Dimitri
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特伦特·奥唐纳
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Notrickshere-justatreattoasizzlereelandateaseofSeason2,whichpremierestwomonthsfromtoday-Thurs,Sept.29(8:30-9:00PM,ET/PT)onCBS!Thehitcomedywasthe#1newtelevisionseriesoflastseasonandthe#1comedyonstreamerParamount+.
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Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
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In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
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In1997,fourkidsvanishinSilverpointWoods.23yearslater,oneboytriestofindoutwhathappened.by:mke6.com
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Before Krypton exploded and Jor-El put his baby son, Kal-El, in a rocket ship to Earth, the bene册ent ruler was forced to banish three irredeemable criminals to another dimension called The Phantom Zone. The trio's leader, General Zod, vowed revenge. Later, of course, Kal-El grew up to become Superman, Earth's mighty champion. A battle with the criminal mastermind, Lex Luthor, ends with Superman hurling a nuclear warhead into space where it explodes, but not harmlessly. Instead, it frees the Kryptonian threesome from their other-dimensional prison. They soon discover they have almost unlimited power (the same powers, in fact, as Superman), which they use to take over the Earth. Meanwhile, the intrepid reporter, Lois Lane, learns that her bumbling colleague, Clark Kent, is really Superman, a revelation that leads to him bringing her to his frozen Fortress of Solitude and renouncing his powers in order to make love to her. It is only when Superman and Lois return to civilization that they learn of the three Kryptonians and how Lex Luthor has joined forces with them. Now, Superman must reverse the irreversible and regain his powers in order to save mankind.
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明基·斯皮罗
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《大城小村》由MikeDaniels开发及执笔，故事围绕曼哈顿的一栋公寓大厦里各种年龄﹑种族﹑文化和不同生活方式的住户，以及他们交织在一起，如大家庭般的生活。MichaelaMcManus饰演Sarah，一个很照顾人的护士，曾经是少女妈妈的她，现在女儿也重走旧路当了少女妈妈﹑GraceVanDien饰演Katie，独立﹑聪慧﹑有个钥匙儿童（意指家长出去工作，独自在家、无人照看的孩子）的单亲妈妈，努力工作的她仅仅能维持生计。当艺术家和活动家的Katie被母亲Sarah视为在闹反叛，因此两人起了磨擦。MoranAtias饰演伊朗移民Edda，她被指控持有虚假公民文件而被移民海关执法局拘留﹑JerodHaynes饰演当地警官Ben﹑FrankieFaison饰演热心助人的Ron。WarrenChristie饰演前特种部队成员Nick，在服役时失去了他的腿；他回到曼哈顿的社区时，众人都不断感谢他，问题是他只想回到平常的生活。DarenKagasoff饰演公寓看门人GabeDeluca，Enzo的儿子。LorraineToussaint饰演Patricia，温柔﹑精力充沛的她被其他人视如祖母，当社工的她没有孩子，因此成了所有住户的照顾者。不过一直过着充实生活的Patricia，却在确诊癌症后反而找到平静的感受。DominicChianese饰演刚愎自用的Enzo，他希望离开疗养院与孙子一起住，问题是他虽然溺爱孙子，但又经常给对方吃苦头。
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In1909,amidstthedyingoldwest,WillieBoy,alongdistanceDesertRunnerbyChemehuevitradition,fallsinlovewithyoungnativebeauty,Carlota.Carlota'sfather,aChemehuevishamanandlocaltriballeader,refusestolettheyoungcouplebetogether.Inafatalconfrontation,Carlota'sfatherfallsdeadtoanaccidentalgunshotandtheyoungloversfleetothesunens...
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When Faye Banks secretly enters a competition to win a seat on the first manned mission to Mars, she never expects to win. But when the dangerous one way trip becomes a reality, her life on Earth is turned upside down. With time running out, Faye must d
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Threeassassinsdealwithlife,love,addictionandtrustaseachtriestofindtheanswerstoabetterlife.Together,theyprovetobethemosttrustworthyinthistangledwebofmurder,greed,friendshipandbetrayal.
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梅尔·吉布森
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那是一个悠远而又让人永久难忘的时期,一位圣者将他的名字!他的精力永远雕刻在汗青的丰碑之上。备受众人敬爱的天主之子耶稣（詹姆斯·帕特里克·卡维泽 James Patrick Caviezel 饰）为生涯在贫苦跟磨练中的人们带去了生机跟高兴,与此同时他的存在也冲撞了教廷跟统 治者的好处。他谢绝着妖怪的引导,而徒弟犹大（卢卡·莱奥内罗 Luca Lionello 饰）则抵御不出款项的魅力,他为此出售了耶稣,其丑态永远留在了“最后的晚餐”之上。在此之后,耶稣被捕,政府者为他戴上波折做的王冠,命他背上繁重的十字架,更用带着铁刺的鞭子抽打贤人的肌肤。耶稣疼痛嗟叹着,断交地忍耐当下的所有。“善良之父,他们什么都不晓得。” 作为贤人,作为救世主,这是一条必需淌血走过的试炼之路……
