Set
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Netflix为喜剧《Atypical》开绿灯，本剧由RobiaRashid和SethGordon制作执导，JenniferJasonLeigh、KeirGilchrist和MichaelRapaport加盟出演，将于今年晚些时候在洛杉矶开始制作。本剧由Rashid创作编剧18岁的自闭症患者Sam（Gilchrist饰）找寻爱和独立的故事。他有趣但痛苦的自我发现之旅让他的家庭重新思考人生：什么才叫正常？Leigh饰演他的母亲Elsa，她也在她的自我发现旅途中；Rapaport饰演他的父亲Doug。BrigetteLundy-Paine饰演Sam的妹妹Casey，AmyOkuda饰演Sam的治疗师Julia。Gordon将执导本剧的第一集，也将和Rashid及MaryRohlich一起担任执行制片人。
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Setin790AD,VikinganefeaturesthedailychallengesofpeoplelivinginasmallVikingvillage,frompowerstruggle,brotherrivalry,genderequality,tobetrayalandfriendship."It’sthestoryofpeoplefromourtime,butlivingduringtheVikingera.Ofcourseeverydaychoiceshavefarmoredramaticconsequencesandthatmakesforgreatcomedymaterial.
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With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.
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兰德尔·赖特
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The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 - by Raphael. Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 - years, right up until the birth of Modernism. As much as it was a cultural 'rebirth', the Renaissance was also a re册ution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.
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这是往年11.14首播的一个记录片,报告了35年来产业光魔公司为片子殊效做出的巨大奉献。产业光魔不只为有数的大片制造殊效,也创造了视觉殊效自身,它占有天下上最有才干的片子艺术家,一直地把视觉殊效推向一个更高真个水准。 产业光魔在这35年间,制造了300多殊效片子,不任何其余公司可以到达这个记载,乃明日亲近也不。 这一个小时长的记录片中采访了George Lucas, Steven Spielberg, Ron Howard, J.J. Abrams 跟 Jon Favreau, 另有演员 Samuel L. Jackson 跟 Robin Williams, 制片人 Jerry Bruckheimer 跟 John Lasseter, 迪士尼跟皮克斯动画公司的首席创意。也采访了很多产业光魔的症结视觉殊效总监,Dennis Muren, John Knoll, John Dykstra, Pablo Helman, Ben Snow 跟 many more. 记录片中涵盖了太多的采访,很多未公然的片断跟深刻的幕后（深刻。）,横竖假如你是一个片子殊效喜好者,或许是一名CG先生,艺术家,这是相对不克不及错过的片子。
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《奥维尔号》是一部Mini太空喜剧，故事讲述300年后，一部并不是那么顶级的太空探索船奥维尔号跟随地球星际舰队的冒险旅程。《恶搞之家》主创SethMacFarlane本人首次真人出演电视剧，他是奥维尔号的舰长Ed，而《神盾局特工》的AdriannePalicki饰演他的前妻KellyGrayson，阴差阳错成为奥维尔号的大副。
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卡尔·厄本
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詹妮弗·艾斯波西多
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艾琳·莫里亚蒂
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杰克·奎德
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伊丽莎白·苏
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拉兹·阿隆索
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肖恩·本森
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洁斯·萨尔圭罗
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尼古拉·科雷亚·达姆得
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布列塔尼·艾伦
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大卫·安德鲁
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布雷丹·贝塞尔
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切斯·克劳福
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布列塔尼·德里斯代尔
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福原・凱倫
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马克·爱德华·刘易斯
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贾登·马丁
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多米妮克·麦克艾丽戈特
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Deshay
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Padayachey
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西蒙·佩吉
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安东尼·斯塔尔
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杰西·厄舍
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克里斯塔·巴科
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克雷格·伯纳托夫斯基
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Vincenzo
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Calvano
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Amazon以8集首季直接预订漫画改编剧《黑袍纠察队 The Boys》，原创是漫画《传教士 Preacher》的作者Garth Ennis，以及Darick Robertson，而剧集版则由Eric Kripke开发﹑《传教士》剧集版的Evan Goldberg及Seth Rogen负责执导。该剧将在美国时间4月29日的Tribeca电影节上优先播出，然后在7月26日正式上线Amazon。 过去《黑袍纠察队》由Cinemax开发剧集版，但他们没继续后，现交到Amazon手上；这部剧集聚焦在超级英雄的黑暗面，讲述一群被旁人称为「The Boys」的义警，他们专门对付因为自身能力而腐败﹑黑化的超级英雄。而他们的大目标就是金玉其外，败絮其中的英雄团队「The Seven」，以及管理团队﹑掩盖黑料的企业「Vought」。 黑袍纠察队成员有Hughie（Jack Quaid饰，下同）﹑Billy Butcher（Karl Urban）﹑Mother’s Milk（Laz Alonso）﹑Frenchie（Tomer Capon）及The Female（Karen Fukuhara）。Simon Pegg客串饰演Hughie的父亲。 英雄团队「The Seven」成员有Homelander（Antony Starr饰）﹑Starlight（Erin Moriarty）﹑Queen Maeve（Dominique McElligott）﹑A-Train（Jessie T. Usher）﹑The Deep（Chace Crawford）及Black Noir（Nathan Mitchell）。
