Anirban
搜索"Anirban" ，找到 以下影视作品
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U.S Postal Inspectors are called in when asuburban couple are killed by a mail bomb. Suspicion immediately falls on the couple'sestranged and heavily in debt son, whoalso just happens to be a Navy munitionsexpert. But investigations reveal that he ison the run from a past event in his life that is associated with the bombings.
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刘嵩
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内详
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多數人都住在城市，但是沒多久之前，我們都來自農村。可惜的是，現代城市與鄉村已成為大相逕庭的兩個世界。有多少人了解現在的農村？又有多少人關心現代農村的艱難處境？農村不應該是都市開發的預備用地，更不是容納各種都市鄰避設施的垃圾桶。農村區域有其自主性、神聖性，是一個健全國家永續發展不可或缺的一部份。現代農村並非與都市或現代生活完全隔離，在現代的科技與產業型態下，農村如何維持其歷史、產業、空間、文化、生態、景觀等特色，卻又與時俱進，已成為全世界政府極嚴肅的課題。公共電視《農村的遠見,TheEternalFarmVillages》系列紀錄片，將帶領觀眾走入世界各地的農村典範。製作團隊造訪了德國、荷蘭、美國、日本、印尼與臺灣數個國家。藉由這些國家的農村經典典範，啟發觀眾對自己農村更多的想像，並從這些心懷遠見的農民、居民與經營者打拼的故事中，看見農村永續發展的無限可能。擁有30年紀錄片製作經驗的寶花團隊，耗時四年，透過第一手的材料、優美細膩的4K影像、溫馨的人物與劣勢突圍的故事，帶領觀眾重回我們心靈的故鄉。Mostofusnowliveincities;however,nottoolongago,mosthumanslivedinvillages.Unfortunately,moderncitiesandfarmingvillageshavebecomevastlydifferentworlds.Howwelldowereallyknowourvillagesnow?Doweevenpayattentiontothem?Villagesshouldnotberegardedasstill-to-bedevelopedcities,orwastedisposalsitesforurbanareas.Aself-regulatedfarmingvillagewithitsownsenseofvalueisindispensablefornationalsustainability.Theseparationoffarmingvillagesfromurbanormodernlifeisnotnecessaryorinevitable.Facingthechallengesofmoderntechnologyandindustry,itiscriticalforvillagestodevelopwithoutlosingtheiressentialnature.ThisPTSproductionof‘TheEternalFarmVillages’takestheviewertosomeoftheworld’smostexemplaryvillages.TheproductionteamvisitedGermany,theNetherlands,theUnitesStates,Japan,IndonesiaandTaiwan.Theinspiringvillagestheydiscoveredwillexpandourhorizons,andthestoriesofvisionaryfarmers,residentsandbusinessownersgiveusachancetoseehowsustainabilitycanbeachieved.With30yearsoffilm-makingexperience,BowwowProductionsspentfouryearsmakingthisdocumentaryseries.Combiningfirsthandmaterials,4Kresolutionfootage,charmingcharacters,andinspirationalstories,thevieweristransportedbacktothehometownsweallhavesomewhereinthebackofourminds.
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AmandaRi
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Raisedbyhergrandmother,Meemaw(LindsayWagner),afterthedeathofherparents,urbanpowerbrokerHaley(LaurAllen)hasntbeenbacktoherfamilysNashvilleranchinyears,butissummonedbyherbrother,Charles(ArchieKao),inalast-ditchefforttosavetheirbelovedlandfromthebank.WhenshereluctantlyarrivesjustpriortoChristmas,herintroductiontoranch...
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AbductedoffthesidewalkofsuburbanAmerica,fifteenyearoldDanifindsherselfsubmergedinthehorrificundergroundworldofhumantrafficking.Withnoinitialassistancefromthepolice,Danismotherandanex-prostitutetaketothestreetsinanefforttofindherbeforeitistoolate.
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拉杜·裘德
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故事发生在1835年的东欧，宪兵康斯坦丁（特奥多·科尔班 Teodor Corban 饰）带着他的儿子伊沃尼塔（米海·科玛罗尤 Mihai Comanoiu 饰）正在茫茫的沙漠里追捕奴隶卡费（ 托玛·库兹因 Toma Cuzin 饰），因为这名奴隶和雇主的妻子有着不纯洁的关系。虽然身为父子，但康斯坦丁和伊沃尼塔的个性截然不同，前者热情又乐观，总是充满了干劲，而后者沉默又内向，脑海里无时不刻都在思考着人生。 一路上，父子两人遇见了各种各样的人，他们有着不同的肤色，不同的信仰，虽然同为人类，但彼此之间有着非常激烈的思想碰撞，这些人给伊沃尼塔的世界观带来了极大的震撼，也让他一路成长。
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In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
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Halloween 1997 – the last night of high school for Corey, Jango and their skater gang, The Gromits. Childhood is over and adult life beckons. But for Corey, his past has some unfinished business. When he encounters Jonah, a former childhood friend but now victimised by Jango’s cruel streak, Corey takes pity on him and agrees to walk him home for old time’s sake. What starts off as a normal walk through empty suburban streets descends into something darker and magical, as trip through their memories and ghosts of the past, and Corey is surprised to discover how much he still has in common with his abandoned friend. And even the most buried truths will find a way of coming to life. Best unproduced screenplay award at the 2011 New York Gay and Lesbian Film Festival.
