Sims
搜索"Sims" ，找到 以下影视作品
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Inspiredbytruelifeevents,intheOyoEmpireinthe1940's,ElesinOba,theking'schiefhorseman,succumbstothelureofbeautyandsexualdesireontheveryeveningheissettodieinordertofulfilhislifelongdebtofritualsuicidetoaccompanythedeadAlaafintotherealmoftheancestors,hederailsfromaveryimportantgenerationalandspiritualtransaction.Thissetsinmotionaseriesofcatastrophicconsequences,inaspell-bindingfilmofemotions,humour,andtragicrolereversalsthatputsancientbeliefsandcustomsontrialinaneverincreasinglypost-modernandWesternworld.
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五对夫夫各自隐藏秘密的故事。他们对爱情有着不同的含义，秘密和爱情。他们会走哪条路？他们将如何解决他们的问题？Thestoryof5couplesinwhicheachofthemconcealedsecrets.Theyhaveadifferentmeaningoflove,bothsecretandlove.Inwhichpathwilltheygo?Andhowtheywillsolvetheirproblems?
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Facing a bleak future, a young man runs away to Mexico where he is recruited by the mysterious captain of a paramilitary group of teens who fight drug cartels. Isolated at their desert camp and unsure what he's fighting for, he seeks to prove himself in this crucible of manhood.
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托德·菲利普斯
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Alan（扎克·加利凡纳基斯ZachGalifianakis饰）已经42岁了，却还和老爸老妈住在一块，有一天他的老爸“终于”被他气死了。Alan的几个死党Phil（布莱德利·库珀BradleyCooper饰）、Stu（艾德·赫尔姆斯EdHelms饰）和Doug（贾斯汀·巴萨JustinBartha饰）决定带着Alan去亚利桑那的一个地方给他心理治疗。四个人在路上意外被一个叫Marshall的人给劫持了。原来这一切都是LeslieChow（郑肯KenJeong饰）惹的祸。Chow从曼谷的监狱里逃出，并且劫走了Marshall的价值四千两百万的黄金中的一半。Marshall为了找出Chow，留下了Doug，让其余三人去把Chow带回来。Alan一直和Chow有联系，三人很快和Chow见了面，为了救回Doug，Chow决定带他们三人回原来自己的家中，取回那两千一百万黄金。眼看四人历经艰辛终于把黄金拿到了手，Chow却把他们三人锁在地下室，自己一个人带着黄金扬长而去。他们是否能救回Doug，这四个人又将经历怎样一段冒险旅程？
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Depressing,darklovedramawiththinstoryline,thatmakesyouwonderwhetherthemakersbelieveinlifeatall.Themaleprotagonistisconstantlyrunningintoproblemsandgetsbeatenuptimeandtimeagain,somuchsothatafterawhileIcouldnothelplaughing,whichcannothavebeentheintentionofthemakers:theyarevèry,vèryserious.ThecruxofthefilmseemstobeasharpcommentonthemoneydrivenGermansociety,inwhichitisimpossibletoshowanyrealaffection;ofcoursethiscouldbeadilemmaofthemakersthemselves:moneyisnottheproblem,butwhatyoudowithit.Notforgottenistoincludeanextremerightwingmanwhoseself-proclaimedpurposeinlifeitistofreethestreetofsociallyundesirableelements.Itisallveryheavysymbolismwithnorelief,butitiscertainlywell-madewithascriptthat-asthefilmprogresses-becomeslessandlesssurprising.Thetwoactingleadsaregood;finecinematography.(janonderwater)
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西蒙·韦斯特
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再次阅历了一番炮火麋集的血雨腥风,巴尼（西尔维斯特·史泰龙 Sylvester Stallone 饰）!圣诞（杰森·斯坦森 Jason Statham饰）!贡纳（杜夫·龙格尔 Dolph Lundgren 饰）!比利（利亚姆·海姆斯沃斯 Liam Hemsworth 饰）!收费公路（兰迪·库卓 Randy Couture 饰）跟凯撒（泰瑞·克鲁斯 Terry Crews 饰）这多少个敢逝世队的铁哥们正享用大战之后的难过舒服。但是好景不长,某晚教堂（布鲁斯·威利斯 Bruce Willis 饰）找上门来,勒令他前去阿尔巴尼亚噶扎克山区找一架被击落飞机上的保险箱,并确保箱子不会落入朋友之手,教堂还委派麦琪·张（余男 饰）与这群硬汉偕行。 看似简略的义务虚则布满凶恶,比利被敌手残暴杀戮。这已不再是一项义务,而是一场关乎兵士们友谊与声誉的战役……
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Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody. Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother. The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code. Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
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A deserted pond. Two lonely children fall under the spell of this wild place that, little by little, draws them closer to each other and gives them the strength to cope with life. Seen through their eyes, and through their imaginations, the pond becomes a secret kingdom, both marvellous and frightening, thronging with creatures born from dreams or nightmares. The children experience an initiation, brief and intense, from which they will emerge transformed.
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IanOlds
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After being exiled from Afghanistan, a former war journalist settles in a small town in northern California and takes a job with a local newspaper. But when he attempts to cover local crime, he stumbles into local corruption that puts himself and others in danger.
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A brief trip back home turns into a longer stay when Eric finds himself caught between catching up with his two sisters and conquering his old poker group. The more Eric extends his visit to prove that he is still the best poker player in town, the harder it becomes to steer clear of the old fault lines in his relationship with his sister Rachel. As their little sister Maggie attempts to recreate the intimate world they once shared, Eric and Rachel are faced with the divide between their childhood selves and the adults they have now become. ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?Displaying all the sensitivity and wicked humour of his previous works, Dustin Guy Defa’s new film is a shrewd study of the pitiless condition known as adulthood. After growing up in a family unit that constitutes your whole world, with its particular set of habits and a shared language, crossing the border into the realm of adults can feel disempowering, even terrifying. A sense of loss may be difficult to ever really overcome. The film’s meticulous structure and novelistic depth lay bare this fundamental fear, but also the resources that exist to fight it. Setting about this treasure hunt deep within as individuals and as a family is an admirable trio of actors whose interpretation is as nuanced as it is poignant.
