoffand/orverydullandslowmoving.KnifeofIcecamewhenthegialloboomwasatitshottestandtheresultisconvincing.Technicallythefilmissuperb,containinggreatcinematographyinthebeginningwhenwelearnaboutthemaincharacter’straumatowardstrains.Fromthispointon,Lenzishowsushisabilitytobenefitthewidescreenand,forexample,thebicyclerideneartheforestisgenuinelybeautiful!ThisscenealsoshowsLenzi’sabilitytobuildsuspense,veryslowlybutmeaningfully.Afterall,therearen’tsomanymurdersinthewholefilm,onlythesuspensecirculatingaroundthemurderer’sidentity.Onesuspectisadevilworshipperwhichbringsnewaspectstothemystery.Sincethefinalscenetakesplaceinachurch,onecanwonderifLenziwantedtocommentonsomething,maybethehypocriticalmoraleofchurchandsuperstition.Themaincharacter(CarrolBaker)ismutewhichdemandsalotfromherfaceandeyes.Theactressworksverywell,givingusabelievableperformancecirculatingaroundtheemotionsoffearandmentalpain.Theotheractorsaregood,too.Thefinally,however,maynotgivetoopositiveasightaboutfemalesexsincetheyallareexpressedrathernegativelyinthefilm,onewayoranother.Stillthisiseasilyamongthemostnoteworthyinthegenre,notasbloodyastheArgentofilms,forexample,butequallysuspensefulandvisuallyalsointeresting.
