Rique

《车祸》是由约瑟夫·罗西执导的剧情片，德克·博加德、斯坦利·贝克、Jacqueline Sassard等参加演出。该片讲述的是一名牛津大学的学生在一次车祸中丧生，而这名学生以及他的教授两人都爱着同一个女学生，车祸过后，他的教授回顾了促成这次车祸的一段三角感情关系的故事 [1]  。本片获得1967年第20届戛纳国际电影节评委会特别大奖 [2]  。史蒂芬（德克·博加德 Dirk Bogarde 饰）出生在一个非常普通的家庭之中，凭借着自己的智慧和能力，他不断的向上爬，并且最终成为了英国牛津大学的教授，可以这么说，史蒂芬现在所拥有的一切，都是他一点一点亲手为自己挣来的。一次偶然中，史蒂芬撞见了自己的同事查理（斯坦利·贝克 Stanley Baker 饰）和一个名叫安娜（雅克利娜·萨萨尔 Jacqueline Sassard 饰）的女生之间的私情。　　安娜的身份十分的尊贵，是一国之公主，并且已经有了未婚夫威廉（麦克尔·约克 Michael York 饰）。一场车祸中，威廉不幸去世，史蒂芬救了安娜一命，出于报复的心理，他强行占有了安娜。这是一部深入探讨知识分子禁欲及纵欲心理的电影。 [1]  史蒂芬是平民出身、经过苦学奋斗，成为英国牛津大学的教授。史蒂芬离开家去和昔日的女友重温旧梦，回来时看到同事查理和名叫安娜的女生在自己家里筑起爱巢，翻云覆雨。史蒂芬对安娜垂涎已久，她是奥国的公主，很大的贵族。一天晚上，史蒂芬发现安娜出车祸晕厥，未婚夫威廉在她身旁身亡。史蒂芬悄悄地把安娜接到家中休养，并趁机占有了她，终于如愿以偿。事后，安娜黯然独自返回奥国，史蒂芬继续与妻子过数十年如一日的单调生活。一切照旧，像是什么都没有发生过似的。史蒂芬认为，安娜同查理的苟且，对史蒂芬来说是平民受贵族歧视的一个证明。后来，史蒂芬自己有机会和安娜温存了，他那种报复式的快感得到尽情地抒发。 [1]

　　The movie concerns about Trinity(Terence Hill=Mario Girotti)a roguish and cocky gunman with fast weapon who works as bounty hunter.His brother Bambino(Bud Spencer)is sheriff in a village but is also an undercover thief which attempts execute a heist.　　The'll face off against a rich owner(Farley Granger) and a Mexican marauders who try evict to a Mormons group. They help to the pacific settles and the confrontation will be inevitable but is developed by means of successive fights without blood,neither gore or cruel murders.The violence isn't crude but slight and predominates the comedy and parody. The storyline is embarrassment and ridiculous but has its agreeable moments here and there.It's a spaghetti western with humor and narrates the usual issues:invincible antiheroes,spectacular showdown ,violent taking on but united to slapstick and simple humor.It's an entertained Italian western with adequate runtime where there are irony,tongue in check,shoot outs,numerous struggles and is quite funny and amused. Terence Hill is sympathetic,hilarious and likable; Bud Spencer is rough, two fisted,bouncing ,grumpy man but with good heart,their characters are similar to Stan Laurel and Oliver Hardy.The film is a spoof of famous films as ¨the magnificent seven¨ and ¨blazed saddles ¨but covered with spaghetti.The picture obtained a sequel with the same protagonists and director¨Trinity is still my name¨.Besides originated a series of awful imitations and copies. Rating:nice and bemused.

