Lea
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大手在京新聞社?大和新聞の経済部に勤める松岡直樹（玉山鉄二）は、1年という約束で政治部への異動を告げられる。「港区の埋立地で金庫が発見されましたが、近藤官房長官はどう感じられましたか？」初めての官房長官定例会見でルールを無視し質問を投げた松岡は近藤官房長官の目にとまり、トップリーグへと登りつめていく――。一方、かつて松岡の同期だった酒井祐治は週刊誌の記者として埋立地で発見された金庫の真相を追っていた。そんな中ある強盗事件が発生。被害者は酒井が金庫の件で取材したばかりの相手で……。記者として別々の道を歩いていた松岡と酒井。2人が10年ぶりに再会したことで永田町を揺るがす官邸最大のタブーが暴かれていく――！
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Following the crisis in Ukraine and Russia’s involvement in Syria, the world is closer to super power confrontation than at any time since the end of the Cold War. Now a committee of senior former British military and diplomatic figures comes together to war game a hypothetical ‘hot war’ in Eastern Europe, including the unthinkable - nuclear confrontation. The War Room faces a scenario that has haunted western strategists since civil war broke out in Ukraine potential Russian military involvement in the Baltic States of Latvia and Estonia. Like Ukraine these countries have sizable Russian speaking minorities, but unlike Ukraine they are members of NATO, whose founding treaty states that an attack on one ally is an attack on all of them. Because of this, western analysts regularly war game a situation where Russia seeks to exploit ethnic tensions in the Baltic and test the strength of the NATO Alliance.
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Since the 1940s, alien beings known as "GRAYS" have been sighted around the globe with the thought that they visit our planet to study our species and civilization before they eventually invade...but what if we're wrong? What if they are only here to protect us? After a meteorite crashes to earth awakening the extraterrestrial creature within, a young woman is abducted by an alien "GRAY" to aid in hunting down and destroying the creature, before it can reach a second meteorite that fell to earth decades earlier, unleashing its deadly infestation of earth.
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When Gumdrop and Vroomer, the latest members of the Plane Scout crew, are sent on a mission by commander Gumdrop, they take off on the greatest adventure of their lives. As they fly high in the clouds, they meet a genius robot that helps them learn all there is to know about amazing planes!
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豪梅·巴拉格罗
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艾斯特·爱珀斯托
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ángela Cremonte
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Alejandra Meco
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费尔南多·瓦尔迪维尔索
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费德里科·阿瓜多
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Magüi Mira
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Inés Fernández
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Whengo-godancerLucíanicksafortuneindesignerdrugsfromhermafiaemployers,themobsters’doggedpursuitforceshertoseeksanctuarywithherestrangedsisterRocíoandnieceAlbain“TheVenus,”adecrepitapartmentcomplexontheoutskirtsofMadrid.Asterrible,rotten,no-goodluckwouldhaveit,LucíasoonfindsherselfsoleguardiantolittleAlbaafterRocíosuddenlyfliestheconcretecoop,unabletohandlethesupernaturalstressoflivinginamonoliththatisapparentlyalsohosttoamalignantevil—onethatinvadesitstenants’wakingnightmares.TakingafewcuesfromH.P.Lovecraft’s“TheDreamsintheWitchHouse,”"Venus"pilesonthebloodandbombshellslikeadoublebillof"Demons2"and"TheSentinel".源自：https://poff.ee/en/film/venus/
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In1933,ayoungwomanleavesherruralhometochaseherdreamofbecomingawriterinthecity.Shetakesajobasamaidforamiddle-agedprintinghouseownerwhoquicklystartspursuingherromantically.Theymarry,buthispassionatedeclarationsoflovesoonturncold.Aspoliticaltensionsriseinthecountry,theirlovestoryunfoldsinadividedsociety,revealingtox...
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影片在日本札幌拍摄，讲述了居住在日本的菲律宾导游Lea，她目睹了日本未婚夫的不忠。于是，她决定用一种幽默的方式处理好友的背叛和未婚夫对她的始乱终弃。
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SixriotpoliceproceedwithanevictioninthecentreofMadrid,butthingsgowrongandamanloseshislife.AnInternalAffairsteamisgiventhetaskofinvestigatingthefactsandthesixriotpoliceareaccusedofmanslaughter.Thesquadsetabouttryingtofindtheirownwayout,leadingtotheirseparationand,finally,complicatingthesituationevenmore.Laia,oneoftheInternalAffairsteam,becomesobsessedwiththecaseandendsupdiscoveringthat,behindthefatefuleviction,there’salotmorethanmeetstheeye.
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广濑贵士
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Constantlyonthehuntandsufferingfromhallucinationsthatdrivehisviolentnature,anunnamedmaniscapturingwomenandsavagelybeatingthemtodeath.Meanwhile,awomanisluringmenintoaviolentend,bywayofherknife.Drivenbythesameforcetomaketheoppositesexsuffer,thekillers’fatesintertwine.Thetwomustfaceoffinabattletothedeath,inwhichtheyareforcedtorevealthehorribletruthbehindtheiraddictiontomurder.“Brutal”takesaninterestingapproachtoitsvisuals,drawingheavyinfluencefromWestern“Grindhouse”films,usingafiltertomakethefootageappeargrainy,damaged,andwithlightandcolorfluctuations.Unfortunately,thevisualstylingendsupfeelingmisguided,asotherthanapplyingthefilteritdoesnotimitateanyotheraspectsofthe“Grindhouse”genre.Despitetryingtodirtyupthefilm,itisapparentitwasshotondigital.Thecinematographyisalsoastepabovemost“Grindhouse”productions,withTakashiHiroseprovinghehastalentbehindthecamera.Exteriorshotstothosetakingplaceinsmallspacesareallcompetentlyframed,lit,andtransitionwell.Thedecisiontoaddaneffectontopoftheworkhurtsthefilm’simageryandevengivesasenseofdesperationtotrytocaptureacertaintypeofnostalgiawiththeaudience,insteadofrelyingonitsownstrengths.Itisunfortunatewhenonecreativechoicecanhurtaproductionsomuch.Thestoryof“Brutal”issimplebuteffective,itdoesattemptsomesortofsocialcommentaryabouttheviolentnatureofmenandwomen,butitdoesnotofferenoughdepthintothesubjecttojustifytheamountofviolenceondisplay.Thefilmdoesendonastrongnotewithaninterestingtwist,witharevealthatisboundtogrosssomeout,whilegivingothersachuckle.Inspiteofitssimplenature,thosewhoenjoyfilmsthatmakethemsomewhatuncomfortableandenjoythechallengeofgettingthroughsomeultra-violence,“Brutal”posesafunandentertainingchallengeinthatregard.
