Isabela
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安德斯·安博勒姆
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Set in ?lesund, A Human Position is a slow-paced film that unfolds in successive tableaux, to form a complete picture of the subtle changes and events that make up one's life. It explores the persistence of memory and trauma, the definition of one's moral values, and the possibility of joy.
Asta is a journalist in ?lesund who seems plunged in a melancholic state, for a reason w...
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女孩Pim（奥密兹•苏查拉特 Aomiz Suchar 饰）因与前男友分别请求换宿舍,于是她跟新来的学妹Kim（蒂娜·吉塔勒拉 Tina Jittaleela 饰）成了同居舍友。后来,Pim认为Kim是走错屋的小正太,直到对方裸露胸怀,她才赫然发明 实在是同类。第 一印象如斯之差,让Pim疑惑其拉拉偏向严峻,索性在宿舍中画定了三八线。只管Kim千般谄谀,然而Pim仍是认为她弹吉他!玩电玩很烦人。却是Pim的闺蜜对Kim敬慕已久,大献周到。直到Pim随Kim回了家,夜晚听她弹吉他,两人才渐渐地关闭了心扉。Pim爱好上了Kim做的菜。渐渐地,两人如影随行的关联,惹起了Pim友人们的妒忌。乃至连熟悉的欧巴也以男友自居,让她很受伤。在阅历了屡次曲折之后,Pim赫然发明,本来当相互的心有灵犀一点通时,并不存在不克不及跨越的界线……
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Eun-gi’seventfullifeinaboardinghousehasbegunwiththethreeladies:asexyownerofaboardinghouse,herdaughterwhoisevensexier,andhisinnocentfirstlove.Eun-gi,afreshman,hasfoundhisnewplaceinaboardinghouseoperatedbymotheranddaughterwhenhecametoSeoultostudy.Hisonlypleasureistoplayalongintheunspokenpush-and-pullrelationshipwiththemotherorthedaughter.Oneday,hisfirstlove,Soon-yi,whoisinnocentanddocile,suddenlycomestovisithimattheboardinghouse.Withthesexydaughteroftheboardinghousebehindthedoor,andthecurvaceousladyowneroftheboardinghouseinthebathroomnexttohisroom,the20-year-oldvirginEun-gi’ssleeplessnightbegins.
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AMexican-Americancoupleexpectingtheirfirstchildrelocatetoamigrantfarmingcommunityin1970sCalifornia.Whenthewifebeginstoexperiencestrangesymptomsandterrifyingvisions,shetriestodetermineifitsrelatedtoalegendarycurseorsomethingmorenefarious.
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纳许·埃哲顿
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Inseasonthree,Ray’sworldhascontracted.FamilylifelooksalittledifferentashequietlymournsthelossofBruce,whilefiguringouthowtocareforhisagingfather,Bill(KennyGraham).AsBrittany(ChikaYasumura)growsintoayoungwoman,shedrawsfurtherawayfromRayandcomesclosertodiscoveringthetruthaboutwhohereallyis.ThingsseemgoodwithGary(JustinRosniak)andDave(MattNable),howeversinceseveringtieswithformerbossandconfidantFreddy(DamonHerriman),Rayisworkingfreelanceandfeelingasenseofisolation.Withbusinessbooming,anewconnectionwithcriminalkingpinRafael(JeremySims)intensifiesRay’sstruggleandwhensparksflywithnewcolleagueZoe(EmilyBarclay),anunexpectedtragedymakesRayquestionbothhiscareertrajectoryandhisethics.
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Setin19thcenturyEngland,MissMarxcentersonthelifeonKarlMarx’syoungestdaughterEleanor.Inherpublicpersona,Eleanor“Tussy”Marxwasatranslator,actress,achildren’srightsactivist,afeministandapersuasivelabourorganizer,atirelesspowerhousedeterminedtocarryonherfather’swork.Sheheldherownwithtwentiethcenturygods,includingbothherfatherandhiscolleagueEngels.Inherprivatelylife,however,shewasvulnerableandherattractiontotheself-indulgentandself-importantEdwardAvelingledherintomiseryandultimatelyprovedfatal.
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马塞尔·哈侬
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Synopsis:Julienetsonpreneurdeson,Michel,tournentàBrugesundocumentairedecommande.Julienrêveaufilmqu’ilpourraittournerdanscettevillemystérieuse:uneadaptationdeShakespeareoudeMusset.LerejointbientôtSophie,safemme,anciennecomédienne,quisouffredeladistancequeJuliensemblemettredansleursrapports.Bientôt,àuneexpositiondepeinture,ellerencontreunartistequ’ellevoitsouslestraitsdeJulienetquil’inviteàvenirvisiterFlorence.ElleconfieàMichelsestourments.Julien,desoncôté,vientd’accepterlapropositiondesonproducteur:réaliserune"histoire"avecdes"personnages"et,pourquoipas,des"vedettes"...Alorsqu’ellesemblaitdécidéeàsuivrel’inconnu,SophiesejettedanslesbrasdeJulien.Lemetteurenscènequitourneunfilmintitulé"L’hiver"demandeunenouvelleprise.Pourlasecondefois,SophiesejettedanslesbrasdeJulien.Lepeintreinconnus’enva...©FichesduCinéma“Onecouldspendforeverunravelingthisendlessnet,sotightlywovenwithsignsandechoes,whichbecomesricherwitheveryviewing.Hanoun’sformalinvestigationofthefragmentandthe(almostsubliminal)flashframe,ofveryslightlyalteredvariationsandrepetitions,whichheappliestosituationasmuchastodialogue(oftenrepeated,eitherwithinthesameshotorfromadifferentangle)revealssomethingoftheinteriorityoffilm,ofitscreator’sunconscious,whichbecomesthatofhischaracters.ThisstructuralresemblancetoaRussiannestingdollshouldnotconfuse;it’sratherthecontraryofthisdetachmentwithwhichthefilmends.ThemoreHanouncompresseshisdreamsofdreamswithindreams(films),thecloserhegetstointimacy.”-EmericdeLastens(Re:Voir)