Starz过去宣布拍摄《白王后TheWhiteQueen》及《白公主TheWhitePrincess》的姐妹篇限定剧《西班牙公主TheSpanishPrincess》，由CharlotteHope饰演女主角。该剧根据PhilippaGregory所著的小说《TheConstantPrincess》及《TheKing’sCurse》改编，现定于美国时间5月8日首播。《西班牙公主》主角为「亚拉冈的凯瑟琳」（CatherineofAragon，CharlotteHope饰演），漂亮﹑聪明﹑出身自西班牙王室的她因为政治婚姻下，带着摩尔人女官Lina来到英国并嫁给威尔士王子亚瑟，女主亦因此成了威尔士王妃，然而二人尚未洞房亚瑟就因病去世。亚拉冈的凯瑟琳声称自己尚为处女，而如果上一段婚姻能判定为无效，那她就可以嫁给亨利七世的次子亨利（未来他继任为亨利八世）。其他主演包括StephanieLevi-John﹑NadiaParkes﹑AaronCobham﹑AngusImrie﹑DameHarrietWalter﹑LauraCarmichael﹑RuairiO’Connor﹑GeorgieHenley﹑ElliotCowan﹑AlexandraMoen﹑PhilipCumbus﹑AlanMcKenna。

AstheinnocentCélène(PaolaLocatelli)fallsinlovewithpopularsurferTristan(SimonRérolle)inhernewschool,shehasnoideathatshe’stheobjectofacruelbetbetweenTristanandInstagramqueenVanessa(EllaPellegrini)DangerousLiaisons,afilmstarringPaolaLocatelliandSimonRérolle,onlyonNetflix,July8th.

onique Watson, a 12 - years old African American girl goes missing from her Brooklyn home. Her father Micheal Watson does everything on his power to find his little girl, he holds himself up through faith and will. The police are having a hard time finding her, when Christian Baker a young New York City journalist from The Chronicle gets assigned to her story. Christian tries to get the assignment done, he quickly and poorly researches the story and goes with the first lead. This brings down an unexpected series of events. Christian with guilt decides to join Micheal on his search and takes upon himself to race time and help find Monique.

故事发生在位于佐治亚州的帕萨豪小镇，当地教堂的唱诗班即将去参加一个名为“快乐噪音”的全国性比赛，可是，就在这个节骨眼上，唱诗班的总指挥却猝死了，失去了指挥的领导，整个唱诗班都走到了濒临崩溃的边缘。教会指派名叫罗斯（奎恩·拉提法 Queen Latifah 饰）女子成为了唱诗班的新指挥，罗斯是一个非常古板的人，希望所有的事情都能按照常规发生，而总指挥的遗孀斯派洛（多莉·帕顿 Dolly Parton 饰）却并不这么认为，她觉得唱诗班应该由她接手，并且应该尝试新的风格。 斯派洛的孙子伯纳德（克里斯·克里斯托佛森 Kris Kristofferson 饰）爱上了罗斯的女儿奥莉薇亚（柯柯·帕尔莫 Keke Palmer 饰），这更加激化了两个女人之间的矛盾。

SteveMcQueen的下一部片将继续和制片公司NewRegency合作，根据80年代英国迷你剧集Widows改编犯罪抢劫电影，主角是四个死去的抢劫犯的遗孀，她们会完成丈夫未完成的抢劫，前期筹备将会在年前完成。

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

Dongnan,a58-year-oldlong-timeemployeeatarestaurant,isknownforhis"ChaoGeng"(slackingoff)tactics.Despiteworkingformanyyears,hiscareerhasstagnatedduetohisunreliabilityandarrogance,leadingtohisdemotionasasecurityguard.Athome,hefrequentlyargueswithhiswifeandisneglectedbyhisfamily.Dongnanhasalwaysdreamedofbecominghisownbos...

Devastatedbythelossofherfifteenyearoldson,Kevin,atthe1989FACupsemi-finalbetweenLiverpoolandNottinghamForest,AnneWilliamsfightsforthetruthaboutthetragedy.Standingalongsideotherparentswholostchildreninthematchandrefusingtobelievetheofficialinvestigationresults,Anneseeksherownevidenceinarelentlessquestforjustice.