Maisy

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流浪女王
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Syfy过去预订了10集漫改剧《流浪女王VagrantQueen》,此剧现定于美国时间3月27日首播。这部改编自VaultComics同名漫画的剧集由JemGarrard主创,会采用全女班编剧。《流浪女王》讲述Elida由年幼女王成为了流浪宇宙的孤儿,然而尽管共和国政府一直想把她杀死以灭绝王族血统,她仍然边清理宇宙各种危险角落,边早一步逃之夭夭。但当她旧友Issac出现并声称女主母亲Xevelyn其实还在生时,他们带上新盟友Amae回到旧王国,共同对抗儿时起已想致Elida于死地的Lazaro指挥官。AdriyanRae饰演女主Elida﹑TimRozon饰演Issac﹑PaulduToit饰演Lazaro指挥官﹑AlexMcGregor饰演Amae。
艺术恐怖分子班克斯
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Banksy,theworld'smostinfamousstreetartist,whosepoliticalart,criminalstunts,anddaringinvasionsoutragedtheestablishmentandcreatedarevolutionarynewmovementwhilehisidentityremainedshroudedinmystery.
黑摩西
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“MosestheBlack”isastoryofagangsterinmoderndayChicagothatisinspiredbythefourth-centurysaintofthesamename.Thefilmisscheduledtogointoproductionthisyear,withPopovicaswriteranddirector.
庄园凶祟
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RaoBahadurisapsychologicaldramasetagainstthebackdropofafadingaristocracy,MadeinTelugu,fortheworld.Remember:DoubtisaDemon
危险古迹
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Syfy原创科幻电视电影《危险古迹》(DarkRelic)。讲述了欧洲中世纪时代出现机械怪兽的故事。讲述一群十字军战士在找到基督受难的十字架后,与恶魔做斗争的故事。
莎士比亚现场
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From the stage of the Royal Shakespeare Theatre in Stratford-upon-Avon, hosts David Tennant and Catherine Tate are joined by Benedict Cumberbatch, Judi Dench, Ian McKellen, Dame Helen Mirren, Meera Syal, David Suchet, Rufus Wainwright, Tim Minchin, Gregory Porter, Joseph Fiennes, English National Opera, The Royal Ballet and Akala for a very special evening.  Together they mark the life and work of William Shakespeare on the 400th anniversary of the playwright's death. This unique event takes place in the presence of their Royal Highnesses the Prince of Wales and the Duchess of Cornwall and celebrates Shakespeare's extraordinary legacy and his enduring influence on all performance art forms - from opera to jazz, dance to musicals.
蜜蜂飞了
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Awealthyrais(aheadoflocaladministrationinTadzhikistan)buildshistoiletrightnexttothehouseofateacherinthevillage.Thearomasofthetoiletdisturbthelifeoftheteacher’sfamily;itisveryupsettingforthem.ButtheraisisalsoanewTadzhik(newmoney)andignoresthecomplaints.Moreover,everytimehevisitsthetoilet,heshamelesslystaresattheteacher’syoungwifeoverthefence.However,thepoweroftheraisissogreatthatnobodydarestoopposehim.Theteacherbuyscheaplyahomerightinfrontoftherais’shousefromanoldmananddecidestobuildapublictoiletthere.Itseemsthattheeraoffairytalesandlegendshasvanishedanditisnotpossibletomakefilm-parables.However,JamshedUsmonovcreatesfilm-parables.Ineveryoneofhisfilmsthereisacharactertellingalegendthatturnsthemeaningofthefilmallaround.InFlightoftheBeeitisataleaboutabee,whichsavedthelifeofanarmy:Onceuponatimeitwasacustomtokilloldpeoplewhoreachedacertainage.ButoneofthesoldiersofAlexandertheGreatdidn’thavethehearttokillhisfather.Hehidhiminhistravelingtrunkandcarrieditonhisbackduringmarches.Thearmycametoadesertandthewarriorsstartedtodiefromthirst.Nobodyknewhowtofindwater.Thefathersaidtohisson:Catchabee,tieawhitethreadtoitslegandfollowit.Itwilltakeyoutowater.Theyfoundwaterandthearmywassaved.Afterthatoldpeopleweresparedbecauseeverybodyrecognizedthemasasourceofwisdom.Thevillageteachertellsthisstorytohisstudentsatthebeginningofthefilm.ItisinterestingtonotehowinthefilmFlightoftheBeedifferentmentalitiesintermingledandco-existed.TheteacheristypicaloftheSovietintelligentsia:hewritesbooksthatnobodypublishes;helooksforjusticefromthegovernmentthathasneverbeenfairtohim.ThesurroundingsofthevillagearestillSoviet:theraishasLenin’sportraitinhisoffice;youngpeopleareidleanddrunkastheyalwayswereduringtheSovietera.Thenewcapitalists,thenewTadzhiksinthevillage,donotweardesignerjacketsanddonottalkoncellphones.Thenewmoneyispresentedinthecharacteroftherais.Ithasalmostafeudalquality;itisthepowerofalocallord.JamshedUsmonovhasauniquetalenttobalancethefunnyandserious,thesimpleandcomplicated.He,likenobodyelse,sensesthisborder,whereasimplestoryturnsintoaparableandfilmcharactersstandoutasarchetypesofdifferentperiodssettogetherinthegapoftimes.(kinokultura/GULNARAABIKEEVA)
靠近你
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Thequeererotichorror-comedyACLOSERWALKWITHTHEEfollowsJordan,ayoungChristianmissionarywhogetscaughtwatchinghishandsomepastorEliintheshower.ThehousechurchostracizeshimuntilEli(whohappenstobeafledglingexorcist)suggestsitmaybedemonicpossessionthatsgivingJordanhisungodlyurges.Whatstartsasanexorcismtosavetheirfriendshipquicklydescendsintopsychosexualmadness.
莱奥诺拉的告别
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ThreeyearsafterthelossofhisbrotherVittorio,withwhomhesharedhisentirecareer,PaoloTavianireturnstotheworksofLuigiPirandello,whichthepairadaptedin1984(Chaos)and1998(YouLaugh).InkeepingwiththeSicilianplaywright’svision,thefilmisnotatallwhatitappearstobe.Thetitlemaycomefroma1910novella,butthereisnotraceofthatbook’sjealousy-riddledplot.Instead,thefocusisonPirandellohimself,orrather,hisashes,whicharetransportedfromahastyburialsiteinfascistRometoapermanentrestingplaceinSicily,onatrekthattakesusthroughpost-warItalyanditsfilmedmemories,asseeninnewsreels,amateurfilmsandfragmentsofNeorealism.Havingburiedthemaster,Leonoraaddiothenshiftsgearfromroadmovietofilmadaptation,buthereitpicksadifferentPirandellostory,namelythelastone,writtenshortlybeforehisdeathin1936.Fromthefarewellofthetitletoitsreturntothewriter’slastwords,itishardnottoreadthiswork,sofreeandyetsomuchapartoftheTavianiworld,asamovingbrotherlyfarewellwhich,justasin2012’sGoldenBearwinnerCaesarMustDie,onceagainusescinematogivevoicetoliteratureandhistory.
挥别脑海
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Unlikemostpeople,Melodycannotwalkortalk,butsheissmarterthanmostoftheadultswhotrytodiagnoseher.HerclassmatesdismissherasmentallychallengedbutMelodyrefusestobedefinedbycerebralpalsy.
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