Set
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Luisa, a 40-year-old singer, and her companion Julien, a guitarist and composer, have had a group together for many years. One day, her father - whom she has not seen since she was a teenager - comes to see her after a concert. The encounter, during which he tells her he is seriously ill, unsettles Luisa. She begins to look differently at the life she leads.
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柯柯·帕尔莫
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Setinpresent-daysuburbia,The‘Burbsfollowsayoungcouplereturningtothehusband’schildhood...
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DuringahotsummerinQuebec’scountryside,arecentlysettledcouplestruggles.Marie(35),asoundartistinlackofinspirationdoubtsherrelationshipwithherpartner.ThearrivalofNoée(25),ayoungFrenchtravelerwhomournsherfather,willdestabilisethestatusquoandtroubletheirneighbourYan(30),asolitaryfarmer,byawakeningnewdesires.InMontreal,Eva(15),ateenageFilipinawhorecentlymovedtoCanada,triestofindnewrootsinthecity.Sinceherarrival,shesuffersfrominsomnia,ofteninterruptedbystrangedreamsofherhometowninthePhilippines.Jeanne(25)ishavingtroublefinishingherthesisontheworkofMarie,theartistinthecountryside.AsEvatriestoanchorherself,Jeanneplanstoleaveeverything.TheSplendourofLifeisasensualfilmthatexploreshowwerelatetoeachotherinachangingworldthattranscendsus-aninvitationtolivetothefullest.
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Set in 1989 - Jake (Harmon), an out-of-work photojournalist who struggles with addiction and a troubled past, takes a job as watchman of a wilderness lodge on a remote island in the Pacific Northwest, alongside veteran handyman Sparky (Granger). Jake sets up a darkroom to develop the photos he shoots, which begin to reveal disturbing premonitions of their future.
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Ayoungcoupleofdifferentreligiousfaithsandverymuchinlove,meetatragicaccidentthatputsbothoftheminacomaandsetstheirspiritsoffonaquesttofigureouthowtobetogetherintheafterlifewhereinterfaithcouplesarenotallowedtoenterthesameafterworld.
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Setintheworldofbugswherespidersarethecops,adetectiveboardsaseaplanetoSanFranciscoafterfinallycapturinghisarchnemesis,butamurderonhisflightdrawshimintoaplotthatthreatensboththehumanandbugworlds.
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罗伯特·怀斯
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比尔（罗伯特·瑞安 Robert Ryan 饰）是一名职业拳击手，他和女友朱莉（奥黛丽·托特 Audrey Totter 饰）之间的感情十分要好，朱莉是他在比赛中的精神支柱。时常生活在窘困之中的比尔好胜心非常的强，因为输掉比赛意味着他将颗粒无收，所以他必须赢。 在一场比赛中，比尔的对手是名为奈尔森（哈尔·贝勒 Hal Baylor 饰）的强壮男子，在比赛之前，教练告诉比尔，这是一场被黑道操纵的比赛，在擂台上，比尔必须认输。然而，在激烈的比赛之中，处于劣势的比尔不愿屈服与黑帮的强权，最终靠着惊人的实力达到了奈尔森。比尔虽然赢得了比赛，却惹恼了一直在背地里操纵着比赛的黑帮。《出卖皮肉的人》（The Set-Up）是一部于1949年上映的黑白电影，由罗伯特·怀斯执导，阿特·科恩和约瑟夫·蒙丘尔·马奇共同编剧。影片主演包括罗伯特·瑞安和奥黛丽·托特。故事发生在一个名为Paradise City的小城镇。主人公比尔·"斗士"·斯特雷特（由罗伯特·瑞恩饰演）是一位年过中年的职业拳击手。虽然他的拳击生涯已经过了巅峰，但他仍然怀抱着对成功和荣誉的梦想。比尔的妻子阿内特（由奥黛丽·托特饰演）对他的拳击事业感到担忧，并希望他能够放弃这个危险而残酷的运动。然而，比尔执意要再打一场比赛，他相信这场比赛能够改变他的命运。比赛的安排并不正当，因为比赛结果早已被操控。阴谋的幕后黑手希望通过这场比赛来击败斗士，从而谋取巨额的赌注。然而，比尔对此一无所知，他只知道这是他实现梦想的最后一次机会。比尔进入拳击场，面对年轻而强壮的对手，他开始展现出他的职业素养和不屈不挠的精神。然而，比赛的进展逐渐暴露出了黑暗的真相，比尔渐渐发现自己被出卖和背叛。电影通过紧张的比赛场景和精彩的拳击动作展示了比尔的奋斗和坚持。同时，它也揭示了拳击界背后的黑暗面和残酷现实。比尔面对着心理和肉体上的折磨，他不仅在拳击场上战斗，也在战胜自己的内心困扰。
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Ayoungwomansetsoutonacrimespreethatshebroadcastsonsocialmedia.
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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JayaandYogisetoutonashortjourneytoretracepastrelationshipsandendupinthemosteventful,strange,crazytripoftheirlives.ThisshortjourneythroughRishikesh,BikanerandGangtokwiththeupsanddowns,themissedtrainsandtaxirides,theheartbreakandthemendingofoldfriendships,thequarrelsandself-discovery,sweepsJayaandYogiaway,andindeedus
