Mor
搜索"Mor" ，找到 以下影视作品
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Thefilmexploresthelife,philosophyandimpactofoneofthemostinfluentialearly20thcenturymodernists,MarcelDuchamp.ThefilmbreaksdownDuchampsideasandappliesthemtobothhistoricaleventsandthemodernistexplosionthatblanketedtheearly20thcentury.ArtofthePossibleisntsimplyabiopic;rather,thefilmshowshowDuchampsideaschangedthepublicconsciousness,andourunderstandingofaesthetics,art,andculture.ThefilmhighlightsthesingularimpactofDuchampsphilosophyonart,and,moreimportantly,examineshowDuchampsrevolutionaryideasfromtheearly20thcenturyhaveshapedthe21stcenturyandmodernday.
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Thisseriesisabovetheexpectationstheyhadaboutit.Itisveryfast(beyondthetempoofeachepisode)conflictsareabletodevelopandresolveineachepisode.Whichforoneasaspectatorisverygoodsincetherhythmisneverlost.Ontheotherhand,humormanagementisconstantandgivesititspointofgracesothatconflicts,whichareverydeep,canoccurwithalightnessthatcatches.ThechemistrythatPaulaUseroandCarolRovirakeepintheseriesisthesameastheyhavein"LoveIsForever"soinjust10minutestheycatchyouinawaythatwhenyoualreadyseethemtogetheryoualreadyknowthateverythingwillworkout,theyarethebasisofthisseriesandthewritersnoticethattheyknowitsincetheseriesisbyandforthem.
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Netflix记录剧集「摩门教行刺案」(Murder Among the Mormons,暂译)释出繁体中字正式预报。该剧由贾里德·赫斯!泰勒·米森执导。剧集以史无前例的片面角度,回想摩门社群内最令人惊恐的罪案,审阅当面的犯法领袖。剧集细探盐湖城产生的三起炸弹爆炸案,罪案招致两人逝世亡,盐湖城平易近气惶遽。第三名受害者马克·霍夫曼是一位着名珍藏家,专门珍藏珍稀的古籍文献,包含不甚光荣的「蝾螈手札」,内容足以撼动摩门教的基础。这多少起行刺案件打击了摩门教的中心,加上考察职员在霍夫曼车上发明浩繁毁损的晚期摩门手札与日志,使得全部摩门社群掀起轩然大波。霍夫曼在生逝世关头挣扎,考察职员则加紧脚步,想法查出本相。该剧将于3月3日登岸Netflix。
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Netflix宣布预订一部8集家庭+狗狗题材的单镜头喜剧《杜德治愈力TheHealingPowersofDude》，由EricaSpates及SamLittenberg-Weisberg负责﹑RichieKeen执导。这部剧灵感来自EricaSpates及SamLittenberg-Weisberg的社交焦虑经验，剧中讲述一个11岁男孩Noah患了社交恐惧症，当他入读中学时遇上混种情感抚慰狗Dude，而他俩意外地成为需要彼此的组合。剧集主演包括TomEverettScott﹑LarisaOleynik﹑LaurelEmory﹑MauricioLara﹑SophieJaewonKim﹑狗狗Dude及JaceChapman。
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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大卫·默辛格
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Golden Globe® winner Angela Lansbury returns as mystery writer Jessica Fletcher, and more people are turning up dead wherever she ventures. But, Jessica is the only one clever enough to read between the lines and see the clues nobody knew were there.
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泰勒·海克福德
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工程师彼特（大卫·摩斯 David Morse 饰）被武装分子绑架，罪犯要求彼特的雇主支付六百万美元的赎金，面对数额如此巨大的赎金，皮特的雇主回绝了绑匪的要求，保险公司亦采取了回避的态度。丈夫遭遇如此不幸，四处求助无门的爱丽丝（梅格·瑞恩 Meg Ryan 饰）最终找到了谈判专家特瑞（罗素·克劳 Russell Crowe 饰），这也是她能够找到的最后一根救命稻草。 在和绑匪谈判的过程中，特瑞发现整个绑架事件并没有他所想象的那么简单，与此同时，常年在婚姻中遇冷的爱丽丝对于稳重可靠的特瑞产生了真挚的感情。最后的期限眼看着就要到来，特瑞能够顺利的营救出彼特吗？他和爱丽丝之间的感情又是否能够有一个圆满的结局呢？
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Awealthyrais(aheadoflocaladministrationinTadzhikistan)buildshistoiletrightnexttothehouseofateacherinthevillage.Thearomasofthetoiletdisturbthelifeoftheteacher’sfamily;itisveryupsettingforthem.ButtheraisisalsoanewTadzhik(newmoney)andignoresthecomplaints.Moreover,everytimehevisitsthetoilet,heshamelesslystaresattheteacher’syoungwifeoverthefence.However,thepoweroftheraisissogreatthatnobodydarestoopposehim.Theteacherbuyscheaplyahomerightinfrontoftherais’shousefromanoldmananddecidestobuildapublictoiletthere.Itseemsthattheeraoffairytalesandlegendshasvanishedanditisnotpossibletomakefilm-parables.However,JamshedUsmonovcreatesfilm-parables.Ineveryoneofhisfilmsthereisacharactertellingalegendthatturnsthemeaningofthefilmallaround.InFlightoftheBeeitisataleaboutabee,whichsavedthelifeofanarmy:Onceuponatimeitwasacustomtokilloldpeoplewhoreachedacertainage.ButoneofthesoldiersofAlexandertheGreatdidn’thavethehearttokillhisfather.Hehidhiminhistravelingtrunkandcarrieditonhisbackduringmarches.Thearmycametoadesertandthewarriorsstartedtodiefromthirst.Nobodyknewhowtofindwater.Thefathersaidtohisson:Catchabee,tieawhitethreadtoitslegandfollowit.Itwilltakeyoutowater.Theyfoundwaterandthearmywassaved.Afterthatoldpeopleweresparedbecauseeverybodyrecognizedthemasasourceofwisdom.Thevillageteachertellsthisstorytohisstudentsatthebeginningofthefilm.ItisinterestingtonotehowinthefilmFlightoftheBeedifferentmentalitiesintermingledandco-existed.TheteacheristypicaloftheSovietintelligentsia:hewritesbooksthatnobodypublishes;helooksforjusticefromthegovernmentthathasneverbeenfairtohim.ThesurroundingsofthevillagearestillSoviet:theraishasLenin’sportraitinhisoffice;youngpeopleareidleanddrunkastheyalwayswereduringtheSovietera.Thenewcapitalists,thenewTadzhiksinthevillage,donotweardesignerjacketsanddonottalkoncellphones.Thenewmoneyispresentedinthecharacteroftherais.Ithasalmostafeudalquality;itisthepowerofalocallord.JamshedUsmonovhasauniquetalenttobalancethefunnyandserious,thesimpleandcomplicated.He,likenobodyelse,sensesthisborder,whereasimplestoryturnsintoaparableandfilmcharactersstandoutasarchetypesofdifferentperiodssettogetherinthegapoftimes.(kinokultura/GULNARAABIKEEVA)
