Dimitri
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布莱德利·帕克
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克里斯（杰西·麦卡尼 Jesse McCartney 饰）、娜塔莉（奥莉维娅·达德利 Olivia Dudley 饰）、阿曼达（蒂温·凯利 Devin Kelley 饰）等来自美国的青年男女正在进行一段快乐有趣的欧洲之旅，当他们抵达乌克兰时，经当地好友保罗（乔纳森·萨多 斯基 Jonathan Sadowski 饰）的介绍，他们和另外两名客人组团，跟随当地向导尤里（Dimitri Diatchenko 饰）展开了一段极限旅游。所谓极限旅游竟是走入在1986年因核泄漏事故而沦为鬼城的切尔诺贝利。寻求刺激的年轻人们一拍即合，携手踏入了这个至今仍为核辐射的乌云笼罩的废城。 当地颓败、死亡、神秘的氛围给了这群人前所未有的末世体验，可是他们同时发现，自己并非是这座死城中的唯一生物。随着夜幕降临，死神之手渐渐向这群胆大妄为的年轻人逼近……
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迪恩·霍兰德
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ConnorinvitestheHayworthclantoa49ersgameashetriestoclosehislatestbusinessdeal;Tomgetsachancetoshowcasehisfootballskills;DenisetriestogetSarahtocometotermswithShamiah’snewinterestincheerleading.
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‘How do you feel about intimate relations? Speak freely, don’t hold back.’ · ‘I think it’s the highest connection between two souls.’ Benny’s hair is as red as the fur of her devout father’s treasured calf – which he believes will bring salvation. But the 17-year-old feels as lonely and trapped as the calf in its enclosure. Benny’s mother died giving birth to her, and she grew up alone with her caring yet patriarchal father. He is a figure of authority and a mentor for many people in their Jerusalem religious community. Benny becomes increasingly critical of her father’s religious, utopian nationalism and then there’s Yael, the self-confident young woman who has set off a whirlwind of longing and emotions in her. Avigayil Koevary powerfully portrays the defiance and desire of a young woman in Tsivia Barkai Yacov’s debut feature film.
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泰拉蓬·马里旺
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黑手党的首级头目Wisa,始终在寻觅一件泰国的国宝匕首 ,传说谁掉掉落这把匕首,谁就能够统治泰国.Wisa雇佣一名美国前水师陆战队队员Patrick去寻觅这把匕首。他们在一所神庙找到并偷走了这把匕首,并把罪名栽赃给神庙的保卫者Krit。Krit为了洗清本人的罪名,为了掩护国宝,他与这群歹徒开端了一场跋扈狂的追杀游戏……
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皮奥特尔·舒尔金
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耶日·斯图尔
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克里斯提娜·杨达
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卡里娜·谢鲁斯克
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马里乌什·德莫霍夫斯基
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马雷克·瓦尔切夫斯基
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扬·诺维茨基
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亨里克·比斯塔
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莱昂·涅姆奇克
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克兹佐夫·马扎克
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斯坦尼斯瓦夫·伊加尔
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Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.
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Elie,ayoungwomanfromthecity,hascometoaremoteNorthAtlanticisland.Itsthespringthaw,andsheisheretoconvalesceandgettoknowthecommunity.Theannualsealhuntisinfullswing,andEliefeelsbothdrawntoandrepelledbythemenengagedinit.Inthisisolatedworld,peopleslivesanddeathsareshapedbythebruteforcesofnature.Eliespresencearousescuriosityandmistrust.Maria,thevillagematriarchanddenmother,seekstouncoverthesecretreasonbehingEliesvisit.Wolvesexplorestheprofoundneedforbelonging.
导演：
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罗伯特·洛格瓦尔
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瑞斯·维克菲尔德
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法比娜·泰蕾兹
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内森·凯斯
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丹妮尔·坎贝尔
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杰克·普罗特尼克
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斯科特·比纳
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马克·布拉姆霍尔
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莱斯莉·安·华伦
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Darren Dupree Washington
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Tom Sean Foley
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Brent Alan Henry
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基诺·蒙特斯诺斯
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莎拉·克拉克
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Deyo Forteza
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Eric Henry
剧情：
High in the hills, among the last remnants of Hollywood's golden age, Tod, 24 - and his sister Lani, 22 - live a breezy and charmed life in the sprawling mansion of their grandmother Judy, a former movie star now relegated to hosting a dying home shopping show. Tod's carefree and narcissistic existence takes a dark turn when he accidentally (perhaps) shoots Judy, killing her instantly. Desperate to maintain his decadent lifestyle, Tod hatches a diabolical plan to cover-up his Grandma's death, keep her show rolling, and keep the money flowing. After seducing Barb, Judy's producer, Tod convinces her to allow Lani to host the show in Judy's "absence." The ploy works, and the ratings go up. Tod kicks his cover-up into high gear - he turns his attention to Jacob (25), the mansion's handyman, who also happens to be his sister's boy toy. Jacob is the one person that can help Tod put the finishing touches on his evil opus. Surviving a long string of close shaves, Tod manages to outwit everyone,...
