Varma

某天，被移送至人工岛之一MERMAID的少女·处女真森刚在岛上醒来，就突然遭到了某人的袭击。拯救了陷入险境的真森的，是新近被移送来的少女·敷岛魅零。但敌人的追击并未停止，魅零和真森渐渐被逼入绝境。在感觉到已经走投无路的时候，魅零吻上了真森的双唇，真森的身体被耀眼的光芒所包围。将化作锐利长刀的真森紧握在手中，魅零开始了反击

SoonafterthefalloftheBerlinWall,Lena,fromtheformerEastGermany,plansatriptoHollywood.Shehasplannedheritinerarytotheminute,butwhenherbagisswitchedattheairportandsheloosesthenameofherhotel,allherplansarethrownintochaos,andshefindsherselfinthemiddleofatypicalHollywoodsuspenseplot.Afriendlycabdrivertriestohelpout,butdoesntbelievebadguysarereallyafterher.

JohnWoodleftthepiecesofabrokencivilisationbehind,togobacktohisrootsinthewoodland,afteraviruspandemicstrucktheworld.Residinginasimplecabin,heonlywantspeaceandtoliveinharmonywithnature.Comingfromalonglineoftimbermen,hejoinedthearmyandservedasasoldierformanyyears.Rebellingagainsthissuperiorsforkillingciviliansundermartiallaw.Johnfeelshegothisownwifekilledwhensavinghundredsofinnocentciviliansfromcertaindeath.HiswifeexecutedpointblankasretributionforJohnsdisobedienceandsupposedheroicacts.Now,ayoungwomannamedMariaJohnsonhasescapedapandemicresearchlab.Shesbeenpartofexperimentstofindacureforthestillragingvirus.Carryingthepotentialcureinherblood,sheishuntedbyprofiteersandmercenarieswhoknowshersecret.CominguponJohnscabininthewoods,MariaisinstinctivelytakenintoshelterbyJohn.Hewantshertorecoverfastandleave,butbylearningher...

SueBarkerpresentsadocumentarylookingatthelifeandcareeroftennisstarMartinaNavratilova.Theyfirstmetonthetennistourin1974,soSuewastherethroughoutthelandmarksofMartina'slife:defection,comingoutandbreakingrecords.Inthisprogramme,MartinatakesSuebacktoRevnice,herhomeintheCzechRepublic,andallowsthecamerastofilmherweddingin...

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

Dongnan,a58-year-oldlong-timeemployeeatarestaurant,isknownforhis"ChaoGeng"(slackingoff)tactics.Despiteworkingformanyyears,hiscareerhasstagnatedduetohisunreliabilityandarrogance,leadingtohisdemotionasasecurityguard.Athome,hefrequentlyargueswithhiswifeandisneglectedbyhisfamily.Dongnanhasalwaysdreamedofbecominghisownbos...

　　维奇（Harma Baweja饰）出身中上阶层社会，从小没有母亲，父亲没有时间与他相处。维奇冰冷孤独的世界让他变得脆弱而敏感。长期缺失爱和照顾，维奇不得不从别的地方寻找归宿。这个地方就离他的豪华公寓不远——黑帮聚集地。

Whengo-godancerLucíanicksafortuneindesignerdrugsfromhermafiaemployers,themobsters’doggedpursuitforceshertoseeksanctuarywithherestrangedsisterRocíoandnieceAlbain“TheVenus,”adecrepitapartmentcomplexontheoutskirtsofMadrid.Asterrible,rotten,no-goodluckwouldhaveit,LucíasoonfindsherselfsoleguardiantolittleAlbaafterRocíosuddenlyfliestheconcretecoop,unabletohandlethesupernaturalstressoflivinginamonoliththatisapparentlyalsohosttoamalignantevil—onethatinvadesitstenants’wakingnightmares.TakingafewcuesfromH.P.Lovecraft’s“TheDreamsintheWitchHouse,”"Venus"pilesonthebloodandbombshellslikeadoublebillof"Demons2"and"TheSentinel".源自：https://poff.ee/en/film/venus/

WhenaCaribbeanfamilyvacationtakesadisastrousturn,afatherfindshimselfatthemercyofacold-bloodedfisherman,andadesperateraceagainsttheclocktosavehiswifeandson.

当纯情小处男穿越时空，成为一名妇科专家会怎样呢？亚历克斯是一个17岁的害羞的孩子，他仍然是他的一群朋友中唯一的处男。他多次试图失去童贞，但都皆大欢喜地失败了。有一天他醒来发现自己在另一个环境中，他不再是处男，而是性关系专家和妇科医生。然而，他的老朋友不知道为什么讨厌他，并且和一群新的人走得很近。此外，一组神秘的图像出现了，这可能会给这个转变发生了什么线索。Alex能解决和老朋友的争吵，解开照片之谜吗？Alexisaseventeenyearoldshykidwhoremainstheonlyvirginamonghisgroupoffriends.Hismultipleattemptstoloosehisvirginityfailshilariously.Onedayhewakesuptofindhimselfinanotherenvironmentwhereheisnolongeravirgin,butanexpertonsexualrelationshipsandagynecologist.Howeverhisoldfriendshatehimforunknownreasonsandisclosewithanewsetofpeople.Moreoverasetofmysteriousimagesappearwhichmaygiveacluetowhathappenedforthistransformation.CanAlexsolvethequarrelswithhisoldfriendsandsolvethemysteryofthephotos?