Dimitri
搜索"Dimitri" ，找到 以下影视作品
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木野目優
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故事产生在位于关东郊野!因“每年一度拜访的流星群之最佳不雅察所在”而得名的星见市。星见Production恰是坐落在这座被星眷顾之城的小型艺能公司。在公司的支撑下,偶像长濑麻奈不只以华美的方法出道,更是在偶像提拔节目「VENUS」中连战连捷,终极夺得了桂冠,一举成为了占有顶级名气的偶像。在长濑麻奈一举成名的多少年后,星见Production举行了发掘新偶像的提拔试镜。在加入试镜的浩繁应募者中,涌现了麻奈的妹妹·琴乃以及拥有跟麻奈极端类似歌喉的川咲樱的身影。以这两人的加入为出发点,接连集合了有志成为偶像的原石的星见公司弥漫着活气。集合在星见的这十名女孩儿也开端了在公司宿舍的独特生涯。同时,试图超出麻奈名气的TRINITYAiLE!对麻奈抱有相称激烈竞争认识的LizNoir两大偶像集团涌当初了星见Production的偶像们眼前。她们襟怀胸怀着偶像的自满与庄严,誓言与相互竞争究竟。就如许,心胸种种环绕着麻奈!错综庞杂的情感,偶像们向着艺能界最顶峰进发。
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保罗·齐勒
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当一群考古学家在巨石堆汗青留念碑四周挖出一具木乃伊时,一个躲藏在岩床下的太古呆板部件也被发明白。绝不知情的工人们偶尔间触发了一个构造,于是启动了连续串闭幕天下的变乱。WhenagroupofarchaeologistsdigupahumanskeletonnearthehistoricalmonumentofSTONEHENGE,anancientpieceofmachineryhiddenbeneaththebedrockisdiscovered.Notknowingwhatitcouldbetheworkersaccidentallytriggerthemechanismandstartachainofeventsthatmayverywellendtheworldasweknowit.
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保罗·齐勒
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当一群考古学家在巨石堆历史纪念碑附近挖出一具木乃伊时，一个潜藏在岩床下的远古机器部件也被发现了。毫不知情的工人们偶然间触发了一个机关，于是启动了一连串终结世界的事件。WhenagroupofarchaeologistsdigupahumanskeletonnearthehistoricalmonumentofSTONEHENGE,anancientpieceofmachineryhiddenbeneaththebedrockisdiscovered.Notknowingwhatitcouldbetheworkersaccidentallytriggerthemechanismandstartachainofeventsthatmayverywellendtheworldasweknowit.
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德特勒夫·布克
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A man foils an attempted murder, then flees the crew of would-be killers along with their intended target as a woman he's just met tries to find him.
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邱礼涛
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罹患不治之症的David（张智霖饰），醉驾失控冲向隔邻行车线，休班警员Sam（古天乐饰）和妻子阿思（佘诗曼饰）于两车相撞前及时扭軚，避过一劫。David的车和跟在Sam车后的一辆车迎头相撞，司机Patrick无辜惨死。失恋寻死的小红从天台一跃而，恰巧堕到Patrick车顶。此时，新晋歌手Jamie与舅父驾车经过，好奇查看时，遭重型货车撞死。负责处理小红尸体的仵工志强（林家栋饰），因想还清赌债而偷走了陪葬的龙凤镯，却一直不能将其变卖。Patrick未婚妻雨欣（蔡卓妍饰），为完成丈夫的遗愿经营渡假屋，却接连发生怪事，David为了赎罪前来暗中帮忙。Jamie的黑胶唱片被扔掉后仍不断重回到Sam和阿思家中，涉及车祸的人无不遇怪事……
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年近35岁的女孩希尔薇娅（翠西娅·奥凯丽TriciaOKelley饰）是一位西雅图早间电视节目的天气预报主持人。然而在一次实况转播中，这位“时髦的天气女孩”却在得知她的男友戴尔（马克·哈蒙MarkHarmon饰）出轨后，在现场直播中发挥失常。很自然，希尔薇娅被解雇了。希尔薇娅一直与戴尔同居，然而此事却让她心灰意冷，决定搬离戴尔。失去经济来源的希尔薇娅只好搬到弟弟沃尔特（瑞恩·戴弗林RyanDevlin饰）的家中暂住。沃尔特的邻居拜伦（帕特里克·J·亚当斯PatrickJ.Adams饰）是一位计算机程序员。他总是到沃尔特的公寓中工作，从而认识了单身又失业的希尔薇娅。在希尔薇娅寻找工作期间，拜伦不计回报地帮助着希尔薇娅。一段看似不可能的爱情火花，正在两人之间渐渐滋生，慢慢发芽。
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影片由 悬疑推理大师Patricia Highsmith（海史密斯.帕特里夏）1962年的小说改编而成，Considine在片中饰演的男主角搬到Stile所在的郊区小镇上，并开始暗中监视她。Speedman在片中饰演Stile被甩的前男友，他谋划报复Stile时发现事情变得越来越复杂……
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
