Terri
搜索"Terri" ，找到 以下影视作品
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Thestoryof"TheExorcismofGod"followsfather"PeterWilliams",anAmericanexorcistwho,beingpossessedbyademonhewastryingtoexpel,endsupcommittingthemostterriblesacrilege.Eighteenyearslater,theconsequencesofhissinwillcomebacktohaunthim,unleashingthegreatestbattleagainsttheevilwithin.
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影片以上世纪七八十年代的贝尔法斯特为背景。Terri Hooley是一名激进、叛逆的音乐爱好者。当时由于北爱尔兰问题，贝尔法斯特冲突不断、民不聊生，泰瑞的朋友们都选定了立场，要么拿起武器要么抛弃自己的家乡，但是泰瑞决定在全欧洲最爆炸声不断的街区上开设一家唱片行，并且取名叫 做「美妙的振荡」。泰瑞先后签下了两支乐队Rudi和The Outkasts，但直到他发掘了Feargal Sharkey和The Undertones之后事情才真正开始有所起色。当John Peel在BBC第一电台上连着播放两遍The Undertones的《Teenage Kicks》这棵一幕发生之后，泰瑞的音乐梦想成为了现实。但泰瑞并不是一个完美的英雄，他有着极其自私的一面，影片同时还展现了他作为一名丈夫和父亲极不任负责任，但是最终，你却不能不对这个人物感到敬佩。
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Fleeingfromtheirviolentfather,siblingsLucíaandAdriántakerefugeinaremotemansion.Withthehelpofahiddenmicro-cameraonacat,Lucíauncoversaterrifyingsecret:theirneighborsarepartofacriminalnetworkthatkidnapsteenagegirlstomakesnufffilms,andtheyintendtogetridofthesiblings.AsLucíafightstoprotectherbrother,shemustfaceadarkfamilycursethatfollowsthemintotheirnewfoundsanctuary.
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内详
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DocumentaryseriesgoingbeyondthetheatredoorsofQueenElizabethHospitalBirmingham,wheresurgeonspushmedicalboundariestothelimits.?EverySecondCounts?Surgeonshavejustminutestoperformlife-savingemergencytraumaoperations.?GettingBetter?Asurgeonremovesawoman’soesophagusandusesherownstomachtoreplaceit.?ANewBeginning??AtBirminghamChildren’sHospital,twochildrenundergolife-changingsurgicalprocedures.?ARiskWorthTaking??SurgeonscarryoutQueenElizabethHospitalslargesteverremovalofexcesstissue.?PushingTheBoundaries?Afacialsurgeonventuresintounchartedterritorytooperateonapatient’sraredisease.?OneFalseMove?Theseriesreturnswithbrainsurgeryonapatientwhoisawakeandariskyaortarepair.
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In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
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2022year.Eighteen-year-oldDimafromDonetskisleftaloneafterhisfather'sfuneral.Hehasn'tseenhismothersincechildhoodandhaslongacceptedtheemptinessinhisfamily.Heisfarfromsportsanddoesn'tunderstandhowtheworldaroundisorganized,untilhelearnstheterribletruth:amongthecivilianscapturedinthebesiegedMariupol,theremightbehismother.Insearchofachancetofindher,Dimasignsupasavolunteerinastormdetachmentandgoestherewhereeverydayisachallenge.Butthecloserhegetstotheruinedcity,theharderitistounderstandifhewillbeabletomeethismotherbeforeheloseshimself.
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托马斯·马尔切塞
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Arecoveringdrugaddict,desperateforclosureandsaddledbycrushingguiltafterthedisappearanceofheryoungson,ispresentedwithabizarreoffertolearnthetruthaboutwhathappenedandsetthingsright-ifsheiswillingtopayaterrifyingprice.Howdarkisshewillingtogoforachanceatredemption?
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Sara’s one of the cool kids… but she’s totally terrified of losing her status. She’d be a lot more secure if she could just win back her super-hot ex, Skyler, but he’s not interested unless they move to the next level. She decides to take the plunge — but something about Skyler changed on his summer trip to Mexico… something in his nards.Sara wakes the next morning only to find that she’s nine-months pregnant. Desperate to keep this under wraps, she turns to the only person she can trust: her nerdy ex-best friend, Hayley. But after a trip to the clinic results in Sara birthing something other-worldly, the girls realise their night is only just getting started…
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Malvís (Alfredo Landa) is sick of working like crazy for nothing. He'd rather become a bandit, that's much better, he's gonna be the fearful Fendetestas! He'll spread panic in the woods of his region. But there's a little problem there aren't much people living in his region, everyone knows everyone and everyone is so poor, so is gonna be difficult that someone takes MalvísFendetestas too seriously. This is a magic history, so funny, and full of situations that will make you laugh. It's also full of characters that belong to the Spanish idiosyncrasy the strict priest, the Guardia Civil, the old devout women, the village idiot... there's even a lost soul wandering around the woods. The great Alfredo Landa heads a cast that gathered together the best two generations of Spanish scene from Fernando Rey to Encarna Paso, from Manuel Alexandre to María Isbert... A cast like that would be just unthinkable nowadays. El Bosque Animado was the first movie of José Luis Cuerda's trilogy of rural comedies (after this one he made the surreal Amanece Que No Es Poco, and Así En El Cielo Como En La Tierra. Those are movies so personal that stress the Spanish culture. The young directors should take note of films like El Bosque Animado, instead of trying to be the new enfant terrible and imitating US worst cinema.
